| Fotos (ver todos los 58 | slideshow) | Videos (see all 5) |
| Ken Watanabe | ... | General Kuribayashi | |
| Kazunari Ninomiya | ... | Saigo | |
| Tsuyoshi Ihara | ... | Baron Nishi | |
| Ryo Kase | ... | Shimizu | |
| Shido Nakamura | ... | Lieutenant Ito (as Shidou Nakamura) | |
| Hiroshi Watanabe | ... | Lieutenant Fujita | |
| Takumi Bando | ... | Captain Tanida | |
| Yuki Matsuzaki | ... | Nozaki | |
| Takashi Yamaguchi | ... | Kashiwara | |
| Eijiro Ozaki | ... | Lieutenant Okubo | |
| Nae | ... | Hanako | |
| Nobumasa Sakagami | ... | Admiral Ohsugi | |
| Luke Eberl | ... | Sam (as Lucas Elliot) | |
| Sonny Saito | ... | Medic Endo (as Sonny Seiichi Saito) | |
| Steve Santa Sekiyoshi | ... | Kanda | |
| Hiro Abe | ... | Lt. Colonel Oiso | |
| Toshiya Agata | ... | Captain Iwasaki | |
| Yoshi Ishii | ... | Private Yamazaki | |
| Toshi Toda | ... | Colonel Adachi | |
| Ken Kensei | ... | Maj. General Hayashi | |
| Ikuma Ando | ... | Ozawa | |
| Akiko Shima | ... | Lead Woman | |
| Masashi Nagadoi | ... | Admiral Ichimaru | |
| Mark Moses | ... | American Officer | |
| Roxanne Hart | ... | Officer's Wife | |
| Yoshio Iizuka | ... | Tired Soldier | |
| Mitsu | ... | Suicide Soldier (as Mitsu Kurokawa) | |
| Takuji Kuramoto | ... | Ono | |
| Koji Wada | ... | Hashimoto | |
| Akira Kaneda | ... | Japanese Soldier #1 | |
| Shoji Hattori | ... | Japanese Soldier #2 | |
| Mark Tadashi Takahashi | ... | Japanese Soldier #3 | |
| Mitsuyuki Oishi | ... | Japanese Soldier #4 | |
| Evan Ellingson | ... | Kid Marine | |
| Kazuyuki Morosawa | ... | Ito's Guard | |
| Masayuki Yonezawa | ... | Ito's Soldier | |
| Hiroshi Tom Tanaka | ... | Hopeless Soldier | |
| Mathew Botuchis | ... | American Marine | |
| Yukari Black | ... | Mother | |
| Daisuke Nagashima | ... | Prisoner | |
| Kirk Enochs | ... | Marine Officer | |
| Ryan Kelley | ... | Marine #2 | |
| Jonathan Oliver Sessler | ... | Marine #3 | |
| Michael Lawson | ... | Marine #4 | |
| Taishi Mizuno | ... | Cave Soldier #1 | |
| Daisuke Tsuji | ... | Cave Soldier #2 | |
| Yoshi Ando | ... | Excavator #1 | |
| Yutaka Takeuchi | ... | Excavator #2 | |
| Tsuguo Mizuno | ... | Lead Excavator | |
| Mark Ofuji | ... | Kuribayashi's Guard | |
| Hallock Beals | ... | Marine at Clearing | |
| Ryan Carnes | ... | Marine at Clearing | |
| Jeremy Glazer | ... | Marine Lieutenant | |
| Ryoya Katsuyama | ... | Boy | |
| Masashi Odate | ... | Cook | |
| London Kim | ... | Okubo's Soldier | |
| Dick 'Skip' Evans | ... | Pilot (as Skip Evans) | |
| Wanliss E. Armstrong | ... | Pilot | |
| listado alfabético del resto del reparto: | |||
| Rio Ahn | ... | Wounded Japanese Soldier (uncredited) | |
Dirigida por | |||
| Clint Eastwood | |||
Créditos del guión(WGA) | ||
| Iris Yamashita | (screenplay) | |
| Iris Yamashita | (story) & | |
| Paul Haggis | (story) | |
| Tadamichi Kuribayashi | book "Picture Letters from Commander in Chief" and | |
| Tsuyoko Yoshido | book editor "Picture Letters from Commander in Chief" | |
Producida por | |||
| Clint Eastwood | .... | producer | |
| Paul Haggis | .... | executive producer | |
| Robert Lorenz | .... | producer | |
| Tim Moore | .... | co-producer | |
| Steven Spielberg | .... | producer | |
Música original por | |||
| Kyle Eastwood | |||
| Michael Stevens | |||
Fotografía por | |||
| Tom Stern | (director of photography) | ||
Montaje por | |||
| Joel Cox | |||
| Gary Roach | (as Gary D. Roach) | ||
Casting | |||
| Phyllis Huffman | |||
Diseño de producción por | |||
| Henry Bumstead | |||
| James J. Murakami | |||
Decorados | |||
| Gary Fettis | |||
Diseño de vestuario por | |||
| Deborah Hopper | |||
Departamento de maquillaje | |||
| Patricia Dehaney-Le May | .... | key hair stylist (as Patricia Dehaney) | |
| Vincent J. Guastini | .... | burn effects | |
| Zoe Hay | .... | makeup artist | |
| Stefan Jorgen | .... | special makeup effects artist | |
| Eryn Krueger Mekash | .... | key makeup artist (as Eryn Krueger) | |
| Tania McComas | .... | makeup department head | |
| JoJo Myers Proud | .... | makeup artist (as JoJo Proud) | |
| Carol A. O'Connell | .... | hair department head | |
| Dennis Roden | .... | hair stylist | |
| Dave Snyder | .... | makeup artist | |
| Rebecca Wachtel | .... | third makeup artist | |
| Jay Wejebe | .... | makeup artist | |
| Roxy D'Alonzo | .... | special makeup effects artist (uncredited) | |
Dirección de producción | |||
| Tim Moore | .... | unit production manager | |
Ayudante de dirección | |||
| Katie Carroll | .... | second assistant director | |
| Peter Dress | .... | second second assistant director (as Pete Dress) | |
| Donald Murphy | .... | first assistant director | |
| Michael Owens | .... | second unit director | |
| Kent Tsurumaru | .... | additional second second assistant director | |
Efectos especiales | |||
| John J. Downey | .... | special effects technician | |
| Mike Edmonson | .... | special effects set coordinator | |
| Mike Edmonson | .... | special effects supervisor | |
| Jason Hansen | .... | special effects technician | |
| Brian Hillard | .... | special effects makeup: Tinsley Transfers | |
| Steve King | .... | special effects technician (as Steven King) | |
| Steven D. Kline | .... | special effects technician | |
| James Lacroix | .... | special effects technician | |
| James Lorimer | .... | special effects technician (as Jim Lorimer) | |
| Nick Papac | .... | special effects technician (as Nicholas M. Papac) | |
| David A. Poole | .... | special effects technician (as David Poole) | |
| Shari Ann Riley | .... | special effects technician | |
| Steve Riley | .... | special effects supervisor (as Steven Riley) | |
| Dominic V. Ruiz | .... | special effects technician | |
Visual Effects | |||
| Austen Armus | .... | render coordinator | |
| Tohda Asuka | .... | CG lighting artist: Digital Domain (as Asuka Tohda) | |
| Geoffrey E. Baumann | .... | on-set survey and integration lead: Digital Domain (as Geoffrey Baumann) | |
| Eric M. Beaver | .... | digital compositor (as Eric Beaver) | |
| Joel Behrens | .... | compositor: Digital Domain | |
| Niki Bern | .... | compositor | |
| Frank Bonniwell | .... | animator | |
| Andrew Bradbury | .... | CG lighting artist: Digital Domain | |
| Matthew E. Butler | .... | visual effects supervisor: Digital Domain (as Matthew Butler) | |
| Howard Cabalfin | .... | digital artist | |
| Dan Cobbett | .... | digital compositor: Digital Domain | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Janice Barlow Collier | .... | dustbuster: Digital Domain (as Janice Barlow) | |
| Brenton Cottman | .... | matte painter | |
| Shad Davis | .... | visual effects coordinator | |
| Eric Deinzer | .... | digital artist | |
| Edgar Díaz | .... | roto/paint artist: Digital Domain | |
| Gareth Dinneen | .... | digital compositor | |
| Hugo Dominguez | .... | rotoscope artist: Digital Domain | |
| Christina Drahos | .... | digital compositor: Digital Domain | |
| Mark Duckworth | .... | rotoscope artist | |
| Jenn Epstein | .... | digital paint & rotoscope artist: Digital Domain | |
| Chad Finnerty | .... | animator | |
| Jay Frankenberger | .... | compositor: Digital Domain | |
| Antonio Freire | .... | production accountant | |
| Robert A.D. Frick | .... | CG lighting artist: Digital Domain | |
| Brian Gazdik | .... | digital effects artist: Digital Domain | |
| Swen Gillberg | .... | computer graphics supervisor: Digital Domain | |
| Bryan Grill | .... | digital effects supervisor | |
| Ian A. Harris | .... | rotoscope artist: Digital Domain | |
| Marlan Harris | .... | visual effects | |
| Peter Herlein | .... | rotoscope artist: Digital Domain | |
| Brad Herman | .... | digital artist: Digital Domain | |
| David Hodgins | .... | computer graphics supervisor: Digital Domain | |
| Christopher Holsey | .... | scan record supervisor | |
| Holly Gregory Horter | .... | rotoscope artist: Digital Domain (as Holly Horter) | |
| Heather Hoyland | .... | digital compositor | |
| Chia-Chi Hu | .... | digital compositor | |
| Melissa Huerta | .... | rotoscope artist: Digital Domain | |
| Steven Hur | .... | technical assistant | |
| Atsushi Ikarashi | .... | digital effects artist | |
| Aruna Inversin | .... | digital compositor: Digital Domain | |
| Dag Iversay | .... | digital compositor: Digital Domain (as Dag Ivarsoy) | |
| Michelle Jacobs | .... | production coordinator | |
| Sarahjane Javelo | .... | digital paint/rotoscope artist: Digital Domain | |
| Jaimie Lee Jota | .... | senior digital coordinator: Digital Domain (as Jaimie Jota) | |
| Gabriella Urbina Kalaitzidis | .... | digital compositor: Digital Domain | |
| Jeff Kim | .... | digital compositor | |
| Seunghyuk Kim | .... | digital effects artist: Digital Domain (as Seung Hyuk Kim) | |
| Viviana Kim | .... | lead rotoscope artist: Digital Domain | |
| Paul Lambert | .... | digital compositor | |
| Errol Lanier | .... | digital artist: Digital Domain | |
| Mårten Larsson | .... | visual effects lead | |
| Julian Levi | .... | visual effects producer | |
| Robert Liscombe | .... | digital artist | |
| Jo Lockman | .... | dustbuster | |
| Jo Lockman | .... | scanning and recording operator: Digital Domain | |
| Ross MacKenzie | .... | lead 3D integration artist: Digital Domain | |
| Michael Maker | .... | 3D integration artist: Digital Domain | |
| Michael Maloney | .... | digital compositor | |
| Rory McLeish | .... | CG lighting artist: Digital Domain | |
| Daniel Mejia | .... | rotoscope artist: Digital Domain | |
| Michael Melchiorre | .... | senior digital compositor | |
| Rohini Montenegro | .... | 3D integration artist: Digital Domain | |
| Marc Morissette | .... | digital compositor: Digital Domain | |
| Jihyun Nam | .... | visual effects | |
| Erin L. Nelson | .... | digital restoration | |
| Winfield O'Brien | .... | visual effects production assistant: Digital Domain | |
| Melanie Okamura | .... | lead CG modeler: Digital Domain | |
| Kym Olsen | .... | digital compositor: Digital Domain | |
| Midori Otsubo | .... | roto artist: Digital Domain | |
| Michael Owens | .... | visual effects supervisor | |
| Marlo Pabon | .... | digital compositor: Digital Domain | |
| Louis Paré | .... | digital lighting artist | |
| Lou Pecora | .... | lead digital compositor: Digital Domain | |
| Eric Petey | .... | animator | |
| Darren Poe | .... | compositing supervisor (as Darren M. Poe) | |
| Youngil Pyo | .... | digital effects artist: Digital Domain | |
| Youngil Pyo | .... | digital terrain lead: Digital Domain | |
| Thomas Reppen | .... | digital effects artist: Digital Domain | |
| Penny Runge | .... | visual effects coordinator | |
| David Sanchez | .... | 3D integration artist: Digital Domain | |
| Christopher Savides | .... | color grader: Digital Domain | |
| Tom Schultz | .... | data integration pool lead: Digital Domain | |
| Diana Sear | .... | CG lighting artist: Digital Domain | |
| Jason Selfe | .... | lead compositor: Digital Domain | |
| Stan Seo | .... | matte painter: Digital Domain | |
| Lisa Spence | .... | digital producer | |
| Tamara Stone | .... | digital compositor | |
| Åsa Svedberg | .... | lighter | |
| Andy Tamandl | .... | animator: Digital Domain (as Andrew Tamandl) | |
| Hanzhi Tang | .... | lighting lead | |
| Wilson Tang | .... | digital restoration | |
| Fin Teo | .... | digital texture lead | |
| Jen Underdahl | .... | digital coordinator | |
| John Velazquez | .... | animator | |
| Scott Vosbury | .... | digital paint & rotoscope artist: Digital Domain | |
| Bob Wiatr | .... | digital compositor | |
| Virginia Wilson | .... | visual effects coordinator: Digital Domain | |
| Deborah Wiltman | .... | digital compositor | |
| Paul Winze | .... | visual effects coordinator | |
| Matthias Wittmann | .... | animation lead: Digital Domain | |
| Pam Wong | .... | 3D integration artist: Digital Domain | |
| Niki Yoblonski | .... | rotoscope artist: Digital Domain | |
| Jesse James Chisholm | .... | on-set survey and data integration: Digital Domain (uncredited) | |
| Amanda Hampton | .... | pipeline engineer (uncredited) | |
| Bill Schaeffer | .... | digital paint and rotoscope artist (uncredited) | |
| Kristen Swanson | .... | dustbuster: Digital Domain (uncredited) | |
Especialistas | |||
| Brian Avery | .... | utility stunts | |
| Dan Brown | .... | utility stunts | |
| Richard Bucher | .... | stunts | |
| Steve Chang | .... | stunts | |
| Ilram Choi | .... | stunts | |
| Arnold Chun | .... | stunt performer | |
| Lauren Dennis | .... | utility stunts | |
| J. Mark Donaldson | .... | stunts | |
| Colin Follenweider | .... | utility stunts | |
| Daniel Forcey | .... | utility stunts | |
| Al Goto | .... | stunts | |
| Michael Hugghins | .... | stunts | |
| Yoshio Iizuka | .... | stunt performer | |
| Steven Ito | .... | stunt performer | |
| Will Leong | .... | stunts | |
| Scott Leva | .... | utility stunts | |
| Mark McDaniels | .... | utility stunts | |
| Anthony Molinari | .... | utility stunts | |
| T. Ryan Mooney | .... | utility stunts | |
| Thomas Isao Morinaka | .... | stunt performer | |
| Samuel Reynolds | .... | utility stunts | |
| Simon Rhee | .... | stunt performer | |
| Sam Situmorang | .... | stunts | |
| McKay Stewart | .... | stunts | |
| Dennis Y. Takeda | .... | stunt performer | |
| Chris Torres | .... | utility stunts | |
| Xuyen Valdivia | .... | utility stunts | |
| Jon Valera | .... | stunts (as John Valera) | |
| Buddy Van Horn | .... | stunt coordinator | |
| Tyler Vogt | .... | utility stunts | |
Cámara y Departamento Eléctrico | |||
| Kirk Bales | .... | dolly grip | |
| Buzzy Burwell | .... | lamp operator | |
| Stephen S. Campanelli | .... | camera operator | |
| Trevor Carroll-Coe | .... | film loader | |
| Robert Chinello | .... | grip | |
| Bill Coe | .... | first assistant camera: "a" camera | |
| Julie Donovan | .... | first assistant camera: "b" camera | |
| Ross Dunkerley | .... | gaffer | |
| Sheila Greene | .... | set electrician | |
| Mitch Gulbin | .... | grip | |
| John Lacy | .... | assistant chief lighting technician | |
| David Luckenbach | .... | camera operator: "b" camera | |
| Richard Masino | .... | first assistant camera: "b" camera, second unit | |
| Bobby McMahan | .... | second assistant camera | |
| Brian Minzlaff | .... | lamp operator | |
| Liz Radley | .... | camera operator: high definition camera | |
| Wally Rowell | .... | rigging electrician | |
| Charles Saldana | .... | key grip | |
| T. Daniel Scaringi | .... | rigging grip | |
| Bruce D. Spellman | .... | grip | |
| Atom Vyvial | .... | rigging grip | |
| Doug Wall | .... | best boy grip | |
| Merie Weismiller Wallace | .... | still photographer | |
Departamento de reparto | |||
| Barbara Harris | .... | adr voice casting | |
| Geoffrey Miclat | .... | casting associate | |
| Yumi Takada | .... | casting associate | |
| Dixie Webster | .... | extras casting | |
Departamento de vestuario | |||
| Corey Bronson | .... | set costumer | |
| Ann Culotta | .... | set costumer | |
| Daniel Dirks | .... | set costumer | |
| Matthew Jerome | .... | costumer | |
| Mitchell Ray Kenney | .... | costume supervisor | |
| Andrea Knaub | .... | set costumer | |
| Jack Taggart | .... | head ager and dyer | |
| John M. 'Jack' Wright | .... | costume supervisor | |
Departamento de Edición | |||
| Ron Barr | .... | digital intermediate editor | |
| Jill Bogdanowicz | .... | digital film colorist | |
| Bruce Lomet | .... | digital intermediate producer | |
| Blu Murray | .... | assistant editor | |
| Mark Sahagun | .... | digital editor | |
| Kurt Smith | .... | color timer | |
Departamento de Música | |||
| Robert Fernandez | .... | scoring mixer | |
| Donald Harris | .... | music editor (as Don Harris) | |
| Andrew McCormack | .... | musician: piano | |
| Lennie Niehaus | .... | conductor | |
| Lennie Niehaus | .... | orchestrator | |
| Richard Wheeler Jr. | .... | scoring crew | |
Departamento de Transporte | |||
| Nicholas Acquaviva | .... | driver | |
| Michael DePue | .... | driver: generator | |
| Doug Dovichi | .... | driver | |
| Mike Ortiz | .... | driver: greens | |
| Frank Porras | .... | transportation | |
| Kirk Roberts | .... | driver | |
| Domiciano Rodriquez | .... | transportation co-captain | |
| Alana Stelling | .... | transportation captain | |
| Larry Stelling | .... | transportation coordinator | |
Otros miembros del equipo | |||
| Steve Beimler | .... | location manager | |
| Michael Bilog | .... | first assistant accountant | |
| Ben Bohling | .... | assistant: Mr. Spielberg | |
| Brinton Bryan | .... | key set production assistant | |
| Paul A. Calabria | .... | animal wrangler (as Paul Calabria) | |
| James D. Dever | .... | military technical advisor: Japan/USA | |
| David Fencl | .... | key armorer | |
| Michaël Gojon dit Martin | .... | armorer | |
| Jason Gondek | .... | production accountant | |
| Danielle Hartzell | .... | assistant production coordinator | |
| Tom Hogan | .... | key assistant location manager | |
| Tom Hogin | .... | key assistant location manager | |
| Judie Hoyt | .... | production executive: Malpaso (as Judie G. Hoyt) | |
| Kiko Ireton | .... | cultural advisor: Japan | |
| Yuki Ishimaru | .... | interpreter | |
| Yuki Ishimaru | .... | script translator | |
| Nancy G. James | .... | key craft service | |
| Linda Kai | .... | key assistant location manager | |
| Don Kincade | .... | set production aide | |
| Thomas Longo | .... | extras coordinator | |
| Deana Lou | .... | assistant: Mr. Eastwood | |
| Kristie Macosko | .... | assistant: Mr. Spielberg | |
| Jessica Meier | .... | additional assistant production office coordinator | |
| Matt Miller | .... | additional set production assistant | |
| Meg Mimura | .... | technical advisor | |
| Tom Minder | .... | assistant military advisor | |
| Tom Minder | .... | assistant military technical advisor | |
| Joy Nakagawa | .... | interpreter | |
| Greg Newman | .... | assistant: Mr. Lorenz | |
| Alexander Nicksay | .... | high definition coordinator | |
| Phyllis Overall | .... | staff assistant | |
| Nick Papac | .... | armorer | |
| Denise Anderson Poore | .... | production assistant | |
| Terry Quay | .... | assistant military technical advisor (as SSgt. Quay Terry Ret.) | |
| Jenniphur Ryan | .... | assistant: Mr. Eastwood | |
| Gian Sardar | .... | assistant: Mr. Haggis | |
| Taffy Schweickhardt | .... | payroll accountant | |
| Karen Shaw | .... | production coordinator | |
| Takae Shimizu | .... | interpreter | |
| Linda Stelling | .... | set medic | |
| Miker Stovall | .... | additional assistant production coordinator | |
| Landon Trawny | .... | accounting clerk | |
| John Trujillo | .... | layout board | |
| Stephanie Whallon | .... | second assistant accountant | |
| Jim Wheelan | .... | assistant location manager: Barstow, Pisgah locations (as James H. Wheelan) | |
| Robert Boas | .... | i/o support (uncredited) | |
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| Saving Private Ryan | Rambo | Kataude mashin gâru | Batoru rowaiaru | The Last Samurai |
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IMDb Calificación de los usuarios:
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I was very disappointed to learn that this movie was only going to have a limited showing in the US, only one or two theaters on either coast. My wife and I both enjoyed "Flags" and were pleased when we learned that Clint Eastwood made a second movie, this time telling the story from the Japanese perspective. As luck would have it, we going to Japan for the holidays so we decided to try and see the movie in Tokyo during our trip. We went to the Ginza area of Tokyo and, to our surprise, the movie was completely sold out. We needed to buy tickets at least one day in advance. Further, we learned that the movie was currently number 1 in Japan. Wow that's impressive that an American made movie would become number one in Japan! Way to go, Clint! After a little extra planning and some adjustments to our schedule, we bought advance tickets and came back the next day.
We completely loved it. We were moved and stirred with many emotions including anger, anger over the horrors of war. We actually liked it better than "Flags of our Fathers". The movie was in Japanese and, as near as we could tell, Japanese appears to be the native language of the film. There were brief moments of English, American solders talking, one flash back scene before the war during a foreign dignitary dinner, and of course the credits at the end. The movie would have to be translated and/or sub titled to English in order to have half a chance in the US. Frankly, I think translation would take away from the movie's beauty and meaning. I understand a limited amount of Japanese so I could follow most of the story. The theater was very big and packed. I was a little uncomfortable at first; I may well have been the only American in the place. My wife (who is Japanese) and I sat next to an older couple. At several points during the film, I thought I noticed the man from the couple crying. When the film ended, my wife talked with the couple and learned that the old man's father died in Iwo jima. Later during the trip, speaking with Japanese friends and seeing the Japanese news, stories of lost loved ones from the war were common and this movie for the Japanese people has brought many of these memories out in the open.
To the Japanese, Iwo jima was a part of their homeland where a foreign invader was going to land and begin its invasion on Japanese soil. Throughout all of recorded Japanese history, never had a foreign invader prevailed in war against the Japanese on Japanese land. The imperial Japanese government of that time used this when they sent fighters to Iwo jima. These fighters were to ordered to "fight to the death" defending their country. That to loose and not die fighting would bring disgrace to self and family. They knew that America was planning to send an overwhelming force and they knew that they were being sent to die. For Americans, Iwo jima was just another far away place and different point in time where American boys were sent and where, unfortunately, some lives were lost fighting for freedom. My god, have we become that blasé about the wars our sons and daughters are being sent to fight in? My wife and I are unique, not typical American movie goers. I'm American, my wife is Japanese. Together, we've visited and cried together at the A-bomb Dome in Hiroshima, and again at the Arizona Memorial in Hawaii. I have relatives who fought in the Pacific, she also has family who fought in the war and who lived in Hroshima. I have two sons now serving in the US Marines. Together my wife and I watched and enjoyed both movies. The movies really didn't bring anything new, historically, to us about Iwo jima. But, the movies did do an excellent job reminding us that the ones who pay the price for war are normal everyday people. People who really don't understand the reasons or the politics behind why they are being sent to die. People who live, love, and are loved by family and friends. People with dreams and ambitions. But, for some reason when called by the leaders of the time, they go forward, obey orders, and do their duty. Sometimes, paying the ultimate price.
I've grown up with Clint Eastwood and it has been a wonderful entertaining journey. These two movies are, in my opinion, his best. Not because of the action, or the drama, or any of the other things that Clint Eastwood is known for, but because he's given us two interlinked stories about the affects of war on the people who are called to pay the ultimate price people like you and me. We may be from different cultures, eat different food, speak different languages, prey to God differently, but we all have things in common. We all live, love, want to be loved, and we dream about and long for peace. And, sometimes we are called to serve and pay for the opportunity. Thank you Clint.