Reeling from the loss of his former partner, Frost resigns from the force. But, he soon returns to investigate the suspicious death of a reclusive art collector.Reeling from the loss of his former partner, Frost resigns from the force. But, he soon returns to investigate the suspicious death of a reclusive art collector.Reeling from the loss of his former partner, Frost resigns from the force. But, he soon returns to investigate the suspicious death of a reclusive art collector.
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Storyline
Did you know
- Trivia"Appendix Man" carries on from season 3 episode 3, "Dead Male One".
- GoofsThe fishtank has been moved to the opposite wall in Mullet's office.
- Crazy creditsPoster of "Day Pool with Three Blues (paper pool 7)" 1978, pressed paper pulp, 72 x 85 1/2". copyright 1998 David Hockney/Tyler Graphic Ltd and used with the Artist's permission.
Featured review
The case of the murdered art collector
'A Touch of Frost' is a personal favourite of mine, and one of my favourite shows from the detective/mystery genre. Do have a preference perhaps for the earlier-mid-show episodes over the later ones, but none of the episodes are less than watchable and none do anything to embarrass the show.
So much appeals about 'A Touch of Frost'. Love the mix of comedy (mostly through Frost's snide comments and quips) and dark grit, the tension between rebellious Jack Frost and by-the-book Mullet which has led to some humorous moments, how he interacts with the rest of the staff, the deft mix of one or two cases and Frost's personal life, how Frost solves the cases, the production values, music and of course David Jason in one of his best roles.
There may have been people initially sceptical about whether the show would work, and with Jason (a mainly comedic actor) in a departure from usual in the lead role. Scepticism very quickly evaporated, with the first season containing three consistently great episodes, even with the darker and grittier approach with less humour, that established the tone and characterisation so brilliantly so early on with no signs of finding-their-feet. Seasons 2 and 3 continued that high standard, "Appropriate Adults" and "Stranger in House" particularly being show highlights. Season 4 was also very good, particularly "Paying the Price" and "Deep Waters", the weakest "Unknown Soldiers" still being pretty good. All four episodes of Season 5 were brilliant, especially "Penny for the Guy" and "No Other Love".
"Appendix Man" is not a bad episode at all, far from it, and is a well above average start for Season 6. Just that it is a disappointment after such a consistently brilliant previous season and being so floored by "No Other Love".
Pacing does plod at times, and while the story is diverting and clever it does take somewhat of a convoluted turn once things get complicated and there is a rather unsurprising final solution, having suspected the murderer fairly early on. And yes, there are some sloppy continuity gaffes that one tries to ignore but struggles.
On the other hand, "Appendix Man" is very well made visually. It matches the dark, gritty tone of the episode beautifully with atmospheric lighting and the stylish way it's shot. The music is haunting without being over-bearing.
The script is well written, with a few very amusing quips from Frost, and thought-provoking, while the direction is solid. The story is absorbing and mostly is tautly paced.
Frost is a remarkably well-established character , and one cannot help love his interaction with the rest of the officers and his chemistry with Bruce Alexander's stern and by-the-book Mullet, who constantly despairs of Frost's unconventional approach. Frost's chemistry with Barnard is one of the best developed and written of the show. Hazel Wallace, played by a sincere Caroline Harker, makes a welcome return to the show.
Jason is brilliant, then again he always was as Frost, while Harker, Bruce Alexander and John Lyons are similarly strong. As is the support acting from Cheryl Campbell.
In conclusion, well above average but a couple of steps down in quality from the previous season. 7/10 Bethany Cox
So much appeals about 'A Touch of Frost'. Love the mix of comedy (mostly through Frost's snide comments and quips) and dark grit, the tension between rebellious Jack Frost and by-the-book Mullet which has led to some humorous moments, how he interacts with the rest of the staff, the deft mix of one or two cases and Frost's personal life, how Frost solves the cases, the production values, music and of course David Jason in one of his best roles.
There may have been people initially sceptical about whether the show would work, and with Jason (a mainly comedic actor) in a departure from usual in the lead role. Scepticism very quickly evaporated, with the first season containing three consistently great episodes, even with the darker and grittier approach with less humour, that established the tone and characterisation so brilliantly so early on with no signs of finding-their-feet. Seasons 2 and 3 continued that high standard, "Appropriate Adults" and "Stranger in House" particularly being show highlights. Season 4 was also very good, particularly "Paying the Price" and "Deep Waters", the weakest "Unknown Soldiers" still being pretty good. All four episodes of Season 5 were brilliant, especially "Penny for the Guy" and "No Other Love".
"Appendix Man" is not a bad episode at all, far from it, and is a well above average start for Season 6. Just that it is a disappointment after such a consistently brilliant previous season and being so floored by "No Other Love".
Pacing does plod at times, and while the story is diverting and clever it does take somewhat of a convoluted turn once things get complicated and there is a rather unsurprising final solution, having suspected the murderer fairly early on. And yes, there are some sloppy continuity gaffes that one tries to ignore but struggles.
On the other hand, "Appendix Man" is very well made visually. It matches the dark, gritty tone of the episode beautifully with atmospheric lighting and the stylish way it's shot. The music is haunting without being over-bearing.
The script is well written, with a few very amusing quips from Frost, and thought-provoking, while the direction is solid. The story is absorbing and mostly is tautly paced.
Frost is a remarkably well-established character , and one cannot help love his interaction with the rest of the officers and his chemistry with Bruce Alexander's stern and by-the-book Mullet, who constantly despairs of Frost's unconventional approach. Frost's chemistry with Barnard is one of the best developed and written of the show. Hazel Wallace, played by a sincere Caroline Harker, makes a welcome return to the show.
Jason is brilliant, then again he always was as Frost, while Harker, Bruce Alexander and John Lyons are similarly strong. As is the support acting from Cheryl Campbell.
In conclusion, well above average but a couple of steps down in quality from the previous season. 7/10 Bethany Cox
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- TheLittleSongbird
- Jul 2, 2017
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