| Fotos (ver todos los 2 | slideshow) | Videos |
| Marianne Faithfull | ... | Maggie / Irina Palm | |
| Miki Manojlovic | ... | Miki | |
| Kevin Bishop | ... | Tom | |
| Siobhan Hewlett | ... | Sarah | |
| Dorka Gryllus | ... | Luisa | |
| Jenny Agutter | ... | Jane | |
| Corey Burke | ... | Ollie | |
| Meg Wynn Owen | ... | Julia | |
| Susan Hitch | ... | Beth | |
| Flip Webster | ... | Edith | |
| Tony O'Brien | ... | Shopkeeper | |
| Jules Werner | ... | Doctor | |
| Ann Queensberry | ... | 1st Old Lady | |
| June Bailey | ... | 2nd Old Lady | |
| Jonathan Coyne | ... | Dave | |
| Tim Plester | ... | Frank | |
| Malina Ebert | ... | Dunia | |
| Peter Sproule | ... | Physio | |
| Hassani Shapi | ... | Consultant | |
| Liam Reilly | ... | Agency Man | |
| Doraly Rosen | ... | Bank Clerk | |
| Ibrahima Sanogo | ... | Ibrahim | |
| Simon Anderson | ... | Lad | |
| listado alfabético del resto del reparto: | |||
| Steve Kingett | ... | A pimp | |
Dirigida por | |||
| Sam Garbarski | |||
Créditos del guión | ||
| Martin Herron | (writer) and | |
| Philippe Blasband | (writer) & | |
| Sam Garbarski | (writer) | |
Música original por | |||
| Ghinzu | |||
Fotografía por | |||
| Christophe Beaucarne | |||
Montaje por | |||
| Ludo Troch | |||
Casting | |||
| Leo Davis | |||
| Nathaniele Esther | |||
Diseño de producción por | |||
| Véronique Sacrez | |||
Dirección artística | |||
| Regine Constant | |||
| Karen Wakefield | |||
Diseño de vestuario por | |||
| Anushia Nieradzik | |||
Departamento de maquillaje | |||
| Claudine Moureaud | .... | key hair stylist | |
| Claudine Moureaud | .... | makeup artist | |
| Katja Reinert-Alexis | .... | makeup department head | |
| Katja Reinert-Alexis | .... | makeup designer | |
Ayudante de dirección | |||
| Brigitte Chandless | .... | first assistant director: second unit | |
| Will Cummins | .... | crowd assistant director: UK | |
| Sascha Heyar | .... | additional third assistant director: Luxembourg | |
| Stefan Magnusson | .... | third assistant director | |
| Andreas Meszaros | .... | first assistant director | |
| Jim Probyn | .... | second assistant director | |
Departamento de Arte | |||
| Ravit Bechor | .... | assistant art director | |
| Manuel Demoulling | .... | stand-by props | |
| François Dickes | .... | stand-by props | |
| Valerio Lopes | .... | graphics designer | |
| Edouard Pallardy | .... | head painter | |
| Graham Ward | .... | property master: UK | |
Departamento de sonido | |||
| Thomas Gauder | .... | sound re-recording mixer | |
| Aline Gavroy | .... | foley recording engineer | |
| Eric Horstmann | .... | sound re-recording mixer assistant | |
| Pascal Jasmes | .... | sound recordist | |
| Pascal Jasmes | .... | sound | |
| Philippe Kohn | .... | boom operator | |
| Valérie Le Docte | .... | foley editor | |
| Zoran Maksimovic | .... | adr recordist | |
| Ingrid Ralet | .... | sound editor | |
| Philippe van Leer | .... | foley artist | |
Especialistas | |||
| Steve Truglia | .... | fight director | |
| Steve Truglia | .... | stunt coordinator | |
Cámara y Departamento Eléctrico | |||
| Jeremy Braben | .... | aerial director of photography | |
| Celio Castro | .... | best boy | |
| Gilbert Degrand | .... | electrician | |
| Kevin Dresse | .... | electrician | |
| Stefan Hase | .... | key grip | |
| Jean-Pierre Lacroix | .... | gaffer | |
| Luc Pallet | .... | focus puller | |
| Kerstin Stelter | .... | still photographer | |
| Bruno Verstraete | .... | co-gaffer | |
| Oliver Ward | .... | camera technician: Wescam camera | |
Departamento de reparto | |||
| Lissy Holm | .... | casting assistant | |
| Anja Joos | .... | casting: Germany | |
| Emma Lawson | .... | extras casting: UK | |
| Johanna Ragwitz | .... | extras casting | |
Departamento de vestuario | |||
| Uli Simon | .... | costume supervisor | |
| Peggy Wurth | .... | wardrobe | |
Departamento de Edición | |||
| Jean-Luc Simon | .... | first assistant editor | |
Departamento de Transporte | |||
| Gaby Meyers | .... | truck driver | |
| Francois Muller | .... | truck driver | |
| Hrouchoff Svet | .... | driver: makeup/costume department | |
Otros miembros del equipo | |||
| Rachel Berger | .... | personal acting coach: Marianne Faithfull | |
| Kerensa Burton | .... | script supervisor | |
| Marie Courtel | .... | location assistant | |
| Sébastien Delloye | .... | fluffer | |
| Jean-Philippe Dumont | .... | location assistant: runner | |
| Ian Evans | .... | aerial helicopter pilot | |
| Kerinne Jenkins | .... | production assistant | |
| Joe Kotroczo | .... | production coordinator | |
| Jennifer Lavallé | .... | production assistant | |
| Oliver Rebling | .... | assistant production accountant: Germany | |
| Rachel Robey | .... | production coordinator: UK | |
| Jack Suckling | .... | location department trainee | |
| Christophe Vincent | .... | location assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| For geezers? | twob_ornot |
| Plot Hole? | evenfiel |
| Two hours of my life that I want back.... | Caonic |
| Clumsy | Bummface |
| Release date? | pdr_ehh |
| Odd? (PLOT SPOILER) | ChaChaChaChanges |
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| Son of Rambow | Clean | The Heart of Me | Pure | The Fallen Idol |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb Belgium section | Add this title to MyMovies |
Irina Palm is one of those quirky off-beat Brit flicks that you come across every now and again. Based around the life of a middle aged Maggie, widowed, one son and a grandchild dying of a rare illness. Maggie needs a lot of money to pay for the treatment the boy needs, which can only be found in Australia. However, as widow whose main employment seems to have been as a lady who lunches, her work skills are rather non-existent. Also having sold of the family silver and home some time previously there is very little in the kitty to pay for the treatment he needs. However, she eventually finds salvation in the sex trade as an unlikely sex worker however a rather talented one at that. Finding her niche in hand jobs (to be polite) she sets about becoming the best in London and the target of headhunters (or hand-hunters in this case) What I really enjoyed is the sheer brilliant humanity that Ms Faithful brought to the screen as she realizes that there are real people who work the industry, real that is with families, and homes of their own Special mention must go to Miki Manojlovic and Jenny Agutter for two of the best scenes in the film. All in all a well worth the trip out but as its now playing at Art house cinemas might be a little bit tricky to find.