| Fotos (ver todos los 25 | slideshow) | Videos (see all 10) |
Dirigida por | |||
| Lajos Koltai | |||
Créditos del guión(WGA) | ||
| Susan Minot | (screenplay) and | |
| Michael Cunningham | (screenplay) | |
| Susan Minot | (novel) | |
Producida por | |||
| Michael Cunningham | .... | executive producer | |
| Jill Footlick | .... | executive producer | |
| Michael Hogan | .... | executive producer | |
| Robert Kessel | .... | executive producer | |
| Susan Minot | .... | executive producer | |
| Luke Parker Bowles | .... | co-producer | |
| Thomas A. Reilly | .... | associate producer (as Tom Reilly) | |
| Jeff Sharp | .... | producer (as Jeffrey Sharp) | |
| Claire Taylor | .... | co-producer | |
| Nina Wolarsky | .... | co-producer | |
Música original por | |||
| Jan A.P. Kaczmarek | |||
Fotografía por | |||
| Gyula Pados | (director of photography) | ||
Montaje por | |||
| Allyson C. Johnson | |||
Casting | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | (as Suzanne Crowley) | ||
Diseño de producción por | |||
| Caroline Hanania | |||
Dirección artística | |||
| Jordan Jacobs | |||
Decorados | |||
| Catherine Davis | |||
Diseño de vestuario por | |||
| Michelle Matland | (co-costume designer) | ||
| Ann Roth | |||
Departamento de maquillaje | |||
| Tricia Heine | .... | key makeup artist | |
| J. Roy Helland | .... | hair designer | |
| J. Roy Helland | .... | makeup designer | |
| Jerry Popolis | .... | hair department head | |
| Karen Specht | .... | key hair stylist | |
| Bradley Stenson | .... | department head makeup | |
| Louie Zakarian | .... | special makeup effects artist | |
| Frank Barbosa | .... | hair stylist (uncredited) | |
| Paula Dion | .... | hair stylist (uncredited) | |
| Diane Dixon | .... | hair stylist (uncredited) | |
| Christine Fennell | .... | additional hair stylist (uncredited) | |
Dirección de producción | |||
| Stephanie Accetta | .... | unit production manager (as Steph Accetta) | |
| Jennifer Lane | .... | post-production supervisor | |
| Nellie Nugiel | .... | unit production manager | |
| Judy Richter | .... | production supervisor: New York | |
Ayudante de dirección | |||
| John Greenway | .... | second second assistant director | |
| Deanna Leslie | .... | second assistant director (as Deanna Leslie Kelly) | |
| Thomas A. Reilly | .... | first assistant director (as Tom Reilly) | |
Departamento de Arte | |||
| Brian Buckley | .... | set dresser (as Brian W. Buckley) | |
| Jason Case | .... | set dresser (as Jason Pontes) | |
| Jessica Case | .... | set dresser | |
| Doug Cluff | .... | charge scenic artist (as Douglas Cluff) | |
| Melissa Cooperman | .... | second assistant property master | |
| Peter K. Dunbar | .... | leadman: New York | |
| Elizabeth Fisher | .... | art department production assistant (as Elizabeth Anne Fisher) | |
| Eric Jerman | .... | set dresser | |
| Robin Everett McGuirl | .... | art department production assistant | |
| Brian McKenzie | .... | set dresser | |
| Ann Miller | .... | property master | |
| Janine Moore | .... | art department coordinator | |
| Paul Peabody | .... | construction foreman | |
| Scott T. Pina | .... | construction coordinator | |
| Michael Ramsey | .... | art department production assistant | |
| Helen Rasmussen | .... | assistant set decorator | |
| John Ryder | .... | picture car coordinator | |
| Will Scheck | .... | on-set greensperson: New York | |
| Robert Schleinig | .... | lead man | |
| Elizabeth Schlitten | .... | first assistant property master | |
| Karl Shefelman | .... | storyboard artist | |
| Andrew Spagnoli | .... | set dresser | |
| Steven Sparfven | .... | set dresser | |
| Meaghan E. Stone | .... | lead greensperson | |
| John H. Storey | .... | scenic foreman (as J.H. Storey) | |
| Debra Sugarman | .... | on-set dresser | |
| Katie Tower | .... | graphic designer (as Katherine Tower) | |
| Bill Wieters | .... | on-set scenic artist | |
| Peter Wilcox | .... | gang boss (as Peter A. Wilcox) | |
| Peter Wilcox | .... | propmaker (as Peter A. Wilcox) | |
| Erik Malkovich | .... | set dresser (uncredited) | |
| Randy L. Parisian | .... | scenic artist (uncredited) | |
| Giovanni Rodriguez | .... | scenic artist (uncredited) | |
| Debra Sugarman | .... | character artwork (uncredited) | |
| Cleo Wang | .... | set dresser (uncredited) | |
Departamento de sonido | |||
| Gina Alfano | .... | adr editor (as Gina R. Alfano) | |
| David Boulton | .... | adr recordist | |
| Timothy R. Boyce Jr. | .... | cableperson: New York (as T.R. Boyce Jr.) | |
| Rachel Chancey | .... | foley editor | |
| Krissopher Chevannes | .... | adr recordist | |
| Harry Higgins | .... | sound re-recordist | |
| Bobby Johanson | .... | adr recordist | |
| Thomas Kodros | .... | sound consultant: Dolby | |
| Lenny Manzo | .... | utility sound | |
| David Paterson | .... | sound re-recording mixer (as Dave Patterson) | |
| David Paterson | .... | supervising sound editor (as Dave Paterson) | |
| Mary Ellen Porto | .... | dialogue editor | |
| Joel Reidy | .... | boom operator | |
| Steve Schwartz | .... | first assistant sound editor | |
| Reilly Steele | .... | sound re-recording mixer | |
| Shane Stoneback | .... | sound re-recordist | |
| Robert Troeller | .... | sound mix technician (as Bob Troeller) | |
| Tom Williams | .... | sound mixer | |
| Ryan Collison | .... | foley engineer (uncredited) | |
| Jay Peck | .... | foley artist (uncredited) | |
Efectos especiales | |||
| J.C. Brotherhood | .... | special effects supervisor (as JC Brotherhood) | |
| Chris Jordan | .... | special effects foreman: New York | |
| John Ruggieri | .... | special effects foreman | |
Visual Effects | |||
| Sarah Barber | .... | visual effects production assistant: Mr. X Inc | |
| Michael Becki | .... | digital compositor: Mr. X Inc | |
| Shawn Broes | .... | digital intermediate editor: Modern VideoFilm | |
| Rene Clark | .... | digital imaging: Modern VideoFilm | |
| Adrian Colbert | .... | digital intermediate scanner: Modern VideoFilm | |
| Anand Dorairaj | .... | digital compositor: Mr. X Inc | |
| David Fix | .... | senior systems administrator: Mr. X Inc | |
| Zachary J. Gans | .... | visual effects production assistant: Mr. X Inc | |
| Robert Greb | .... | digital compositor: Mr. X Inc | |
| Kristopher Gregg | .... | digital imaging: Modern VideoFilm (as Kris Gregg) | |
| Annu Gulati | .... | digital compositor: Mr. X Inc | |
| Nicholas Hasson | .... | iq artist: Modern VideoFilm (as Nick Hasson) | |
| Victoria Holt | .... | visual effects coordinator: Mr. X Inc | |
| Mark Intravartolo | .... | visual effects artist: inferno, Modern VideoFilm | |
| Ethan Lee | .... | visual effects rigging: Mr. X Inc | |
| Mai-Ling Lee | .... | modeler and texture artist: Mr. X Inc | |
| Shun Sing Edward Lee | .... | digital compositor: Mr. X Inc. (as Edward Lee) | |
| Jim Maxwell | .... | matte painter: Mr. X Inc. | |
| Sarah McMurdo | .... | digital producer: Mr. X Inc | |
| Sean Mills | .... | modeler and texture artist: Mr. X Inc | |
| Mateo Novacovici | .... | systems administrator: Mr. X Inc | |
| Matt Ralph | .... | 3D animator: Mr. X Inc | |
| Dominic Remane | .... | visual effects lighting: Mr. X Inc | |
| Darcy Reno | .... | systems administrator: Mr. X Inc (as Darcy Bangsund) | |
| Carolyn Shelby | .... | visual effects tape operator: Mr. X Inc (as Caroline Shelby) | |
| Brendan Taylor | .... | on-set lead: Mr. X Inc | |
| Ed Thompson | .... | digital imaging: Modern VideoFilom | |
| Aaron Weintraub | .... | visual effects supervisor: Mr. X Inc | |
| Fiona Campbell Westgate | .... | visual effects producer: Mr. X Inc | |
| Colin Withers | .... | senior technical supervisor: Mr. X Inc | |
| Wojciech Zielinski | .... | modelling supervisor: Mr. X Inc | |
Especialistas | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aguilar) | |
| Blaise Corrigan | .... | stunt coordinator | |
| Geoffrey Dowell | .... | stunts (as Geoff Dowell) | |
| Samantha MacIvor | .... | stunts | |
| Stephen Mann | .... | stunts | |
| Thomas T. O'Brien | .... | safety dive master | |
| Christopher Place | .... | stunts (as Chris Place) | |
| Keith Siglinger | .... | stunts | |
| Thomas T. O'Brien | .... | safety diver (uncredited) | |
| Christopher Place | .... | stunt double: Patrick Wilson (uncredited) | |
Departamento de reparto | |||
| Sondra James | .... | adr voice casting | |
| Jessica Kelly | .... | casting assistant | |
| Anne Mulhall | .... | casting: Rhode Island | |
| Anne Mulhall | .... | extras casting: Rhode Island | |
| Paul Schnee | .... | casting assistant | |
| Grant Wilfley | .... | extras casting: New York | |
| Marny Smith | .... | casting assistant (uncredited) | |
Departamento de vestuario | |||
| Gina Castellano | .... | costume coordinator | |
| Nina Cinelli | .... | set costumer | |
| David Davenport | .... | costume supervisor | |
| Nicole Greenbaum | .... | set costumer | |
| Donna Maloney | .... | costume supervisor | |
| Janna Pederson | .... | stitcher | |
| Janna Pederson | .... | tailor | |
| Ann Powderly | .... | stitcher | |
| Ann Powderly | .... | tailor | |
| Jonathan Schwartz | .... | costume department assistant | |
| Benjamin Wilson | .... | set costumer | |
| Megan Asbee | .... | costume production assistant (uncredited) | |
| Margaret Palmer | .... | set costumer (uncredited) | |
Departamento de Edición | |||
| Joe Finley | .... | digital intermediate colorist: Modern VideoFilm | |
| Terry Haggar | .... | color timer | |
| Patrick McGuinn | .... | project manager: video dailies, Technicolor New York | |
| Ben Perez | .... | video colorist: Technicolor New York | |
| Carrie Puchkoff | .... | first assistant editor: dailies | |
| Pat Repola | .... | vice president feature post-production: Modern VideoFilm | |
| Zara Roberts | .... | digital intermediate post supervisor: Modern VideoFilm | |
| Gina Sansom | .... | post-production assistant | |
| David A. Smith | .... | first assistant editor | |
| Joe Violante | .... | dailies advisor: Technicolor New York | |
| Alexis Wiscomb | .... | post-production coordinator: delivery | |
| Jason Spencer | .... | editor intern (uncredited) | |
Departamento de Música | |||
| Christine Bergren | .... | music legal and clearance | |
| Adam Bytof | .... | musician: cello | |
| Linda Cohen | .... | music supervisor | |
| Jan A.P. Kaczmarek | .... | orchestrator | |
| Jan A.P. Kaczmarek | .... | score producer | |
| Christopher Kennedy | .... | music editor | |
| Krzysztof Kit | .... | musician: oboe | |
| Agnieszka Kopacka | .... | musician: piano | |
| Bogna Kowalska | .... | orchestra contractor | |
| Deb Lapidus | .... | vocal coach | |
| Sylwia Mierzejewska | .... | musician: violin | |
| Leszek Mozdzer | .... | musician: piano | |
| Rafal Paczkowski | .... | music score mixer | |
| Enis Rotthoff | .... | assistant to composer | |
| Justyna Steczkowska | .... | musician: singer (as Justyna Streczkowska) | |
| Marek Szpakiewicz | .... | orchestrator | |
| Piotr Tatarski | .... | assistant to composer | |
| Janusz Wawrowski | .... | musician: violin | |
| Tadeusz Wicherek | .... | conductor | |
Departamento de Transporte | |||
| Roland A. Allard | .... | driver | |
| Stephan Atamian Jr. | .... | driver | |
| Oscar Beguiristain | .... | driver | |
| Charles Bessette | .... | driver | |
| John 'Bubba' Branch | .... | transportation co-captain | |
| Richard R. Busardo | .... | driver (as Richard Busardo) | |
| Sam Cardarelli Jr. | .... | driver (as Samuel W. Cardarelli Jr.) | |
| Mike Easter | .... | transportation captain (as Michael C. Easter) | |
| George Forte | .... | driver | |
| George M. Gagnon | .... | driver | |
| Kenny Gaskins | .... | transportation co-captain: New York | |
| Ernie Hallquist | .... | driver | |
| Ronald R. Harrison | .... | driver | |
| James Healey | .... | driver (as James P. Healey) | |
| Keith Kalohelani | .... | driver | |
| Gino Lucci | .... | representative: picture car company, New York | |
| John McLaughlin | .... | driver: honeywagon | |
| Daniel Nason | .... | driver | |
| Harry R. Ogden | .... | driver | |
| Wade Pytka | .... | driver | |
| Nicholas Ricamo | .... | driver | |
| John Ryder | .... | car wrangler | |
| Antonio G. Silva | .... | driver | |
| Ronald J. Vincent | .... | driver | |
Otros miembros del equipo | |||
| Sheila Allen | .... | production accountant | |
| Natalie Angel | .... | production coordinator | |
| Anthony Bonello | .... | set production assistant | |
| Patrick D. Boyd | .... | second assistant chef | |
| Barbara Branch | .... | first assistant accountant | |
| Wilson Braun | .... | assistant: Lajos Koltai | |
| Eamonn Burke | .... | assistant: Vanessa Redgrave and Natasha Richardson | |
| Troy Caldwell | .... | first assistant chef | |
| Autumn Clark | .... | office production assistant: New York | |
| Clementine Teniqua Crawford | .... | assistant: Jeff Sharp | |
| Robert Darwell | .... | legal services: Sheppard, Mullin, Richter & Hampton | |
| Patrick Donovan | .... | production secretary | |
| Anthony Dorre | .... | caterer: New York | |
| Gleanna Doyle | .... | animal wrangler | |
| Henry Fernaine | .... | production executive | |
| Jane Finn-Foley | .... | assistant: Jill Footlick | |
| Mike Fitzgerald | .... | production assistant | |
| Natsu Furuichi | .... | production associate | |
| Philippe Gallichet | .... | chef | |
| Dave Ginsberg | .... | assistant location manager: New York (as David Ginsberg) | |
| Jonathan Golfman | .... | legal services: Sheppard, Mullin, Richter & Hampton | |
| Franky Guttman | .... | assistant: Jeff Sharp | |
| Tina Hamilton | .... | asset manager | |
| Charles Harrington | .... | location consultant (as Charlie Harrington) | |
| Corri Hopkins | .... | location assistant: New York | |
| Crystal Jenney | .... | office production assistant | |
| Jon M. Johnson | .... | parking coordinator: New York (as Jon Johnson Sr.) | |
| Matthew J. Kotowski | .... | set production assistant | |
| Ashley Kravitz | .... | clearance services | |
| Amy Leigh Johnson | .... | unit publicist | |
| Patrick Mahoney | .... | craft service (as Patrick J. Mahoney) | |
| Adam McCarthy | .... | location manager | |
| Carlos Medeiros | .... | set production assistant | |
| Rob Meisenholder | .... | payroll accountant | |
| Ashley Morris | .... | assistant: Claire Danes | |
| Daniel Murray | .... | set production assistant (as Daniel C. Murray) | |
| Thomas T. O'Brien | .... | dive master | |
| Chris Michael Peterson | .... | choreographer | |
| Christina Pitassi | .... | second assistant accountant | |
| Luke Poling | .... | assistant production coordinator | |
| Heather Quam | .... | medic | |
| Joe Robinson | .... | production secretary | |
| Phil Rodowsky | .... | combined dialogue continuity and spotting: Oncore Productions | |
| Todd Rodowsky | .... | combined dialogue continuity and spotting: Oncore Productions | |
| Whitney Rothe | .... | set production assistant | |
| Howard Samuelsohn | .... | dialect coach (as Howard Samuelson) | |
| Andrew Saxe | .... | location manager: New York | |
| Ken Schiff | .... | craft service | |
| Dee Schuka | .... | post-production accountant: Trevanna Post Inc. | |
| George Sheanshang | .... | legal council: Hart Sharp | |
| Robin Squibb | .... | script supervisor | |
| Chris Walsh | .... | location assistant (as Christopher Walsh) | |
| Colin Walsh | .... | assistant location manager | |
| David H. Angell | .... | production assistant (uncredited) | |
| Mimi Coleman | .... | location coordinator (uncredited) | |
| Terry Conforti | .... | stand-in (uncredited) | |
| Shannon Dennard | .... | location scout: New York (uncredited) | |
| Bonnie-Kathleen Discepolo | .... | stand-in: Claire Danes (uncredited) | |
| Alan Francis | .... | photo double: Patrick Wilson (uncredited) | |
| Scott Franklin | .... | location assistant (uncredited) | |
| Jennifer Zolten Freed | .... | post-production accountant (uncredited) | |
| Mark Killian | .... | production assistant (uncredited) | |
| Michael Kowalczyk | .... | craft service assistant (uncredited) | |
| Thomas T. O'Brien | .... | lead diver (uncredited) | |
| Jeff Pinette | .... | production assistant (uncredited) | |
| Jillian Roache | .... | production assistant (uncredited) | |
| Joe Russo | .... | epk producer (uncredited) | |
| Bill Timoney | .... | adr voice group (uncredited) | |
Gracias | |||
| Steven Feinberg | .... | grateful acknowledgment | |
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| Gone with the Wind | Big Fish | The Notebook | The Nanny Diaries | The Kite Runner |
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Evening is the beautiful story of the flawed love of a mother. The movie split in time, is magically shot, amazingly acted and has a touching script.
Vanessa Redgrave plays Anne Grant Lord, a woman sun-setting out of life. Lying in her bed, her mind remembering and misfiring, she recalls her first mistake. Claire Danes plays the young Anne, giving a youthful vitality to dying bed ridden woman. Daughters Nina (Toni Collette) and Constance (Natasha Richardson) try to decipher the real story from the disheartening dementia. Her first mistake revolves around Harris Arden (Patrick Wilson); the man her best friend Lila (Mamie Gummer) deeply loved. The daughters must come to terms with their mother's past, and their futures.
The cast is glowing in Evening. The collective acting energy of this movie could have powered the equipment for the production of this entire film. I am so glad to see Claire Danes working again, especially in this role. She is so young, and alive, fully living the joys, mistakes and heartbreak of young Anne's first mistake. This is a true feat when you realize she is playing a woman, dying in bed. When her life overwhelms her, you can feel her desire to crack and her hopeless hope that she won't. Some of her facial expressions grinded on me a little, but over all her performance was so radiant, I was left with that only as a side note.
Toni Collette continues to prove that you can be a powerful actress without being a super model. She plays the black sheep of the family; a little lost. Nina finds a great deal of strength in her mother's mistake. Collette delicately avoids creating a cruel character who revels in the mistakes of her mother, instead choosing the wiser path of learning from her mother's mistakes. There is a great deal of infighting between Nina and her sister Constance. Their fights remind me of ones I have with my sister all the time.
Mamie Gummer, who plays Anne's youthful best friend, is wonderful. Her character is stuck between her heart and her status in society. Even when she is crying and her heart is breaking, she is incredibly regal and charming. I can't wait to see her act in something else in the future.
Vanessa Redgrave's performance is very hard for me to describe. Her talent at making her mental status ambiguous without being wacko or even especially tragic is why it is so powerful. The audience does not know if she is making up the story because she is slipping away or if these events truly happened. Physically and emotionally speaking, Redgrave is acting in a box. Not much physical space and limited emotional range might have been a stunner to a lesser actress but she makes the limitations work for her. I was constantly amazed.
The movie is definitely woman-focused but the men in the movie are not just accessories. Patrick Wilson is mesmerizing as Harris. It is no wonder that everyone in the movie is in love with him, I sure was. Buddy Wittenborn is Lila's brother, spiraling out of control. Hugh Dancy spirals Buddy out of control without sending his acting down the drain.
Glen Close has my favorite scene in the movie. It reminded me of the famous scene from Monster's Ball. It is terrible and jaw dropping grief. I was utterly stunned.
The one acting disappointment was Natasha Richardson. While her fight scenes were memorable, most of her acting reeks of melodrama. It would have suited her to take an acting bath before we had to breathe her stink. It's a good thing she wasn't in charge of the visuals. The visuals of the movie are sparkling. Cinematographer Gyula Pados couldn't make a film richer in color, light so perfectly matched to mood and emotion. The visual concepts of the flash back sequences are powerful and resonating. There were many scenes that could have been stopped, printed, mounted and sold as art.
I admit it, I cried. Evening is a powerful movie. Evening is defiantly a chick flick but a really great chick flick. If you want to impress a woman with a movie choice, pick Evening.
LaRae Meadows http://blog.myspace.com/laraemeadows