| Photos (see all 36 | slideshow) | Videos (see all 2 videos ) |
| John Cusack | ... | Stanley Philipps | |
| Emily Churchill | ... | First Woman | |
| Rebecca Spence | ... | Second Woman | |
| Jennifer Tyler | ... | Third Woman | |
| Susan Messing | ... | Fourth Woman | |
| Shélan O'Keefe | ... | Heidi Phillips | |
| Gracie Bednarczyk | ... | Dawn Phillips | |
| Doug Dearth | ... | Captain Riggs | |
| Doug James | ... | Chaplain Johnson | |
| Alessandro Nivola | ... | John Phillips | |
| Zach Gray | ... | Boy at Pool (as Zachary Gray) | |
| Marisa Tomei | ... | Woman at Pool | |
| Penny Slusher | ... | Ear Piercer | |
| Dana Lynne Gilhooley | ... | Grace Phillips | |
| Katie Honaker | ... | Voice of Grace Phillips (voice) | |
| Mary Kay Place | ... | Woman at Funeral | |
| Ross Klavan | ... | Additional Voices (voice) | |
| Robb Pruitt | ... | Additional Voices (voice) | |
| Bill Timoney | ... | Additional Voices (voice) | |
| Jennifer Bills | ... | Additional Voices (voice) | |
| listado alfabético del resto del reparto: | |||
| Brian Patrick Farrell | ... | Balloon Man | |
| Suzanne Lang | ... | Soldier's Wife | |
| Jocelyn Wesler | ... | Waitress (uncredited) | |
Dirigida por | |||
| James C. Strouse | |||
Créditos del guión(WGA) | ||
| James C. Strouse | (written by) | |
Producida por | |||
| Carina Alves | .... | associate producer | |
| Stephen Benedek | .... | executive producer | |
| Paul Bernstein | .... | executive producer | |
| Roberta Burrows | .... | co-producer | |
| John Cusack | .... | producer | |
| Doug Dearth | .... | co-producer | |
| Demetra Diamantopoulos | .... | line producer | |
| Mario Fallone | .... | executive producer | |
| Marilyn Haft | .... | co-producer | |
| Ed Hart | .... | executive producer | |
| Wes Jones | .... | associate producer | |
| Jessica Levin | .... | co-producer | |
| Aurelie Levy | .... | producer liaison | |
| Grace Loh | .... | producer | |
| Daniela Taplin Lundberg | .... | producer | |
| Bruce Lunsford | .... | executive producer | |
| Riva Marker | .... | co-producer | |
| Galt Niederhoffer | .... | producer | |
| Celine Rattray | .... | producer | |
| Vail Romeyn | .... | co-line producer | |
| Reagan Silber | .... | executive producer | |
| Jai Stefan | .... | executive producer | |
| Todd Traina | .... | executive producer | |
Música original por | |||
| Clint Eastwood | |||
Fotografía por | |||
| Jean-Louis Bompoint | |||
Montaje por | |||
| Joe Klotz | |||
Casting | |||
| Mickie Paskal | |||
| Jennifer Rudnicke | |||
Diseño de producción por | |||
| Susan Block | |||
Dirección artística | |||
| Lissette Schettini | |||
Decorados | |||
| Tanja Deshida | |||
Diseño de vestuario por | |||
| Ha Nguyen | |||
Departamento de maquillaje | |||
| Lisa Jelic | .... | key makeup artist | |
| Rosalind Jones-Crosby | .... | assistant makeup artist | |
| Denise Wynbrandt | .... | hair department head | |
| Denise Wynbrandt | .... | makeup department head | |
Dirección de producción | |||
| Demetra Diamantopoulos | .... | unit production manager | |
| Michael Jackman | .... | executive in charge of post-production | |
| Riva Marker | .... | post-production supervisor | |
| Vail Romeyn | .... | unit production manager | |
Ayudante de dirección | |||
| Michelle Gonsiorek | .... | second second assistant director | |
| Stephanie Moore | .... | second assistant director | |
| Curtis Smith | .... | first assistant director | |
Art Department | |||
| Krystin Auriemma | .... | art department intern | |
| Ian Bock | .... | swing gang | |
| Dean DeMatteis | .... | props | |
| Suzanne Kofke | .... | painter | |
| Jenna McDanold | .... | painter | |
| Merje Veski | .... | property master | |
Departamento de sonido | |||
| Michael Barry | .... | sound re-recording mixer | |
| Shaun Brennan | .... | foley artist | |
| Karl Dondlinger | .... | boom operator | |
| Rusty Dunn | .... | sound designer | |
| Rusty Dunn | .... | sound effects editor | |
| Tom Efinger | .... | sound re-recording mixer | |
| Tom Efinger | .... | sound supervisor | |
| Michael Feuser | .... | sound editor | |
| Michael Minkler | .... | sound re-recording mixer | |
| John Moros | .... | sound editor | |
| David Obermeyer | .... | sound mixer | |
| Abigail Savage | .... | foley recordist | |
| Jaimie Siedow | .... | adr recordist | |
| Ian Stynes | .... | sound re-recording mixer | |
Visual Effects | |||
| John Bair | .... | titles and visual effects designer | |
| Camille Geier | .... | visual effects executive producer: RhinoFX | |
| Jim Rider | .... | digital artist | |
| Mike Smolin | .... | digital intermediate colorist | |
Especialistas | |||
| Natalie M. Meyer | .... | stunt double | |
| Carl Paoli | .... | stunt double: Alessandro Nivola | |
Camera and Electrical Department | |||
| Jonathan Clark | .... | film loader | |
| Shannon DeWolfe | .... | camera intern | |
| Fred Folmer | .... | dolly grip | |
| Zachary Gannaway | .... | second assistant camera | |
| Bob Gomez | .... | electrician | |
| Steven Hiller | .... | camera operator | |
| Charles S. Hodes | .... | still photographer | |
| David Morenz | .... | assistant camera | |
| William R. Nielsen Jr. | .... | steadicam operator | |
| Keith Pokorski | .... | first assistant camera: "b" camera | |
| Stuart Slack | .... | grip | |
| Jeff Tomcho | .... | camera intern | |
Casting Department | |||
| Matt Miller | .... | casting associate | |
| Jessica Remis | .... | casting associate | |
| Kat White | .... | extras casting coordinator | |
Costume and Wardrobe Department | |||
| Rose Alexander | .... | costume intern | |
| Patrick Caulfield | .... | set costumer | |
| Molly McConnaughy | .... | set costumer | |
| Kimberly Merlin | .... | stylist | |
Editorial Department | |||
| Jason Barnes | .... | additional assistant editor | |
| Matthew H. Giordano | .... | assistant editor | |
| Paloma Mele | .... | post-production intern | |
| Renannah Weinstein | .... | assistant editor (as Renannah Seliger) | |
Music Department | |||
| Jean-Michel Bernard | .... | composer: stock music | |
| Doug Bernheim | .... | music supervisor | |
| Joel Cox | .... | music editor | |
| Doug Dearth | .... | music supervisor | |
| Angela Leus | .... | soundtrack coordinator | |
| Bruno Mercere | .... | music mixer | |
Thanks | |||
| Casey Affleck | .... | special thanks | |
| Steve Buscemi | .... | special thanks | |
| Joyce Hiller Piven | .... | special thanks (as Joyce Piven) | |
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| The Funhouse | The Darjeeling Limited | Premonition | Fahrenheit 9/11 | The Blue Hour |
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| Full cast and crew | Company credits | External reviews |
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I get the feeling that people who do not like this movie wanted some large seen where John Cusack's character tells what he is thinking. I'm confused at this. If we wanted to watch movies where characters laid out their thoughts verbatim we wouldn't have an opportunity to infer our own emotions on the situation. I would have been upset if this filmed decided to tackle the issue of war instead of the issue of how modern loss can effect us. This is a film about being put on pause. When we are shaken out of our sense of normalcy how do we cope. In this case, how do you explain the loss you cannot comprehend to your children. I think that this film is powerful in it's absent of the affectation of the outside world. You have a man who insulates himself from the events and in that case you have something a lot more honest. If the film had chosen to attack those issues i think the depth of loss would have been shattered. This isn't an anti-war nor pro-war film. I think that if you go in expecting that you will dislike immensely. This is a film about normalcy and our failure to cope. I think it works. I think wanting it to do something it isn't trying to do is an incorrect way to view this film.