Directed by
| Daniel Vigne | ||
Writing Credits
| Michel Le Bris | ... | (story) & |
| Daniel Vigne | ... | (story) |
| Jean-Claude Baillon | ... | (written by) & |
| Jean-François Goyet | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Françoise Bertheau-Guillet | ... | co-producer |
| Georges Marschalk | ... | executive producer |
| François Sauvagnargues | ... | producer |
Music by
| Michel Portal | ||
Cinematography by
| Flore Thulliez | ||
Editing by
| Thierry Simonnet | ||
Production Design by
| Aramís Balebona Recio | ... | (as Aramís Balebona) |
Art Direction by
| Aramís Balebona Recio | ... | (art direction) |
Costume Design by
| Lelia Campbell | ||
| Lorenzo Urbiztondo | ||
Makeup Department
| William Castellanos | ... | hair stylist |
| Grisell Cordero | ... | makeup artist (as Grisel Cordero) |
| Elio Durán | ... | hair stylist |
| Magdalena Álvarez | ... | key makeup artist |
Production Management
| Jean-Michel Delacroix | ... | production manager |
| Olga María Fernández | ... | unit manager |
| Lourdes García | ... | production manager |
| Magaly González | ... | unit manager |
| Claudio Ventura | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Gilbert Guichardière | ... | first assistant director |
| Maritza Lawrence | ... | assistant director |
| Cecilia Rodriguez | ... | first assistant director: Cuba |
| Juan Carlos Téllez | ... | assistant director |
Art Department
| Fernando Fajardo | ... | carpenter |
| Pedro Fábregas | ... | carpenter |
| Michel Ernesto López | ... | set dresser |
| Alejandro Marrero | ... | construction crew |
| Niurka Martinez | ... | set dresser |
| Leonides Matos | ... | carpenter |
| José A. Miranda | ... | painter |
| Ángel Alberto Molina | ... | construction crew |
| Arnaldo Pérez | ... | set dresser |
| Antoine Ranson | ... | production designer consultant |
Sound Department
| Raúl Amargot | ... | sound |
| Richard Badey | ... | sound mixer |
| Stéphane de Rocquigny | ... | foley recordist (as Stéphane De Rocquigny) |
| Patrick Egreteau | ... | foley artist |
| Gilles Fargout | ... | sound editor |
| Gilberto Flores | ... | sound assistant |
| Bernard Le Roux | ... | re-recording mixer (as Bernard Leroux) |
| Jacques Thomas-Gérard | ... | sound mixer |
Special Effects by
| José Granados | ... | special effects |
| Gilberto Martínez | ... | special effects |
Visual Effects by
| Stephane Bidault | ... | visual effects |
| Nicolas Delbecq | ... | digital artist |
| Jean-Antoine Lacolle | ... | digital effects artist: title designer |
| Matthias Weber | ... | visual effects |
Camera and Electrical Department
| Roberto Alba | ... | gaffer |
| Carlos Dueñas | ... | assistant camera |
| Martín Estévez | ... | dolly grip |
| Francisco Hernández | ... | first assistant camera |
| Heidi Juan Reinoso Villalón | ... | electrician (as Eidy Reinoso) |
| Ignacio Rodríguez | ... | assistant camera |
| Abel Roque | ... | electrician |
| Gilles Scarella | ... | still photographer |
| Jorge Suarez | ... | electrician |
| Oscar Miguel Valdéz | ... | camera operator: second camera |
Casting Department
| Libia Batista | ... | casting: Cuba |
| David W. Walker | ... | casting: New Zealand |
Costume and Wardrobe Department
| Camilo Cartelle | ... | costumer |
| Zenaida Fernandez | ... | costumer |
| Elbia Rondón | ... | key costumer |
Editorial Department
| Sophie Bellet | ... | assistant editor |
| Olivier Veinat | ... | color timer |
Script and Continuity Department
| Zulema Lorente | ... | script supervisor |
Additional Crew
| Dagmara Delgado | ... | translator |
| Perrine Fontaine | ... | fiction director: FR2 |
| Maria Elena Robau | ... | production administrator |
| Fanny Rondeau | ... | fiction director: FR2 |
| François Sauvagnargues | ... | fiction director: ARTE |
| Rafael Sánchez | ... | groupman |
