| Fotos (ver todos los 23 | slideshow) | Videos (see all 9) |
Dirigida por | |||
| Bob Odenkirk | |||
Créditos del guión(WGA) | ||
| Will Forte | (written by) | |
Música original por | |||
| John Swihart | |||
Fotografía por | |||
| Tim Suhrstedt | |||
Montaje por | |||
| Tracey Wadmore-Smith | |||
Casting | |||
| Lisa Beach | |||
| Sarah Katzman | |||
Diseño de producción por | |||
| John Paino | |||
Dirección artística | |||
| Marc Dabe | |||
Diseño de vestuario por | |||
| Melina Root | |||
Departamento de maquillaje | |||
| Toni G | .... | makeup department head | |
| Geneva Nash Morgan | .... | makeup artist (as Geneva Nash-Morgan) | |
| Sheree Morgan | .... | key makeup artist | |
| Thomas Opitz | .... | key hair stylist | |
| Solina Tabrizi | .... | hair stylist | |
| Terrie Velasquez | .... | department head hair stylist (as Terrie Velazquez-Owen) | |
Dirección de producción | |||
| Peter McManus | .... | production supervisor | |
Ayudante de dirección | |||
| Van Hayden | .... | first assistant director | |
| Traci M. Lewis | .... | second assistant director | |
| Michael T. McNerney | .... | second second assistant director | |
Departamento de Arte | |||
| Jenny Baum | .... | on-set dresser | |
| Randy L. Childs | .... | propmaker foreman | |
| Louise Del Araujo | .... | lead | |
| Tracy Dishman | .... | assistant property master | |
| Joey Genitempo | .... | stand-by painter | |
| Karen Higgins | .... | construction coordinator | |
| Steven Kissick | .... | general foreman | |
| Kami Laprade | .... | assistant props | |
| Lynda Lopez | .... | art department assistant (as Lynda J. Lopez) | |
| Alexander G. Lyle IV | .... | set dresser | |
| Cynthia Nibler | .... | property master | |
| John Puglisi | .... | storyboard artist | |
| Katie Rixon | .... | art department coordinator | |
| Susie Thompson | .... | set dresser | |
| Brian Tipton | .... | shop foreman | |
Departamento de sonido | |||
| Gregg Barbanell | .... | foley artist | |
| Keith Bilderbeck | .... | sound effects editor | |
| Juan Cisneros | .... | boom operator | |
| Mark DeSimone | .... | adr mixer: New York | |
| Alan Freedman | .... | adr mixer | |
| Gary Gegan | .... | sound re-recording mixer | |
| Steven Gerrior | .... | assistant sound editor | |
| David Halbert | .... | boom operator | |
| Stephen Halbert | .... | sound mixer | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| Pamela Kahn | .... | foley artist | |
| Chris Navarro | .... | adr mixer | |
| Thomas O'Neil Younkman | .... | dialog editor | |
| Angelo Palazzo | .... | sound editor | |
| Miguel Rivera | .... | supervising sound editor | |
| Lucy Sustar | .... | foley mixer | |
Visual Effects | |||
| Chih-Jen Chang Andy | .... | digital compositor: Pixel Magic | |
| Victor DiMichina | .... | digital imaging supervisor | |
| David Geoghegan | .... | digital compositor | |
| Jim Gorman | .... | digital compositor | |
| James David Hattin | .... | compositing supervisor: Pixel Magic | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Kevin Kipper | .... | digital effects artist | |
| George Macri | .... | visual effects producer: Pixel Magic | |
| Krista Maryanski | .... | post production coordinator | |
| John R. McConnell | .... | 2D Compositor: Pixel Magic | |
| Ray McIntyre Jr. | .... | visual effects supervisor | |
| Reid Paul | .... | senior digital effects supervisor | |
| Reid Paul | .... | visual effects producer | |
Especialistas | |||
| Jason Pierce | .... | stunt driver | |
| Brea Tisdale | .... | stunt driver | |
Cámara y Departamento Eléctrico | |||
| Matt Bardocz | .... | best boy electric | |
| Don Canfield | .... | camera operator: cablecam | |
| Brian Cantrell | .... | rigging gaffer | |
| Chris Cuevas | .... | assistant camera | |
| Mark Figueroa | .... | first assistant camera | |
| Jake Funk | .... | grip | |
| Paul Goodstein | .... | key grip | |
| Jeffrey Greeley | .... | camera operator | |
| Keith A. Hascher | .... | rigging electrician | |
| Doug Hyun | .... | special photography | |
| Carrie Lazar | .... | camera loader | |
| Brent Matejcek | .... | grip | |
| Paul McIlvaine | .... | gaffer | |
| Merrick Morton | .... | still photographer | |
| Mark Vollmer | .... | key rigging grip | |
| Chuck Weiss | .... | video assist operator | |
Departamento de reparto | |||
| Jeni Thornell | .... | extras casting | |
| Karen Wood | .... | extras casting | |
Departamento de vestuario | |||
| Gala Autumn | .... | costume supervisor | |
| Danielle Baker | .... | set costumer | |
| Terri Middleton | .... | costumer | |
| Andrea Napier | .... | set costumer | |
| Kip Ren | .... | costumer | |
Departamento de Edición | |||
| Kyler Boudreau | .... | post-production assistant | |
| Gary Burritt | .... | negative cutter | |
| Kristine McPherson | .... | additional editor | |
| Kristine McPherson | .... | first assistant editor | |
Departamento de Música | |||
| Amanda Barrett | .... | vocalist | |
| Ted Blaisdell | .... | score mixer | |
| Michael Brake | .... | music editor | |
| Abby DeWald | .... | vocalist | |
| Greg Hayes | .... | score recordist | |
| Maarten Hofmeijer | .... | music recordist | |
| Justin Reeve | .... | music coordinator | |
| G. Marq Roswell | .... | music supervisor | |
| Adam Swart | .... | music supervisor | |
Departamento de Transporte | |||
| Mike Belt | .... | mechanic | |
| Kirk Huston | .... | transportation captain | |
| Seth Levine | .... | driver | |
| Marty Osborne | .... | picture vehicle coordinator | |
Otros miembros del equipo | |||
| Jorge Luis Alvarez | .... | key assistant location manager | |
| Maria Charavino | .... | assistant: Mr. Werner (as Maria Ciaravino) | |
| Bob Claster | .... | teleprompter operator | |
| S.R. Conger | .... | assistant accountant | |
| Sarah Connolly | .... | assistant production coordinator | |
| Susan Ehrhart | .... | production coordinator | |
| Robert Foulkes | .... | location manager | |
| Stacey Jennings | .... | assistant: Mr Berenson | |
| Sherri Kecskes | .... | payroll accountant | |
| Zoa Keith | .... | office clerk | |
| Steven Kissick | .... | general foreman | |
| Mimi Markoe | .... | production assistant | |
| Jason Pardo | .... | assistant to director | |
| Jason Pardo | .... | assistant: Mr. Odenkirk | |
| Casey Potter | .... | production assistant | |
| Michael J. Rosenstein | .... | assistant: Ms. Laskowski | |
| Shane Sankey | .... | production secretary | |
| Jim Schiro | .... | first assistant accountant | |
| Andre C. Verderame | .... | production assistant | |
| Whit Vogel | .... | production assistant | |
| Whitney J. Willard | .... | production accountant | |
| Justin Woychowski | .... | key set production assistant | |
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| Baby Mama | Big Fish | Lonesome Jim | Fathers and Sons | Les invasions barbares |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Comedia section | IMDb USA section | Add this title to MyMovies |
If you find the opening credits funny, then you will love this wonderfully absurd film. Of course, if you're not in touch with your inner idiot, you will be bewildered and ask "Why is this funny?"
Like Charlie says in Charlie And The Chocolate Factory "candy doesn't have to have a point." This is a film that revels in its oddball stupidity.
Will Arnett is funny for me simply by his facial expressions and tone of voice (I often quote "Michael. Selfish, selfish Michael" in my head.) Will Forte (who also wrote) is adept at twisting audience's expectations, the two Solomon brothers completely unaware of their actions. Kirsten Wiig, a superb comedy actress, is in a relatively straighter role here, but still pulls it off well.
In short, if you want wit and sophistication, watch Robert Altman's The Player. If you want depth and moral ambiguity, watch Fight Club or A Clockwork Orange.
If you just want to amuse yourself laughing at idiots, this film will please no end.