| Helena Carrión | ... | Gema | |
| listado alfabético del resto del reparto: | |||
| Adrià Collado | ... | Diego Durand | |
| Tomás del Estal | |||
| Yaiza Esteve | |||
| Núria Gago | |||
| Jesús Granda | |||
| Lucía Jiménez | |||
| Alfonso Lara | |||
| María Luisa Merlo | |||
| Carlos Olalla | |||
| Josep Maria Pou | ... | Malcolm (as José María Pou) | |
| Bruno Squarcia | |||
| Manuel Zarzo | |||
Dirigida por | |||
| Guillermo Fernández Groizard | |||
Créditos del guión(en orden alfabético) | ||
| Nacho Cabana | writer | |
| Guillermo Fernández Groizard | writer | |
| Manuel Valdivia | writer | |
| Chus Vallejo | writer | |
| Margarita Varea | writer (as Marga Varea) | |
Producida por | |||
| Mike Downey | .... | producer | |
| Zorana Piggott | .... | producer | |
| José Antonio Romero | .... | producer | |
| Sam Taylor | .... | producer | |
Música original por | |||
| Daniel Sánchez de la Hera | |||
| Christopher Slaski | |||
| Crispin Taylor | |||
Montaje por | |||
| José Ramón Lorenzo Picado | |||
Departamento de maquillaje | |||
| Blanca Otamendi | .... | makeup artist | |
Dirección de producción | |||
| José Ripoll Sánchez | .... | production manager | |
Ayudante de dirección | |||
| Claudia Gamez | .... | third assistant director | |
| Ivan Gomez | .... | first assistant director | |
Departamento de sonido | |||
| Adam Daniel | .... | sound re-recording mixer | |
| Graham Daniel | .... | sound re-recording mixer | |
| Mustafa Durma | .... | foley recording mixer | |
| Mustafa Durma | .... | sound editor | |
| Dado Jehan | .... | foley artist (as Dado Dzihan) | |
| Gareth Rhys Jones | .... | foley artist | |
| Srdjan Kurpjel | .... | supervising sound editor | |
| Iván Mayoral | .... | sound re-recording mixer | |
| Antonio Mejias | .... | boom operator | |
| Danton Tanimura | .... | sound effects editor | |
| Danton Tanimura | .... | sound re-recording mixer | |
| Sacha Walker | .... | dialogue editor | |
| Sacha Walker | .... | sound effects editor | |
Especialistas | |||
| Joaquín Ortega | .... | stunt double (stunt double) | |
| Ángel Plana | .... | stunt coordinator | |
Cámara y Departamento Eléctrico | |||
| Jorge Alvariño | .... | still photographer | |
| Ariana Bonavia | .... | first assistant camera | |
| Peque Griffin | .... | a camera/stedicam operator | |
| José Luis Torrecilla | .... | electrician | |
Departamento de Edición | |||
| Miguel P. Gilaberte | .... | digital intermediate colorist | |
| David Pelegrín | .... | assistant editor | |
Departamento de Música | |||
| Timothy Henty | .... | music producer | |
| Christopher Slaski | .... | conductor | |
| Christopher Slaski | .... | orchestrator | |
Otros miembros del equipo | |||
| Juan Ramon Castaño | .... | direction assistant | |
| Juan Rafols | .... | chief technician | |
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| 25 kilates | The Tulse Luper Suitcases, Part 1: The Moab Story | KM 31: Kilometro 31 | La caja 507 | The Ninth Gate |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | IMDb Suspenso section |
| IMDb Spain section | Add this title to MyMovies |
After what seemed an endless parade of the same old clichés in Spanish cinema (down to earth comedy, ETA, boring introspection, plain cinematography, tiresome editing, reliance on the Filmax horror clichés) this film, 'Proyecto Dos', came as a much needed breath of fresh air.
The very first sequence is, simply put, stunning. The cuts and visuals - quite reminiscent of those of Tony Scott - rose eyebrows as a solid Adria Collado delivered his speech about how brain mistakes can create deja vu. All this was told in parallel with a private wake were a guy is putting inside a small box someone's personal belongings before saying "Farewell, my friend". Only when he closes the box we realize that the character who is speaking about having all those deja vu is really dead. All the visuals and editorial effects were so cool and never before seen in Spain that you are already transported to a different way of seeing the movie.
And that way is mainly non stop action and intrigue. All the time you are guessing what comes next. Probably one of the most shocking moments happens when **SPOILER** the main character is killed by a bus at minute 20 or so and, then, shortly afterward, he is entering is home **END OF SPOILER**. The plot thickens with each sequence and the more we learn about the main character's wife, the more interesting the characters become in this thriller about identity crises.
Lucía Jimenez - one of Spain's most beautiful and idiosyncratic actresses - is superb in her role of wife who keeps a huge secret, and show the expected prowess in the action sequences . She has the big, strong physic for that and she really delivers.
But the real standout of the movie are the last 40 minutes. No Spanish movie has ever attempted - and succeeded in doing so - to have that non stop action, including car chases, explosions, gunshots and a three-way parallel masterfully solved. The emotional climax on the rooftop is equally well solved in way that is quite reminiscent of Alejandro Amenábar 'Open your Eyes'.
In short: the best Spanish thriller ever and - hopefully - a film that can show the way for different things in the predictable world of Spanish cinema.