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Dirigida por | |||
| Laurent Tirard | |||
Créditos del guión(in alphabetical order) | ||
| Laurent Tirard | scenario | |
| Grégoire Vigneron | scenario | |
Producida por | |||
| Christine De Jekel | .... | executive producer | |
| Olivier Delbosc | .... | producer | |
| Marc Missonnier | .... | producer | |
Música original por | |||
| Frédéric Talgorn | |||
Fotografía por | |||
| Gilles Henry | |||
Montaje por | |||
| Valérie Deseine | |||
Casting | |||
| Stéphane Foenkinos | |||
Diseño de producción por | |||
| Françoise Dupertuis | |||
Decorados | |||
| Véronique Melery | |||
Diseño de vestuario por | |||
| Pierre-Jean Larroque | |||
Departamento de maquillaje | |||
| Maya Benamer | .... | makeup artist | |
| Jean-Pierre Berroyer | .... | key hair stylist | |
| Michèle Constantinides | .... | key makeup artist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Frédérique Ney | .... | key makeup artist | |
| Aurélie Rameau | .... | additional makeup artist | |
Dirección de producción | |||
| Julien Brehier | .... | assistant production manager | |
| Laurent Sivot | .... | production manager | |
Ayudante de dirección | |||
| Alan Corno | .... | first assistant director | |
| Lucas Loubaresse | .... | third assistant director | |
Art Department | |||
| Corinne Fulconis | .... | painter | |
| Véronique Pouzou | .... | dresser | |
| Martin Tronquart | .... | assistant property master | |
Departamento de sonido | |||
| Emmanuel Angrand | .... | dialogue editor | |
| Damien Bera | .... | sound re-recording mixer | |
| Colette Constantini | .... | sound editor | |
| Eric Devulder | .... | sound | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Marion Escriva | .... | assistant sound | |
| François Fayard | .... | sound editor | |
| Thomas Gauder | .... | sound mixer | |
| Denis Jaillet-Marsigny | .... | sound effects editor | |
| Alexis Jung | .... | assistant foley engineer | |
| Arthur Le Roux | .... | boom operator | |
Visual Effects | |||
| Chystele Barbarat | .... | visual effects executive producer | |
| Cédric Fayolle | .... | visual effects supervisor | |
| David François | .... | digital compositor | |
| Pascal Giroux | .... | visual effects producer | |
| Geoffroy Givry | .... | compositor | |
| Ludovic Iochem | .... | matte painter | |
| Sabine Lineres | .... | digital compositor | |
| Benoit Munoz | .... | digital compositor | |
| Benjamin Pelletreau | .... | digital artist | |
| Julien Rousseau | .... | digital compositor | |
| Salvador Zalvidea | .... | digital compositor | |
Especialistas | |||
| Rémi Canaple | .... | assistant stunt coordinator | |
| Rémi Canaple | .... | stunts wire effects | |
| Rémi Canaple | .... | stunts | |
| Alexandre Cauderlier | .... | stunt double: Romain Duris | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Patrick Cauderlier | .... | stunts | |
| Gaëlle Cohen | .... | stunts | |
| Yan Dron | .... | stunts | |
| Gabriel Mercier | .... | stunt double | |
| Yoni Roch | .... | assistant stunt coordinator | |
| Sebastien Soudais | .... | stunts | |
Costume and Wardrobe Department | |||
| Gilles Bodu-Lemoine | .... | costume supervisor | |
| Pui Laï Huam | .... | costume supervisor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
Otros miembros del equipo | |||
| Karine Arlot | .... | monitor technician | |
| Myriam Bruguière | .... | press attache | |
| Laurent Caron | .... | assistant chef | |
| Christophe Chauveau | .... | key location scout | |
| Romain Courtine | .... | assistant location manager | |
| Gilles Coutal | .... | chef | |
| Corinne Devaux | .... | choreographer | |
| Olivier Guigues | .... | press attache | |
| Isabelle Thévenet | .... | script supervisor (as Isabelle Perrin-Thévenet) | |
| Pascal Vallart | .... | production accountant | |
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He was away for half a year and no research knows there. This is a fantasy about that period. Molière is supposed to be hired by a businessman, who wants to have a love affair with a widow. It sounds a little like one of Molière's plays.
This is candy to the eye. It certainly helps if you're familiar with Molière's work, because sometimes the lines are directly taken from them. But the original is anyway much more funny. And looks deeper into the human soul.
But this surely passes as entertainment. Especially the scene there it's proved that an man surely can make a great theatric performance, imitating different kinds of horses.