The Hills Have Eyes II (2007)

Calificación de los usuarios:

5.0/10   

Director:

Martin Weisz

Escritores (WGA):

Wes Craven (written by) &
Jonathan Craven (written by) ...

Fecha de Lanzamiento:

23 marzo 2007 (USA)

Género:

Aventura | Horror | Suspenso

Frase comercial:

The Lucky ones die fast

Plot:

A group of National Guard trainees find themselves battling against a vicious group of mutants on their last day of training in the desert.

Plot Keywords:

Desert | Mutant | Hill | Fight | Skull Crushing

Comentarios de los usuarios:

A Nutshell Review: The Hills Have Eyes II

Reparto

Michael McMillian	...	Napoleon
Jessica Stroup	...	Amber
Jacob Vargas	...	Crank
Flex Alexander	...	Sarge
Lee Thompson Young	...	Delmar
Daniella Alonso	...	Missy
Eric Edelstein	...	Spitter
Reshad Strik	...	Mickey
Ben Crowley	...	Stump
Michael Bailey Smith	...	Papa Hades
Derek Mears	...	Chameleon
David Reynolds	...	Hansel
Jeff Kober	...	Redding
Jay Acovone	...	Wilson
Philip Pavel	...	Foster

También conocida como:

The Hills Have Eyes 2 (Australia)
El despertar del diablo 2 (Argentina) (DVD title) (Venezuela) [es]
El despertar del diablo II (Mexico) [es]
El retorno de los malditos (Spain) [es]

MPAA:

Rated R for prolonged sequences of strong gruesome horror violence and gore, a rape and language.

Duración:

89 min

País:

USA

Idioma:

Inglés

Color:

Color

Relación de Aspecto:

2.35 : 1

Sonido:

SDDS | Dolby Digital | DTS

Clasificación:

USA:R | Ireland:18 | UK:18 | Australia:R | Germany:18 | Singapore:R21 | Iceland:18 | Malaysia:18SG | Italy:VM14 | Netherlands:16 | France:-16 | Philippines:R-18 (MTRCB) | Norway:18 | Argentina:16 | New Zealand:R18 | Finland:K-18 (self applied) | New Zealand:R16 | Japan:R-18 | Canada:16+ (Quebec) | Portugal:M/16 | USA:Unrated

Locaciones de Filmación:

Morocco

Compañía:

Fox Atomic

Trivialidades:

The mine shafts were created by the same team who are responsible for the caves in Brit horror The Descent (2005).

Errores:

Errores Reales: Several times they rack back a round while one is still in the chamber. All that does is waste a perfectly good round.

Citas:

PFC "Napoleon" Napoli: [in response to Amber enquiring about a scientist stuffed into a toilet cubical] Shitman the Barbarian? I have no idea!

Conexiones de Película:

References "Gomer Pyle, U.S.M.C." (1964)

Banda de Sonido:

Own Little World (Remorse Code Remix)

A Nutshell Review: The Hills Have Eyes II

I had actually liked the remake of Wes Craven's Hills Have Eyes, which was shown here last year. Directed by Alxandre Aja, it was top notch violence and gore which actually sent a chill, because the victims were an innocent family out for a holiday, and to see them getting systematically deeper into trouble, somehow makes it rather horrific to sit through.

While its predecessor was shown here with cuts, The Hills Have Eyes II is shown here in its full gory glory. However you wonder, just where did all the blood and gore had gone. Written by father and son team Wes and Jonathan Craven, the follow up movie (also a remake of the sequel to the original) seemed to be lacking in flavour and spirit. Sure the mutants are back, but there's very little space given to set them up, or enough time for you to identify and distinguish one from the other.

Did director Martin Weisz opt to play it safe? There's tension built, but nothing too riveting. The narrative is simple and straightforward, without much thought into trying to capture the X-factor why the original had worked somehow. Attempting to shock just for shock's sake, the movie opens with the birth of a child, in the most un-Discovery Channel manner, before introducing us to the victims, I mean, characters, and a short scene to link the events from its predecessor.

Again the military's dirty hands are in this one. Gone are the family, and in comes a small squad of National Guard trainees. It's soldiers versus A-bomb mutants, so the numbers come in handy to build up the body count. But in fact, none of them died in any creative manner. It's the usual hack jobs, and more uninterestingly, through the use of their carbines. Boring, and I guess too many movies outdoing one another in the creative death department, has taken its toil on this one, where simpleness and sure death like falling from great heights without the camera flinching, go unappreciated. Truth is, you know that it's a camera trick, and boy, are there a number of recognizable indoor shots for this outdoor movie, that makes it look cheap.

By the time it takes for these rookie soldiers to complete their training to the dark side and become cold killers (fighting for their own survival), you'll be more than in a hurry to head for the exit. To enjoy this movie, the usual leave your brains at the door cliché applies. Just make sure someone doesn't take a real machete and help you put it there.