|
| Ahmed Almrani | .... | grip (as Ahmed El Amrani) |
| Chris Bain | .... | first assistant camera: "b" camera (as Christopher Bain) |
| Carlos Baker | .... | electrician: Los Angeles |
| Fritz Banks | .... | rigging electrician: Los Angeles |
| John C. Barber | .... | grip: Washington D.C. |
| Michael Barrere | .... | dolly grip: Los Angeles (as Michel Barrere) |
| Damien Beebe | .... | camera operator: "b" camera |
| Najib Ben Fares | .... | best boy electric (as Mohammed Najib Benfares) |
| Abdelaziz Bizzi | .... | best boy grip |
| Steven W. Blumenfeld | .... | video playback operator: Los Angeles (as Steve Blumenfeld) |
| El Yamani Bouhamdi | .... | electrician |
| Fouad Bourbouh | .... | camera loader |
| Raymond Brow Jr. | .... | dolly grip: Washington D.C. |
| John Buckley | .... | chief lighting technician |
| George Cacamise | .... | grip: Los Angeles (as Georgeb F. Caccamise) |
| Alfred Castillo | .... | rigging best boy grip: Los Angeles (as Alfred M. Castillo) |
| Daniel Duggan | .... | grip: Los Angeles (as Dan Duggan) |
| My Mustapha Elidrissi | .... | grip (as My Mustapha El Idrissi) |
| Sam Emerson | .... | still photographer |
| Mark Engel | .... | rigging electrician: Los Angeles (as Mark A. Engel) |
| Chris Fabré | .... | grip: Capetown, South Africa (as Chris Fabre) |
| John Fine | .... | best boy electrician: Los Angeles (as Johnny Fine) |
| Bill Fine Jr. | .... | electrician: Los Angeles (as Bill W. Fine) |
| Bertrant Gagey | .... | playback operator (as Bertrand Gagey) |
| Bertrant Gagey | .... | video assist operator (as Bertrand Gagey) |
| Rusty Gardner | .... | video assist operator: Washington D.C. |
| Pat Garrett | .... | dolly grip |
| Peter Geraghty | .... | first assistant camera: "b" camera |
| Harold Groshon | .... | rigging electrician: Los Angeles (as Hal Groshon) |
| Alan Hall | .... | second assistant camera: "b" camera |
| John R. Hamilton | .... | second assistant camera: "b" camera, Washington D.C. |
| Martin Hannan | .... | electrician: Capetown, South Africa |
| Allen Harker | .... | electrician: Los Angeles (as K. Allen Harker) |
| Coleman L. Hart | .... | grip: Los Angeles |
| Matthew Hawkins | .... | rigging grip: Los Angeles (as Matt Hawkins) |
| Scott Hillman | .... | key rigging grip |
| William T. Iversen | .... | grip: Washington D.C. (as William Iversen) |
| Aaron Keating | .... | grip |
| John Kimmer | .... | best boy grip: Washington D.C. (as John D. Kimmer) |
| Abdellilah Laghrissi | .... | electrician (as Abdel-Ilah Larhrissi) |
| Chaz Lyon | .... | second assistant camera: "b" camera |
| Glen Magers | .... | electrician: Los Angeles |
| Driss Marzak | .... | electrician (as Driss Merzak) |
| Jade Maxwell Newton | .... | camera loader: Capetown, South Africa (as Jade Maxwell-Newton) |
| Dave Mikutsky | .... | electrician: Washington D.C. |
| Youssef Mohattane | .... | playback operator |
| Youssef Mohattane | .... | video assist operator |
| Darin Moran | .... | camera operator: "b" camera, Washington D.C. |
| Glenn E. Moran | .... | rigging best boy electric: Los Angeles (as Glenn R. Moran) |
| Brent Nortje | .... | best boy electric (as Brenton Nortje) |
| Michael O'Leary | .... | electrician: Washington D.C. |
| Zak 'Ebenezzer' O'Leary | .... | best boy grip (as Zak O'Leary) |
| Keegan O'Neill | .... | camera loader |
| Benedetto Pellerito | .... | dimmer board operator |
| Mark Rabe | .... | best boy rigger |
| Scott Rathner | .... | first assistant camera: "a" camera |
| Tell Reid | .... | electrician: Capetown, South Africa |
| Donald Reynolds Jr. | .... | key grip (as Donald Reynolds) |
| Marco Rinaldi | .... | video assist operator: Capetown, South Africa (as Marco Renaldo) |
| Scott M. Robinson | .... | key grip: Los Angeles |
| Peter Rosenfeld | .... | Steadicam operator |
| Peter Rosenfeld | .... | camera operator: "a" camera |
| John Rupert | .... | second assistant camera: "a" camera |
| Frank Ryan | .... | rigging grip: Los Angeles |
| Tomoaki Sasaki | .... | electrician: Washington D.C. |
| Sean Savage | .... | camera operator: "b" camera |
| Chris Shadley | .... | video assist operator: Los Angteles (as Chris 'Fish' Shadley) |
| Blackford 'Boots' Shelton | .... | first assistant camera: "b" camera, Washington D.C. (as Boots Shelton) |
| Colin Smith | .... | head rigger |
| Tobie Smuts | .... | electrician: Capetown, South Africa |
| Lars Stephan | .... | camera intern: Los Angeles |
| Hilton Stiles | .... | best boy rigger (as Hylton Stiles) |
| Michael Svitak | .... | film loader: Los Angeles |
| Brian Taylor | .... | grip: "b" camera |
| Lally Tshabane | .... | second assistant camera: Capetown, South Africa |
| Adrian Van Ass | .... | grip: Capetown, South Africa (as Adrian Van As) |
| Adi Visser | .... | first assistant camera: Capetown, South Africa |
| Peter Wagner | .... | grip: Los Angeles |
| Kieran Waugh | .... | rigging electrician: Los Angeles |
| Bob Waybright | .... | best boy electric: Washington D.C. |
| Rick Whitfield | .... | video playback operator: Los Angeles |
| Dave Wilkins | .... | grip: Washington D.C. (as David Wilkins) |
| R. Michael Yope | .... | rigging gaffer (as Michael Yope) |
| Harry Zimmerman | .... | first assistant camera: "a" camera, Los Angeles |
| Ray Brown | .... | dolly grip: Washington D.C. (uncredited) |
| Mark Carlile | .... | lighting technician (uncredited) |
| Jeffrey A. Cook | .... | electrician (uncredited) |
| Jerry Gregoricka | .... | rigging electrician (uncredited) |
| Joel A. Ruiz | .... | rigging electrician (uncredited) |
| Julian Sternthal | .... | key rigging grip: Washington D.C. (uncredited) |
| |
|
| Phillip Blackford | .... | music mix assistant |
| Paul Broucek | .... | executive in charge of music: New Line |
| Sandy DeCrescent | .... | orchestra contractor |
| Joe Dzuban | .... | music mix assistant |
| Abdallha El Allouhi | .... | musician: oud, Morocco |
| Jalal El Allouhi | .... | musician: violin, Morocco |
| Badr El Yathribi | .... | musician: ney, Morocco |
| Tobias Enhus | .... | synthesizer programmer |
| Pedro Eustache | .... | musician: duduk, Los Angeles |
| Nima Fakhrara | .... | provider: santurs |
| Wolfgang Funk | .... | music recording engineer: Marrakech |
| Mark Graham | .... | music preparation: Jo Ann Kane Music Service |
| Groupe Ibrahim | .... | musician: gnaouan ensemble, Morocco |
| Paul Hepker | .... | orchestrator |
| The Hollywood Studio Symphony | .... | musician: score performed by |
| Maellem Ibrahim | .... | musician: gembri, Morocco |
| Mark Kilian | .... | conductor |
| Mark Kilian | .... | orchestrator |
| Kevin Kliesch | .... | orchestrator |
| Roman Kovalik | .... | assistant to composer: US |
| Gabe Moffat | .... | music recordist: percussion |
| Jeffrey Potokar | .... | assistant music editor |
| M.C. Rai | .... | musician: singer, Los Angeles (as MC Rai) |
| Mostafa Ramadan | .... | musician: qanoun, Morocco |
| Peter Rotter | .... | orchestra contractor |
| Angie Rubin | .... | music editor |
| Paul Rudolph | .... | musician: percussion, Los Angeles |
| Erin Scully | .... | music executive |
| Mustapha Serrage | .... | musician: percussion, Morocco |
| Lori Silfen | .... | music business affairs executive |
| Steven L. Smith | .... | music preparation |
| Marissa Steingold | .... | musician: singer, Los Angeles |
| Casey Stone | .... | music scoring mixer |
| Margarita Sullivan | .... | music clearances |
| Greg Townsend | .... | music mix assistant |
| Joseph Trapanese | .... | assistant to composers: US (as Joe Trapanese) |
| John F.X. Walsh | .... | music business affairs executive |
| |
|
| Saadia Aalami | .... | production secretary |
| Noureddine Aberdine | .... | cultural consultant |
| Karim Abouobayd | .... | production services: Dune Films |
| Toufiq Abouobayd | .... | location manager |
| Faldela Abrahams | .... | accounting staff: Moonlighting Films, Capetown, South Africa (as Fadelah Abrahams) |
| Omar Adam | .... | adr loop group |
| Samia Adnan | .... | dialogue coach |
| Samia Adnan | .... | translator: Arabic |
| Lofti Aït Jaoui | .... | set production assistant |
| Ali Ait Mazouz | .... | animal wrangler |
| Hamid Ait Timaghrit | .... | set production assistant |
| Sarkis Albert | .... | adr loop group |
| Isaura Alfonso | .... | set production assistant: Capetown, South Africa (as Isaura Afonso) |
| Hassan Aridal | .... | office production assistant |
| David Arnott | .... | adr loop group |
| Robyn Aronstam | .... | script supervisor (as Robyn Melanie Aronstam) |
| Reza Aslan | .... | cultural consultant |
| Mohamed Atbir | .... | office production assistant |
| Zohra Ouelad Bada | .... | liaison: Dune Films (as Zahra Oulad Bada) |
| Robert Baer | .... | cia consultant |
| Andrea Baker | .... | adr loop group |
| Majid Balafrej | .... | assistant accountant |
| Rajia Baroudi | .... | adr loop group |
| Smail Benider | .... | office production assistant |
| Robert Bentley | .... | location manager: Capetown, South Africa |
| Katherine E. Beyda | .... | production executive: N1 |
| Carolyn Blackwood | .... | executive in charge of co-productions |
| Commandant Mbraek Blouh | .... | assistant military advisor |
| Carole Blumer | .... | head caterer |
| Abdelaaziz Bourziq | .... | permit man |
| Aziz Bousfiha | .... | assistant accountant |
| Khalid Bouslamy | .... | assistant location manager (as Khalid Bouslamti) |
| Raymond Bulinski | .... | craft service: Los Angeles |
| Laurie Cartwright | .... | risk management |
| Abdelkader Chaoui | .... | manager: base camp |
| Houssna Choukri | .... | assistant: Mr. Viscidi |
| Mohamed Chrouate | .... | assistant location manager |
| Valeria Migliassi Collins | .... | script supervisor: Los Angeles |
| Lyna Cunningham | .... | assistant: Mr. Todman |
| Lisa Curtis | .... | assistant production coordinator: Los Angeles (as Lisa Joelle Curtis) |
| Richard Daldry | .... | travel coordinator |
| Jon Davidson | .... | production controller |
| Stel Deleon | .... | second assistant accountant (as Stel DeLeon) |
| Michelle Dunton | .... | script researcher: Now Clear This! Research |
| Jeff Egan | .... | production safety |
| Colonel Abdellatif El Bakkouri | .... | military advisor |
| Sana El Kilali | .... | accountant: Morocco |
| Erik Ellner | .... | business affairs |
| Said Faraj | .... | adr loop group |
| Greg Finley | .... | adr loop group |
| Jeff Fischer | .... | adr loop group (as Jeffrey Todd Fischer) |
| Jay Floyd | .... | clearance coordinator: Now Clear This! |
| Robb Foglia | .... | script supervisor: Washington D.C. |
| Kristi Frankenheimer | .... | location manager: Los Angeles |
| Lee Fredericks | .... | production assistant: Capetown, South Africa |
| Karen M. Fuchs | .... | payroll accountant: Los Angeles |
| Nicole Furia | .... | production accountant: Los Angeles |
| Driss Gaidi | .... | location manager |
| Willow Geer | .... | adr loop group |
| Emily Glatter | .... | supervising production coordinator |
| Anneliese Goldman | .... | adr loop group |
| Zuhair Haddad | .... | adr loop group (as Zuhar Haddad) |
| Souheil Halaoui | .... | assistant location manager (as Hallaoui Souheil) |
| Hakima Hammoudi | .... | set nurse |
| Bonnie Haner | .... | second assistant accountant: Los Angeles |
| Hind Hanif | .... | production coordinator |
| Melissa Herron | .... | travel coordinator: Los Angeles (as Melissa D. Herron) |
| Genevieve Hofmeyr | .... | production services: Moonlighting Films, Capetown, South Africa |
| Steve Humphreys | .... | loop group |
| Barbara Iley | .... | adr loop group |
| Houda Jabrane | .... | set doctor |
| Cory Johnson | .... | production assistant: Los Angeles |
| Douglas M. Jones | .... | production assistant: Washington D.C. (as Douglas Jones) |
| Antony Judd | .... | head chef |
| Colette Kadrnka-Abramson | .... | production attorney |
| June Kim | .... | post-production accountant |
| Edu Klarenbeck | .... | assistant location manager: Capetown, South Africa (as Edu Klarenbeek) |
| Danielle Koch | .... | production assistant: Washington D.C. (as Danielle Kock) |
| Marsha Kramer | .... | adr loop group |
| Steven Lafferty | .... | production assistant: Washington D.C. |
| Eric Lamb | .... | set medic: Washington D.C. |
| Daniel Leaderman | .... | production office assistant: Washington D.C. |
| Tory Littman | .... | craft service assistant: Los Angeles |
| Jethro Lottering | .... | production assistant: Capetown, South Africa |
| Bettina Lyster | .... | production coordinator |
| James E. Maddux | .... | set medic: Los Angeles (as James Maddux) |
| Jennifer Malloy | .... | assistant: Mr. Golin |
| Jean Martin | .... | set production assistant |
| Andrew Matthews | .... | financial advisor |
| Lynn Matthysen | .... | caterer: Capetown, South Africa (as Lynne Mathysen) |
| Paul Mavi | .... | adr loop group |
| Jeremy Maxwell | .... | adr loop group |
| Peter McManus | .... | production accountant |
| Christian McWilliams | .... | location manager |
| Marc Meaut | .... | crafts service |
| Chris Menke | .... | production coordinator: Washington D.C. |
| Andrew Milstein | .... | assistant: Mr. Milstein |
| Melissa Morgan | .... | production assistant: Washington D.C. |
| Erin Newell | .... | assistant: Mr. Schwake |
| Matthew Dillon Noonan | .... | assistant location manager: Washington D.C. (as Matthew Noonan) |
| Amy O'Byrne | .... | production office assistant: Washington D.C. |
| Luke Pearsall | .... | production assistant: Los Angeles |
| Richard Penn | .... | adr loop group |
| Julie Perez | .... | assistant: Mr. Milstein |
| Lance Peters | .... | armorer |
| Sally Potters | .... | production secretary: Los Angeles (as Sally J. Potters) |
| Peggy Pridemore | .... | location manager: Washington D.C. |
| Paul Prokop | .... | executive in charge of finance |
| Jeffrey Raines | .... | studio teacher: Los Angeles |
| Joshua Ravetch | .... | production resources |
| Jonathan Reich | .... | location manager: Washington D.C. |
| Brennan Reynolds | .... | production office assistant: Los Angeles |
| Steven John Reynolds | .... | first assistant accountant (as Steven Reynolds) |
| Safa Rhazal | .... | office production assistant |
| Peter Roskovich | .... | craft service: Washington D.C. |
| Kevin Roy | .... | set production assistant |
| Alya Sako | .... | adr loop group |
| Sam Sako | .... | adr loop group |
| Jason Savage | .... | assistant location manager: Los Angeles |
| Marvin Saven | .... | accounting staff: Moonlighting Films, Capetown, South Africa |
| Nina Saxon | .... | title designer |
| Michelle Schrauwers | .... | set production assistant |
| Julianna Selfridge | .... | risk management (as Juliana Selfridge) |
| Marc Shapiro | .... | contract administrator |
| Sammy Sheik | .... | adr loop group |
| Deborah Simmrin | .... | unit publicist |
| John Smart | .... | additional clearances |
| Jessica Strauss | .... | assistant location manager: Los Angeles |
| Wendy Tate | .... | accounting staff: Moonlighting Films, Capetown, South Africa |
| Rod Thompson | .... | chef: Los Angeles |
| Adam Tiller | .... | production office assistant: Los Angeles |
| Peter Titterell | .... | caterer: Peter Titterrell Premiere Caterers (as Peter Titterrell) |
| Laura Tiz | .... | first assistant accountant: Los Angeles |
| Zora Trouqi | .... | adr loop group |
| Gert Uys | .... | helicopter pilot: picture chopper |
| Glen Vaughan | .... | adr loop group (as Glen Vaughn) |
| Dylan Voogt | .... | production coordinator: Capetown, South Africa |
| Judith Walder | .... | payroll accountant: Los Angeles |
| Herman Warnich | .... | set production assistant: Capetown, South Africa |
| John Burton West | .... | production coordinator: Los Angeles (as John B. West) |
| Georgianna Whitley | .... | production assistant: Los Angeles |
| Lore Wilhelm | .... | craft service assistant: Los Angeles |
| Corrie Winter | .... | assistant: Mr. Milstein |
| Jennifer Yee | .... | credits administrator |
| Ben Youcef | .... | adr loop group |
| Lunghi Zondi | .... | production secretary: Capetown, South Africa |
| Cassandra Barbour | .... | rights and clearances (uncredited) |
| Moncef Belam | .... | production team (uncredited) |
| Alfred Castillo | .... | pre-rig best boy (uncredited) |
| J. Chan Claggett | .... | location scout (uncredited) |
| James Cutting | .... | close protection officer (uncredited) |
| Michael DeChant | .... | set production assistant: Washington D.C. (uncredited) |
| Nicholas Huynh | .... | set production assistant: Washington D.C. (uncredited) |
| Julie Janney | .... | stand-in (uncredited) |
| Tim Kossa | .... | key location assistant: Washington D.C. (uncredited) |
| Dylan Matlock | .... | set production assistant: Washington D.C. (uncredited) |
| William Sandidge | .... | location scout (uncredited) |
| Christopher Scott | .... | set production assistant: Washington D.C. (uncredited) |
| Laura Sevier | .... | rights and clearances (uncredited) |
| Kori E. Wilson | .... | assistant: Meryl Streep (uncredited) |
| |
Errores:
Errores Reales: In the beginning when Anwar is in Cape Town, South Africa, according to the shadows cast by the men in Anwar's party, it's about 1 pm. He makes a call to Isabella in Chicago, United States when he apologizes for not calling her earlier. Cape Town is 8 hours ahead of Chicago, it would have been pitch dark in Chicago at that time but Isabella is outside in the midday sun playing soccer with Jeremy.
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Citas:
Douglas Freeman:
In all the years you've been doing this, how often can you say that we've produced truly legitimate intelligence? Once? Twice? Ten times? Give me a statistic; give me a number. Give me a pie chart, I love pie charts. Anything, anything that outweighs the fact that if you torture one person you create ten, a hundred, a thousand new enemies.
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Most of this political thriller presented as a mostly run of the mill movie with a somewhat better development of many of the major characters, that was much appreciated, until the BIG twist and powerful climax that recalled twists experienced in "Silence of the Lambs," or "The Sixth Sense." Reese Witherspoon as the distraught wife of the missing Egyptian husband and Yigal Naor as the strong-armed interrogator offer strong performances. Jake Gyllenhaal unfortunately is handed a more two-dimensional character and has to struggled with a stereotypical presentation of the emotionally torn CIA analyst that has been presented many times before in other movies. Early on there is the nice scene with an explosion that resembles a scene at the end of "Saving Private Ryan," the silent scene that was used so effectively in reflecting one consequence of violence. The script also provides a little more glimpse into the mind-set of the "enemy" but still doesn't allow the audience really much understanding, again permitting the audience to wallow in stereotypical characterization. The cinematography and photography also is somewhat of a letdown because unlike "Jarhead," or "Blackhawk Down," the crisp, raw visceral presentation is missing not allowing the audience to really be there in the movie, there is some distance that keeps the audience from realizing the intensity of the emotions occurring on the screen. However, overall, the movie redeems itself by the end, offering the audience a measured look into the complexity of the United States' use of rendition and the possible complications and consequences that may occur through its use. Eight out of Ten Stars.