Persepolis (2007)

Calificación de los usuarios:

8.0/10   

Directors:

Vincent Paronnaud
Marjane Satrapi

Escritores:

Marjane Satrapi (comic)
Vincent Paronnaud (scenario)

Fecha de Lanzamiento:

27 junio 2007 (France)

Género:

Animación | Biografía | Drama | Guerra

Plot:

Poignant coming-of-age story of a precocious and outspoken young Iranian girl that begins during the Islamic Revolution.

Plot Keywords:

Revolution | Iran | 1970s | Shah | Coming Of Age

Premios:

Nominated for Oscar. Another 15 wins & 25 nominations

Comentarios de los usuarios:

A life in cartoons.

Reparto

Chiara Mastroianni	...	Marjane 'Marji' Satrapi, as a teenager and a woman (voice)
Catherine Deneuve	...	Mrs. Satrapi - Marjane's mother (voice)
Danielle Darrieux	...	Marjane's grandmother (voice)
Simon Abkarian	...	Mr. Satrapi - Marjane's father (voice)
Gabrielle Lopes Benites	...	Marjane as a child (voice)
François Jerosme	...	Uncle Anouche (voice)
Sophie Arthuys	...	(voice)
Jean-François Gallotte
Arié Elmaleh	...	(voice)
Mathias Mlekuz	...	(voice)
listado alfabético del resto del reparto:
Stéphane Foenkinos
Amethyste Frezignac	...	Marjane as a child (voice: English version)
Tilly Mandelbrot	...	Lali (voice)
Sean Penn	...	Mr. Satrapi - Marjane's father (voice: English version)
Iggy Pop	...	Uncle Anouche (voice: English version)
Gena Rowlands	...	Marjane's grandmother (voice: English version)

También conocida como:

Persépolis (Argentina) (Mexico) (Spain) [es]

MPAA:

Rated PG-13 for mature thematic material including violent images, sexual references, language and brief drug content.

Duración:

96 min | Turkey:89 min (TV version)

País:

France | USA

Idioma:

Francés | Inglés | Persian | Alemán

Color:

Color | Negro y Blanco

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Switzerland:10 (canton of Vaud) | Switzerland:10 (canton of Geneva) | France:U | USA:PG-13 | Canada:14A | Finland:K-11 | Sweden:7 | Singapore:PG | Brazil:12 | Ireland:12A | Netherlands:6 | Taiwan:R-12 | UK:12A (2008) | Germany:12 | Argentina:Atp | South Korea:12 | Australia:M

Compañía:

2.4.7. Films

Trivialidades:

Iran's government sent a letter to the French embassy in Tehran to protest against the movie and pressured the organizers of the 2007 Bangkok Film Festival to drop it from the lineup.

Errores:

Errores Reales: The departures board at Paris Orly at the beginning has Cincinnati misspelled as "Cincinatti".

Citas:

[first lines]
Airport receptionist: Ticket and passport, please.

Conexiones de Película:

References Rocky III (1982)

Banda de Sonido:

Marche Persanne

A life in cartoons.

It's quite unusual for a writer to adapt its own book to the screen, especially when it's a comic-book (well, Frank Miller's done it, but that's another story), and especially when it's an autobiographical comic book. That's the originality of this movie, which is the adaptation of a autobiographical graphic novel by its very author. "Persepolis" deals with the life, and especially the youth of Marjane Satrapi, in Iran, during the reign of the Shah and the Islamic revolution. But if the memories could be easily told alone in front of a blank paper, isn't it harder to be true and sincere when you are surrounded by a all animation crew ?

That's the great achievement of the movie : to be true to the comics and therefor, to the life of Marjane. The best parts of it are all about her personal relations, with her grandmother or her uncle. You really have the feeling that she relates all this events to praise their memories and who they were. On the other side, the political scenes and historical point of view that supposedly are the goal of the movie seem to me a little less good than the family or personal souvenirs. It may be true but it seems a little bit simple and even cliché sometimes (see for instance the history of the Shah for all audiences). The personal view on the repercussion of the Islamic repression is way better than this kind of big exposes. The death of a young man trying to escape the police after a party or the attitude of a man insulting her mother in a parking tells us more about the regime in Iran than the speech the movie sometimes (but not so often) gives us.

So, paradoxically, the more personal the movie gets, the truer it is. The all rapport the difficulties to left your country and to adapt to another world seems for instance very honest and touching. The childhood period, told in a comic strip style is both funny and melancholic. In the end, this movie is far from being a movie about Iran, but only tells an individual life, crying for freedom in a country were a woman can't reach it, but transfigured by personal memories and a strong animated point of view, that uses all the techniques and styles a comic-book adaptation could offer.