En la ciudad de Sylvia (2007)

Director:

José Luis Guerín

Guionista:

José Luis Guerín (writer)

Release Date:

14 septiembre 2007 (Spain)

Genre:

Drama

Plot:

A man returns to a city to try to track down a lovely woman he met six years earlier. |

Awards:

1 nomination

Comentarios de los usuarios:

The quintessential film about people-watching

Cast

Pilar López de Ayala	...	Ella
Xavier Lafitte	...	Él
listado alfabético del resto del reparto:
Michaël Balerdi	...	Un passant
Laurence Cordier
Tanja Czichy	...	Tanja
Gladys Deussner	...	Woman reading a book
Eric Dietrich
Charlotte Dupont

También conocida como:

In the City of Sylvia (Europe: English title) (festival title)

Duración:

Canada:84 min (Toronto International Film Festival)

País:

Spain

Idioma:

French | Español

Color:

Color

Filming Locations:

Café du TNS-Théatre National de Strasbourg, Strasbourg, Bas-Rhin, France

Company:

Château-Rouge Production

Soundtrack:

Voyage, voyage

The quintessential film about people-watching

It is about time that we stop using the term "voyeur" to describe every film where the audience is given an opportunity to gaze at women. There is so much else in addition to the gazing, observing, and following. What the film captures is the harmony between the observer and the environment: a total immersion in its atmosphere. In an era where portable audio devices eliminate people's attention to their surroundings, the film almost feels like a timely persuasion: watch what you see, and listen to what you hear. Remember the essence of cinema: sound, images, and movements. The film also bears a sign of timelessness through its universal theme: a romantic's pursuit of his dreams in la vie quotidienne. As an ostensibly subjective film, it also includes many mysterious scenes where the identify of the observer is ambiguous. Some people think that those scenes come from the imagination of our protagonist - or could it be the filmmaker, or the viewer? This movie is nothing less than a timely and timeless masterpiece. It provides compelling evidence that cinema is far from dying; as a matter of fact, it has hardly been as exciting and alive.