| Pilar López de Ayala | ... | Blanca | |
| Verónica Sánchez | ... | Julia | |
| Gabriella Pession | ... | Adelina | |
| Marta Etura | ... | Virtudes | |
| Nadia de Santiago | ... | Carmen | |
| Teresa Hurtado de Ory | ... | Victoria | |
| Bárbara Lennie | ... | Dionisia | |
| Alba Alonso | ... | Ana | |
| Cèlia Pastor | ... | Martina | |
| Silvia Mir | ... | Carmen B. | |
| Sara Martín | ... | Pilar | |
| María Cotiello | ... | Elena | |
| Miren Ibarguren | ... | Joaquina | |
| Carmen Cabrera | ... | Luisa | |
| Félix Gómez | ... | Perico | |
| Fran Perea | ... | Teo | |
| Enrico Lo Verso | ... | Cánepa | |
| José Manuel Cervino | ... | Jacinto | |
| Asier Etxeandia | ... | Enrique | |
| Alberto Ferreiro | ... | Valentín | |
| Empar Ferrer | ... | Suegra Cánepa | |
| Arantxa Aranguren | ... | Manuela | |
| Luisa Martín | ... | Dolores | |
| María Isasi | ... | Trini | |
| Marta Aledo | ... | Ángeles | |
| Nacho Fernández | ... | Quique García Brisac | |
| Patrick Criado | ... | Simón | |
| Benito Sagredo | ... | Eutimio | |
| Raúl Jiménez | ... | Damián | |
| Secun de la Rosa | ... | Satur | |
| Maite Blasco | ... | Juana | |
| Úrsula Murayama | ... | Cubana | |
| Adriano Giannini | ... | Fontenla | |
| Tomás del Estal | ... | Palacios | |
| Gabriel Moreno | ... | Rúa | |
| Juan Gea | ... | Gabaldón | |
| Joaquín Ortiz | ... | José Luis | |
| Carla Nieto | ... | Pilar Gabaldón | |
| Goya Toledo | ... | Carmen Castro | |
| Natalia Menéndez | ... | María Teresa | |
| Helena Castañeda | ... | Zapatitos | |
| Maite Pastor | ... | Mandanta | |
| Luis Hostalot | ... | Capellán | |
| Leticia Sabater | ... | Funcionaria prisión | |
| Juan Jesús Valverde | ... | Presidente Tribunal | |
| Miguel Arribas | ... | Fiscal | |
| Ramón Agirre | ... | Defensor (as Ramón Aguirre) | |
| Inge Martín | ... | Remedios | |
| Íñigo Navares | ... | Mario | |
| Borja Sánchez | ... | Cabo Romero | |
| Ernesto Martín | ... | Paisano | |
| Carmen Belloch | ... | Mujer Glorieta | |
| Maite Atares | ... | Vecina 1 Plaza Pueblo | |
| Sagrario Calero | ... | Vecina 2 Plaza Pueblo | |
| David García Palencia | ... | Soldado Plaza Pueblo | |
| Enrique Cabrera | ... | Niño José | |
| Vicente Molina | ... | Evangelista | |
| Raúl Zajdner | ... | Falangista 1 | |
| Oscar Salcedo | ... | Falangista 2 | |
| Alberto Chaves | ... | Operario Uno | |
| Julio Vélez | ... | Franquista Tranvía | |
| Tomás Calleja | ... | Capitán Franquista | |
| Lola Canteros | ... | Madre Virtudes | |
| Manuel Brun | ... | Sargento Carrión | |
| Álvaro Roig | ... | Falangista Tuerto | |
| listado alfabético del resto del reparto: | |||
| Ayanta Barilli | ... | Adelina (voice) | |
| Miguel Hermoso Arnao | ... | Cánepa (voice) (as Miguel Hermoso) | |
| Manolo Solo | ... | Fontenla (voice) (as Manuel Solo) | |
| Marcos García Casalderrey | ... | Soldado (uncredited) | |
Dirigida por | |||
| Emilio Martínez Lázaro | |||
Créditos del guión(en orden alfabético) | ||
| Pedro Costa | story | |
| Ignacio Martínez de Pisón | story | |
| Emilio Martínez Lázaro | story | |
Producida por | |||
| Enrique Cerezo | .... | producer | |
| Pedro Costa | .... | producer | |
| Roberto Di Girolamo | .... | associate producer | |
Música original por | |||
| Roque Baños | |||
Fotografía por | |||
| José Luis Alcaine | |||
Montaje por | |||
| Fernando Pardo | |||
Casting | |||
| Mario Arias | |||
Diseño de producción por | |||
| Eduardo Hidalgo | |||
Diseño de vestuario por | |||
| Lena Mossum | |||
Departamento de maquillaje | |||
| Montserrat Damas | .... | assistant makeup artist | |
| Pedro Raul De Diego | .... | special makeup effects artist | |
| Almudena Fonseca | .... | makeup artist | |
| Pepito Juez | .... | hair stylist (as Pepe Juez) | |
| Pablo Morillas | .... | assistant hair stylist | |
| Mariló Osuna | .... | makeup artist | |
Dirección de producción | |||
| José Ángel Cabañas | .... | unit production manager | |
| Martín Cabañas | .... | production manager | |
Ayudante de dirección | |||
| Christopher Downs | .... | extra third assistant director | |
| Óscar Marcos | .... | second assistant director | |
| Sara Mazkiarán | .... | assistant director | |
| Mónica Sánchez | .... | second assistant director | |
Departamento de Arte | |||
| Antonio Calvo-Dominguez | .... | assistant art director | |
| Iñaki Rubio | .... | property master | |
Departamento de sonido | |||
| Carlos Bonmatí | .... | sound | |
| Edgar Vidal | .... | sound effects editor | |
| Kiku Vidal | .... | foley artist | |
| José Vinader | .... | sound mixer | |
Especialistas | |||
| Juan Antonio López | .... | stunts | |
| Fernando Martín Maestro | .... | stunts | |
| Santiago Pedroche | .... | stunts | |
| Montserrat Rodríguez | .... | stunts | |
| Diego Valero | .... | stunts | |
Cámara y Departamento Eléctrico | |||
| José Ramón Delgado | .... | first assistant camera | |
| Julio Madurga | .... | camera operator | |
Departamento de reparto | |||
| Daniel del Casar | .... | casting (as Daniel Fernández) | |
Departamento de vestuario | |||
| Roberto González | .... | head costumer | |
| Maribel Pérez | .... | costume design assistant | |
| Guadalupe Rodríguez Domínguez | .... | seamstress (as Guadalupe Rodríguez) | |
| Lupe Rodríguez | .... | costume assistant | |
Departamento de Edición | |||
| Carolina Martínez Urbina | .... | assistant editor (as Carolina Martínez) | |
Departamento de Música | |||
| Juan Cerro | .... | musician | |
| Mariano Marín | .... | musician | |
Otros miembros del equipo | |||
| Ayanta Barilli | .... | dubbing coach | |
| Montserrat Buscató | .... | administrator | |
| Olga Castilla | .... | production secretary | |
| Javier Dotú | .... | dubbing director (as Xavier Dotú) | |
| Jofre Farré | .... | production assistant | |
| Patricia Vila | .... | script supervisor | |
|
|
|
|
|
| 90 millas | 14 kilómetros | Ten Minutes Older: The Trumpet | 25 degrés en hiver | La caja 507 |
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb Spain section | Add this title to MyMovies |
*** This comment may contain spoilers ***
Before seeing this film I was already familiar with the principal book covering the incident, Las Trece Rosas Rojas by Carlos Fonseca, and I think this helped me to keep track of what was happening on the screen. It tells the story of 13 young women who were executed as a group just a few months after the end of the Spanish Civil War. Amid promises of justice and national reconciliation many thousands of people who had been on the side of the democratically elected republican government were rounded up and put in overcrowded jails. These were often people who had only been on the edges of the political organisations or had joined political Youth organisations, the social organisations of the time. Most of the girls in this particular group were under legal age when they were executed, no more than children in the eyes of their contemporaries. At least one, the oldest, was entirely innocent of any association with the political left. She and her husband (executed separately) paying the price for helping a known communist and fellow musician and colleague evade the fascist repression. Executions of this type and on this scale continued for many months, perhaps several years.
There is a lot to keep track of in the movie. Not that the storytelling was confused, the opposite is the case, but covering the stories of so many individuals can be demanding of the viewer. But thanks to a tight script, where possible using the actual words of the girls, and fine acting by the entire cast, especially those in the main roles, a real sense of the injustice and tragedy of the situation is ably conveyed, though we only really get to know half of the girls involved. Personally I think of this as almost a companion piece to Pan's Labyrinth. The direction of the story is much more conventional and realistic, but they both deal with the "reality" of how repressive political systems crush the innocence and spirit of youth.
For some reason, the film has only had a lukewarm reception from the political left in Spain, though it is an extremely important addition to the body of film concerning the Civil War. Perhaps it is slightly too subtle for the mood of the times. One older woman in the cinema when I watched it certainly seemed to have expected a somewhat different film and felt moved to explain very loudly at the end to all present that the dictator Franco had known nothing of these executions! To get this reaction is quite an achievement in itself.