| Fotos (ver todos los 12 | slideshow) | Videos (see all 9) |
| Nadine Labaki | ... | Layale | |
| Yasmine Elmasri | ... | Nisrine (as Yasmine Al Masri) | |
| Joanna Moukarzel | ... | Rima | |
| Gisèle Aouad | ... | Jamale | |
| Adel Karam | ... | Youssef | |
| Sihame Haddad | ... | Rose (as Siham Haddad) | |
| Aziza Semaan | ... | Lili | |
| Fatmeh Safa | ... | Siham | |
| Dimitri Staneofski | ... | Charles | |
| Fadia Stella | ... | Christine | |
| Ismaïl Antar | ... | Bassam | |
| Yousra Karam | ... | Salon client | |
| Victoria Bader | ... | Salon client | |
| listado alfabético del resto del reparto: | |||
| Nancy | ... | Woman in taxi | |
Dirigida por | |||
| Nadine Labaki | |||
Créditos del guión(en orden alfabético) | ||
| Rodney El Haddad | writer | |
| Jihad Hojeily | writer | |
| Nadine Labaki | writer | |
Producida por | |||
| Raphael Berdugo | .... | associate producer | |
| Stéphane Riga | .... | line producer | |
| Anne-Dominique Toussaint | .... | producer | |
Música original por | |||
| Khaled Mouzannar | |||
Fotografía por | |||
| Yves Sehnaoui | |||
Montaje por | |||
| Laure Gardette | |||
Diseño de producción por | |||
| Cynthia Zahar | |||
Diseño de vestuario por | |||
| Caroline Labaki | |||
Departamento de maquillaje | |||
| Nader Sidani | .... | makeup artist | |
Dirección de producción | |||
| Matthieu Bled | .... | post-production manager | |
| Jean Mansour | .... | unit production manager | |
| Stéphane Riga | .... | production manager | |
Ayudante de dirección | |||
| Abla Khoury | .... | second assistant director | |
| Elizabeth Marre | .... | first assistant director | |
Departamento de sonido | |||
| Christophe Bourreau | .... | foley artist | |
| Emmanuel Croset | .... | sound re-recording mixer | |
| Hervé Guyader | .... | sound editor | |
| Pierre-Yves Lavoué | .... | sound | |
| Hubert Teissedre | .... | foley recording engineer | |
Visual Effects | |||
| Bertrand de Saint Seine | .... | digital compositor | |
| Yann Larochette | .... | digital compositor | |
| Christophe Legendre | .... | color grader | |
Cámara y Departamento Eléctrico | |||
| Mher Keshishian | .... | crane operator | |
| Elie Merhy | .... | electrician | |
| Michel Serhal | .... | electrician | |
Departamento de Edición | |||
| J.D. Funari | .... | trailer editor | |
Departamento de Música | |||
| Claude Chaloub | .... | musician: solo violin and alto violin (as Claude Chalhoub) | |
| Adnan El Hout | .... | musician: ney | |
| Mounir El Khawi | .... | musician: oud, mandolin and guitar | |
| Marc Ernest | .... | musician: piano | |
| Khaled Mouzannar | .... | musician: piano | |
| Walid Nasser | .... | musician: percussions | |
| Marie-Jeanne Serrero | .... | conductor | |
| Marie-Jeanne Serrero | .... | musician: piano | |
| Jamal Zzatzour | .... | musician: kanoun | |
Departamento de Transporte | |||
| Wissam Sudek | .... | driver | |
Otros miembros del equipo | |||
| Laurence Granec | .... | press attache | |
| Marianne Katra | .... | production assistant | |
| Karine Menard | .... | press attache | |
| Florence Mettler | .... | script supervisor | |
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| Cry-Baby | Romeo + Juliet | The Night of the Hunter | La buena vida | The Notebook |
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Comedia section | IMDb France section | Add this title to MyMovies |
A very good impression was left in me after viewing Caramel, on the stories, the scenario, the acting, the comedy/drama smooth transitions, the cinematography... It was all very impressive, a well made movie, something the Lebanese cinematography has been missing for a long time.
Most of all innovative for the usual oriental mood. A excessive dose of reality coupled with genuine laughing moments, made Caramel rise above the usual, traditional Lebanese movie making. And last but not least, great acting. I know people don't like to compare here, but I can say that the acting was altogether, as a result, above anything else I've seen in Lebanon's movie history.
The one thing that lacked in Caramel was a great revelation of some sort. Maybe that's just what I wished to see. There was a couple of discreet ones, but I think the intention of the movie was to project a hidden reality to most people, and it succeeded in doing so.
Congratulations to Nadine Labaki and all the team behind Caramel, go see Caramel, a wonderful experience, I will be waiting anxiously for Nadine's next wonder!