| Photos (see all 63 | slideshow) | Videos |
| Richard Jenkins | ... | Walter Vale | |
| Haaz Sleiman | ... | Tarek Khalil | |
| Danai Jekesai Gurira | ... | Zainab (as Danai Gurira) | |
| Hiam Abbass | ... | Mouna Khalil | |
| Marian Seldes | ... | Barbara | |
| Maggie Moore | ... | Karen | |
| Michael Cumpsty | ... | Charles | |
| Bill McHenry | ... | Darin | |
| Richard Kind | ... | Jacob | |
| Tzahi Moskovitz | ... | Zev | |
| Amir Arison | ... | Mr. Shah | |
| Neal Lerner | ... | Martin Revere | |
| Ramon Fernandez | ... | Cop #1 | |
| Frank Pando | ... | Cop #2 | |
| Waleed Zuaiter | ... | Omar | |
| Deborah Rush | ... | Upper Eastside Woman | |
| Ashley Springer | ... | Student | |
| Laith Nakli | ... | Nasim | |
| Jacqueline Brogan | ... | Waiter | |
| Walter Mudu | ... | Ronald Cole (as Walter T. Mudu) | |
| Yevgeniy Dekhtyar | ... | Slavic Man | |
| Earl Baker Jr. | ... | Lester James | |
| Walter the Dog | ... | Sprinkles the Dog |
Dirigida por | |||
| Thomas McCarthy | |||
Créditos del guión | ||
| Thomas McCarthy | (screenplay) | |
Música original por | |||
| Jan A.P. Kaczmarek | |||
Fotografía por | |||
| Oliver Bokelberg | |||
Montaje por | |||
| Tom McArdle | |||
Casting | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Diseño de producción por | |||
| John Paino | |||
Dirección artística | |||
| Len Clayton | |||
Decorados | |||
| Kim Chapman | |||
Diseño de vestuario por | |||
| Melissa Toth | |||
Departamento de maquillaje | |||
| Marc Boyle | .... | hair stylist: Los Angeles | |
| Stacey Panepinto | .... | key makeup artist | |
| Leah Rial | .... | makeup artist: Los Angeles | |
| Lora Scrignoli | .... | hair department head | |
| Kami Steele | .... | assistant makeup artist | |
Dirección de producción | |||
| J.M. Brown | .... | unit production manager: Los Angeles | |
| Jonathan Ferrantelli | .... | post-production supervisor | |
| Jared Goldman | .... | production manager | |
Ayudante de dirección | |||
| Nicholas R. Bell | .... | second assistant director | |
| Anthony Blanco | .... | second second assistant director | |
| Mariela Comitini | .... | first assistant director | |
Art Department | |||
| Jamie Arbuckle | .... | set dresser | |
| Jacqueline Brogan | .... | artistic consultant | |
| Craig Charland | .... | art production assistant | |
| Olivia Dunn | .... | art intern | |
| John El Manahi | .... | scenic painter | |
| Eric Friedewald | .... | lead person | |
| Sean Haines | .... | on-set dresser | |
| Glenn Lloyd | .... | art department coordinator | |
| Miles Michael | .... | set dresser | |
| Kevin L. Raper | .... | graphic artist | |
| Niquan Riley | .... | props | |
| Brendan K. Russell | .... | art department production assistant | |
| Courtney Schmidt | .... | assistant property master | |
| Alexis Weiss | .... | property master | |
Departamento de sonido | |||
| Jamie Baker | .... | sound editor | |
| Damian Canelos | .... | sound mixer | |
| Marko A. Costanzo | .... | foley artist | |
| David Flynch | .... | sound editor | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Heather Gross | .... | sound editor | |
| Ruth Hernandez | .... | sound editor | |
| Paul Hsu | .... | sound re-recording mixer | |
| Paul Hsu | .... | supervising sound editor | |
| Frank Kern | .... | sound editor | |
| George A. Lara | .... | foley mixer | |
| Eric Milano | .... | adr recordist | |
| Cate Montana | .... | sound editor | |
| Adam Sanchez | .... | boom operator | |
| Gabriel Sanders | .... | boom operator | |
| John Sember | .... | boom operator | |
| Sara Stern | .... | assistant sound editor | |
| Lila Yomtoob | .... | sound editor | |
Visual Effects | |||
| Stephen Gaconnier | .... | visual effects producer | |
| Mike Nuget | .... | digital cleanup artist (uncredited) | |
Camera and Electrical Department | |||
| Rik Andino | .... | grip | |
| Joe Belschner | .... | additional dolly grip | |
| Carter Bissell | .... | best boy electric | |
| Ryan Cheresnick | .... | additional electrician | |
| Dylan Crawshay-Williams | .... | grip | |
| Alexander Engel | .... | electrician | |
| John Frisbie | .... | rigging gaffer | |
| Rob Harlow | .... | second key grip | |
| Theodore N. Hellmuth | .... | dolly grip | |
| T.J. Hellmuth | .... | dolly grip | |
| Sarah L. Hendrick | .... | additional second assistant camera | |
| Kevin Kilcher | .... | additional electrician | |
| Ludovic Littee | .... | first assistant camera | |
| Adam Lukens | .... | best boy grip | |
| Adam Lukens | .... | grip | |
| Mike 'Electric' Mervilde Jr. | .... | best boy grip | |
| Smokey Nelson | .... | gaffer | |
| Aaron Randall | .... | additional dolly grip | |
| Meg Schrock | .... | electrician | |
| Meg Schrock | .... | generator operator | |
| Jaime Segschneider | .... | second assistant camera | |
| Elizabeth Stern | .... | additional grip | |
| Walter Strafford | .... | additional grip | |
| Matthew Walker | .... | key grip | |
| JoJo Whilden | .... | still photographer | |
| Casey Wooden | .... | grip | |
Casting Department | |||
| Jessica Kelly | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Erin Byrne | .... | additional costumer | |
| Leah Katznelson | .... | assistant costume designer | |
| Rebecca McCabe | .... | wardrobe supervisor: additional | |
| Colleen McTigue | .... | key costumer | |
| Emily Mraz | .... | costume intern | |
| Diana Pappas | .... | costume production assistant | |
| Amy Pickering | .... | wardrobe supervisor | |
Editorial Department | |||
| Kate Abernathy | .... | assistant editor | |
| Joe Gawler | .... | digital opticals colorist | |
| Ali Muney | .... | assistant editor | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
| Daniel Triller | .... | assistant editor | |
Music Department | |||
| Mariusz Glabinski | .... | music editor | |
| Mary Ramos | .... | music supervisor | |
| Marek Szpakiewicz | .... | musician: cello solo | |
| Marek Szpakiewicz | .... | orchestrator | |
Thanks | |||
| Juliana Farrell | .... | special thanks | |
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| The Devil Wears Prada | My Super Ex-Girlfriend | Seventh Dog | Suburban Girl | Metropolitan |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
With a highly inventive introduction to cheerfully mismatched characters, The Visitor is a daring look at the hopelessness of unfortunate immigration circumstances. Superbly acted and beautifully scored, the film doesn't back down from its touching subject matter and realistically tragic events, but instead infuses them with aptly-timed comic relief and the persuasive power of music and romance.
Bitter and bored college professor Walter Vale (Richard Jenkins) travels to his New York apartment after being forced to attend a conference on global economization. Immediately he discovers a couple living in his home, and out of kindness and the appeal of company, he invites them to stay. Tarek Khalil (Haaz Sleiman) plays the drums, and soon gets the unsociable Walter to take up the instrument. Tarek's girlfriend Zainab is slower to acknowledge Walter's hospitality, but eventually warms to his presence.
When Tarek is arrested at the subway and taken to a detention center for illegal immigrants, Walter shows estimable concern for his newfound friend. Weighing his teaching job back in Connecticut against helping a man he's known for less than two weeks, Walter hires a lawyer to aid in Tarek's release. When Mrs. Khalil arrives to find out what's happened to her son, Walter finds himself rediscovering romance as well as what is truly important in his life.
Great care is taken to create sympathy for Tarek and Zainab, even though they are chiefly at fault for their uncertain positions. They've done nothing wrong in the eyes of the viewer, and its best that it stays that way for the law they break is too complex to designate as morally right and wrong. The Visitor unflinchingly demonstrates the bleakness of their situation, and ensures that their story represents the likely majority of factual examples. The mocking sign "Know Your Rights" at the detention center foreshadows the unfortunate prejudices and consequences of an unsympathetic law. In the end, Walter's self-realization and inner revelations are the solace that must outshine his visitor's discouraging plights.
Richard Jenkins' acting is phenomenal, even though his role is to remove a wide array of emotions from his weathered face. Offering many scenes of comedy relief and the amusing rediscovery of long-abandoned romance, Jenkins delivers a wholly believable character that is relatable and easily liked. His distaste for his work and his discontent with life gives his eventual recognition of purpose even more of a cinematic edge. And being a mismatched companion and an unlikely friend lends to further depth and appeal. Though Tarek and Zainab are the first visitors and Mrs. Khalil after that truly Walter is the visitor to their world one he was previously completely oblivious to.
Part romance, part comedy and many parts drama, The Visitor presents moral conflict with the faceless evils of uncaring laws and heartfelt bonding between a weary, lonely man and a free-spirited musician. While the film slows in a few spots, the constant interjection of humor safely guarantees that audiences won't lose interest. The Visitor is an uncommonly sincere film that manages to mix harsh realism with crowd-pleasing entertainment.
- Mike Massie