| Fotos (ver todos los 5 | slideshow) | Videos |
| Nurgül Yesilçay | ... | Ayten Öztürk aka Gül | |
| Baki Davrak | ... | Nejat Aksu | |
| Tuncel Kurtiz | ... | Ali Aksu | |
| Hanna Schygulla | ... | Susanne Staub | |
| Patrycia Ziolkowska | ... | Charlotte 'Lotte' Staub | |
| Nursel Köse | ... | Yeter aka Jessy | |
| listado alfabético del resto del reparto: | |||
| Erkan Can | ... | Nejat's Cousin | |
| Yusuf Kaba | ... | Flute player | |
| Yelda Reynaud | ... | Emine | |
| Lars Rudolph | ... | Markus Obermüller | |
| Andreas Thiel | ... | Konsulatsmitarbeiter | |
| Idil Üner | ... | Pregnant doctor (uncredited) | |
Dirigida por | |||
| Fatih Akin | |||
Créditos del guión(en orden alfabético) | ||
| Fatih Akin | writer | |
Producida por | |||
| Ali Akdeniz | .... | co-producer | |
| Fatih Akin | .... | producer | |
| Paolo Colombo | .... | co-producer | |
| Alberto Fanni | .... | co-producer | |
| Nevra Koçoglu | .... | supervising producer | |
| Klaus Maeck | .... | producer | |
| Funda Odemis | .... | co-producer | |
| Erhan Ozogul | .... | co-producer | |
| Christian Springer | .... | line producer | |
| Andreas Thiel | .... | producer | |
| Jeanette Würl | .... | producer | |
| Flaminio Zadra | .... | associate producer | |
Música original por | |||
| Shantel | |||
Fotografía por | |||
| Rainer Klausmann | |||
Montaje por | |||
| Andrew Bird | |||
Casting | |||
| Monique Akin | |||
Diseño de producción por | |||
| Sirma Bradley | |||
| Tamo Kunz | |||
Dirección artística | |||
| Seth Turner | |||
Diseño de vestuario por | |||
| Katrin Aschendorf | |||
Departamento de maquillaje | |||
| Maike Heinlein | .... | makeup artist | |
| Mediha Safak | .... | makeup artist | |
| Daniel Schröder | .... | makeup artist | |
Dirección de producción | |||
| Tolga Dundar | .... | assistant production manager | |
| Aksel Kamber | .... | production manager | |
| Tina Mersmann | .... | post-production supervisor | |
Ayudante de dirección | |||
| Surk-Ki Schrade | .... | assistant director | |
| Seren Yüce | .... | first assistant director | |
Departamento de Arte | |||
| Jan Feil | .... | property master: inside | |
| Elif Tasçioglu | .... | property master | |
Departamento de sonido | |||
| Ahmt Sut Alban | .... | sound | |
| Richard Borowski | .... | sound re-recording mixer | |
| Andreas Hildebrandt | .... | sound designer | |
| Jörg Krieger | .... | sound designer | |
| Martin Langenbach | .... | foley artist | |
| Kai Lüde | .... | sound mixer | |
| Jörn Martens | .... | boom operator | |
Efectos especiales | |||
| Peter Wiemker | .... | special effects | |
Visual Effects | |||
| Philipp Eckel | .... | film recording | |
| Birk Ewert | .... | 2D graphic artist | |
| Michael Krämer | .... | digital compositor | |
| Philipp Schneider | .... | visual effects editor | |
| Christoph Schröer | .... | lead digital compositor | |
| Matthias Schulze-Kirketerp | .... | digital colorist | |
| Alex Brommer | .... | digital compositor (uncredited) | |
Especialistas | |||
| Ali Haznebar | .... | stunt performer | |
Cámara y Departamento Eléctrico | |||
| Julien Aksoy | .... | third assistant camera: Istanbul | |
| Gokhan Atilmis | .... | director of photography: Istanbul | |
| Emre Basaran | .... | focus puller: second unit | |
| Faruk Belbidi | .... | dolly grip | |
| Kuray Benirtray | .... | lighting technician | |
| Matthias Bode | .... | grip assistant | |
| Ethem Dag | .... | second assistant camera: Istanbul | |
| Julia Drache | .... | second assistant camera | |
| Özgür Eken | .... | first assistant camera: Istanbul | |
| Torsten Lemke | .... | lighting design | |
| Astrid Miegel | .... | first assistant camera | |
| Olcay Oguz | .... | camera operator: second unit | |
| Carsten Scharrmann | .... | key grip | |
| Kerstin Stelter | .... | still photographer | |
Departamento de vestuario | |||
| Chandra Liebetanz | .... | wardrobe assistant | |
| Ceylan Senbark | .... | wardrobe assistant | |
Departamento de Edición | |||
| Ursina Merkt | .... | post-production assistant | |
| Marcus Ott | .... | supporting editor | |
Departamento de Música | |||
| Klaus Maeck | .... | music supervisor | |
Otros miembros del equipo | |||
| Ayse Barim | .... | production consultant | |
| Can Bemir | .... | office runner: Turkey | |
| Emre Cosar | .... | production accountant | |
| Agnès Leroy | .... | press attachée: France | |
| Margaret Metz | .... | production coordinator | |
| Céline Petit | .... | press attachée: France | |
Gracias | |||
| Andreas Thiel | .... | in memory of | |
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| Across the Universe | Roma, città aperta | Prick Up Your Ears | The Reader | Monster |
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb Alemania section | Add this title to MyMovies |
"The Edge of Heaven", original title "On the other side", takes up a number of ideas from Faith Akin's previous film. But it takes them also in a new unexpected direction - with a political view (on Kurdish problem, on Europeans), with additional protagonist types - now the conflicted German Turks are joined by 'naive' Germans proper and 'seen-too-much' Turkish (Kurds) proper. All of the characters were very well constructed and, as representative types of their social groups, offered much material for the audience to reflect upon.
Indeed, a knowledgeable audience would find this film to be replete with commentary on our social and political reality, the Anatolian and the European, and on the respective preconceptions and stereotypes. Some of the commentary is tragic, some is ironic. Here, in Bulgaria, the audience laughed and applauded when the German granma said with all her conviction to the Kurdish girl that everything in her country will become alright because they are joining the EU. On the other hand, an émigré Kurdish audience will probably applaud a very moving and full of suspense depiction of the Kurdish struggle in Turkey, which is however frank both to Kurds and to the Turkish authorities. It included small cameos from the conflict that are openly publicised for the first time: for example the revolutionaries taken out of their hideout by the police announce their names to the street and the world, in apprehension of being disappeared by the authorities; minutes later the crowd of passer-bys claps to the departing police vans in a popular approval of the suppression of kurdish struggle.
Still, the myriad political and social problems are only a setting to a much more personal story. The opening of one's soul, the crossing of inner walls that separate us from those who love us. This story is repeated three times, in different context, for the three characters who remain alive to cross 'to the other side': the German mother who accepts her daughter's ideals, the German-Turkish son who forgives his father, the Kurdish girl who takes the love of her friends over her revolutionary commitment. However, the director allows no one of them to consume their redemption within the film's running time - their characters remain tragic.
It is a very powerful film. As a friend said after the screening, it tramples over you like a steam-roller. The emotional mix of the previous film "Head-on" had me cry, but crying releases the pain. This one doesn't let to release the tension even at the final scene. It will stay with you for days after.