The Mist (2007)

Director:

Frank Darabont

Writers (WGA):

Frank Darabont (screenplay)
Stephen King (novel)

Release Date:

21 noviembre 2007 (USA)

Genre:

Drama | Horror | Sci-Fi | Thriller

Frase comercial:

Fear Changes Everything

Plot:

A freak storm unleashes a species of blood-thirsty creatures on a small town, where a small band of citizens hole-up in a supermarket and fight for their lives.

Plot Keywords:

Highway | Torch | Based On Novella | Person On Fire | Pharmacy

Awards:

4 nominations

Comentarios de los usuarios:

A Spectacular Scarefest

Cast

Thomas Jane	...	David Drayton
Marcia Gay Harden	...	Mrs. Carmody
Laurie Holden	...	Amanda Dumfries
Andre Braugher	...	Brent Norton
Toby Jones	...	Ollie Weeks
William Sadler	...	Jim Grondin
Jeffrey DeMunn	...	Dan Miller
Frances Sternhagen	...	Irene Reppler
Nathan Gamble	...	Billy Drayton
Alexa Davalos	...	Sally
Chris Owen	...	Norm
Sam Witwer	...	Private Jessup
Robert C. Treveiler	...	Bud Brown (as Robert Treveiler)
David Jensen	...	Myron
Melissa Suzanne McBride	...	Woman With Kids at Home (as Melissa McBride)

También conocida como:

Stephen King's The Mist (USA) (complete title)
Sobre-Natural (Mexico) [es]
Sobrenatural (Venezuela) [es]

MPAA:

Rated R for violence, terror and gore, and language.

Duración:

126 min

País:

USA

Idioma:

English

Color:

Color | Black and White (alternate DVD version)

Aspect Ratio:

1.85 : 1

Sonido:

SDDS | DTS | Dolby Digital

Clasificación:

France:-12 | Australia:MA | Portugal:M/16 | Singapore:NC-16 | South Korea:15 | Finland:K-15 | Switzerland:16 (canton of Vaud) | Japan:R-15 | Germany:16 | Hong Kong:IIB | Switzerland:16 (canton of Geneva) | USA:R | Philippines:R-13 (MTRCB)

Filming Locations:

Shreveport, Louisiana, USA

Company:

Darkwoods Productions

Trivialidades:

Despite the setting in Maine, the film was shot entirely in Shreveport, Louisiana. To Frank Darabont's delight, Stephen King could not distinguish it from Maine when watching the film.

Goofs:

Continuity: The blood splatter on the windshield goes from being in the middle of the broken glass to being spread out across the windshield and then back again.

Quotes:

[first lines]
Billy Drayton: Whoa!

Movie Connections:

Featured in "Siskel & Ebert & the Movies: (2007-11-24)" (2007)

Soundtrack:

The Host of Seraphim

A Spectacular Scarefest

While the cast and crew of "The Mist" will herald the Weinstein Brothers at press junkets and the like, the producing duo has made 2007's most refreshingly original horror films ("Grindhouse," "Halloween") sacrificial lambs to fright-unfriendly weekends (there's a good article on this at Dread Central.com). And while "The Mist" certainly commands a 30-foot screen, maybe its best possible fate lies on DVD, where viewers with surround sound and a widescreen TV can live the horrific, harrowing experience without the distraction of an audience too dumb to decipher their ticket stubs.

"What's wrong with Stephen King?!" one member asked at the climax of "The Mist," certain he had made an alternately incisive and hilarious comment. To which I thought, "Had you actually read the novella, clod, you'd know that King ended on an (almost) upbeat note." With home entertainment fast becoming the industry standard, I guess the expectation of a tactful audience is beyond reason anymore.

Despite the running commentary, I was able to see the treasure most of the room missed out on. As a novella, "The Mist" is—like most of King's work—pulpy, scary, and compelling. The film, written and directed by Frank Darabont, is a stunning adaptation that manages to capture the slow burn of dread and desperation that permeates the novella. And while there is an uncanny titular similarity to John Carpenter's "The Fog," this is an altogether different beast.

The setup is simple: after a brutal storm whips through a small Maine community, movie poster artist David Drayton (Thomas Jane—"Dreamcatcher") and his son, Bill (Nathan Gamble) head into town for supplies, accompanied by Norton (Andre Braugher), their next-door neighbor. Once they arrive at a small shopping plaza, a shear mist encroaches upon them, trapping a large number of people inside a grocery store. The utter randomness of this scenario is enough to make one's skin crawl, but it turns out there are prehistoric-looking monsters waiting in the mist. And the inhabitants of the store become increasingly desperate for survival.

(At this juncture, I will apologize in advance for the upcoming comparisons to "Night of the Living Dead," due to the sheer quantity of mentions.)

What follows has a lot of thematic parallels to George Romero's "Night of the Living Dead," a B movie whose guerrilla fearlessness and intelligence pushed it into legitimacy and legend. "The Mist" is as much about things-that-go-bump-against-the-plate-glass as the way in which trapped humans respond to such a fantastic situation. Like "Night," the breakdown of social order and martial law is addressed; the role of the military comes into play; religious fundamentalism is personified by Mrs. Carmody (Marcia Gay Harden), a fire-and-brimstone type who becomes a macabre, sacrifice-minded beacon to the store's desperate. In an era where most of today's horror crowd expects "Saw XIV" every time they walk into a theater, Darabont's script is built on a foundation of logic and authentic human action (even when characters do things we know are unwise, their rationale is convincingly fleshed-out) as opposed to manipulative twists and anticlimaxes. The ending is at once ballsy, depressing, and right. Like "Night," "The Mist" is less about otherworldly monsters than mankind's uncanny ability to BE the monster.

That being said, "The Mist" works as well as a traditional horror film, with several genuinely scary sequences involving mutant hybrids of pterodactyls, houseflies, and spiders, with several Cthulhu-esquire unmentionables to complement their Lovecraftian backstory. The CG is well-utilized and the sharp editing keeps it from being overdone. Darabont transforms the creatures—which are essentially '50s B-movie fodder—into absolutely convincing visions of hell. This film bucks current horror trends by actually scaring the audience instead of just repulsing them.

"The Mist" is one of the year's best.