| Fotos (ver todos los 4 | slideshow) | Videos |
| Albert Dupontel | ... | David Hoffmann | |
| Marie Guillard | ... | Marie Becker | |
| Marthe Keller | ... | Professeur Brügen | |
| Mélanie Thierry | ... | Manon Brügen | |
| Claude Perron | ... | Miller | |
| Alain Figlarz | ... | Dimitri Nicolov / Danis Nicolov | |
| Smadi Wolfman | ... | Sarah | |
| Patrick Bauchau | ... | Charles Becker | |
| Guy Lecluyse | ... | Kovacs | |
| Cyril Lecomte | ... | Le légiste | |
| Francis Renaud | ... | Yuri | |
| Manon Chevallier | ... | Clémence | |
| Estelle Lefébure | ... | Clara | |
| listado alfabético del resto del reparto: | |||
| Mika Cotillon | ... | Malik | |
| Franck Goumah | ... | Agent DST 2 | |
| Patrick Hamel | ... | Jacques | |
| Virginie Jaspart | ... | Aide soignante | |
| Andy King | ... | Gianni | |
| Baptiste Leclercq | ... | Fumeur de drogue | |
| Sebastien Libessart | ... | Infirmier | |
| Rémy Roubakha | |||
| Claudia Tagbo | ... | Infirmiere | |
| Aline Tcheou | ... | Infirmiere chinoise | |
| Olivier Vergès | ... | Professeur Brügen's Assistant | |
| Alex Waltz | ... | Agent DST 1 | |
Dirigida por | |||
| Julien Leclercq | |||
Créditos del guión | ||
| Julien Leclercq | (scenario and dialogue) and | |
| Franck Philippon | (scenario and dialogue) | |
| Nicolas Peufaillit | (participation) and | |
| Aude Py | (participation) | |
Producida por | |||
| Jean-Philippe Blime | .... | executive producer | |
| Franck Chorot | .... | producer | |
Música original por | |||
| Jean-Jacques Hertz | |||
| François Roy | |||
Fotografía por | |||
| Thomas Hardmeier | |||
Montaje por | |||
| Thierry Hoss | |||
Casting | |||
| Franck Jouard | |||
Diseño de producción por | |||
| Jean-Philippe Moreaux | |||
Decorados | |||
| Sandra Conti | |||
| Gianfranco Protopapa | |||
Diseño de vestuario por | |||
| Fabienne Katany | |||
Departamento de maquillaje | |||
| Elisa Angiulli | .... | makeup artist | |
| Annalisa Bellucci | .... | makeup artist | |
| Silene Monti | .... | makeup artist | |
| Simone Pasqualini | .... | makeup supervisor | |
| Mélanie Queyrel | .... | additional makeup artist | |
| Françoise Quilichini | .... | key makeup artist | |
Dirección de producción | |||
| Philippe Desmoulins | .... | production manager | |
| Marie-Paule Ester | .... | assistant production manager | |
| Bernard Seitz | .... | production manager | |
| Tourdjman Valentin | .... | assistant unit manager | |
Ayudante de dirección | |||
| Pascal Salafa | .... | first assistant director | |
| Olivier Vergès | .... | second assistant director | |
| Aurélie Jasnot | .... | third assistant director (uncredited) | |
Departamento de Arte | |||
| Olivia Martin | .... | maquettiste | |
Departamento de sonido | |||
| Lucien Balibar | .... | sound | |
| Julien Bourdeau | .... | dialogue editor | |
| Pascal Dedeye | .... | foley artist | |
| Franck Desmoulins | .... | sound editor | |
| Nicolas d'Halluin | .... | sound recordist | |
| Daniel Gries | .... | foley artist | |
| Sylvain Lasseur | .... | sound editor | |
| Alexis Leverve | .... | co-sound mixer | |
| Alain Lévy | .... | post-synchronization | |
| Vincent Montrobert | .... | sound editor | |
| Joël Rangon | .... | sound re-recording mixer | |
| Valerio Stirpe | .... | sound | |
| Jean-Alexandre Villemer | .... | sound recordist | |
| Stéphane Vizet | .... | boom operator | |
Efectos especiales | |||
| Olivier Afonso | .... | special effects makeup | |
| Simone Pasqualini | .... | special effects makeup | |
Visual Effects | |||
| François Dumoulin | .... | Flame artist | |
| Guillaume Laforge | .... | 3D digital artist | |
| Bruno Maillard | .... | visual effects supervisor | |
| Michael Marques | .... | Flame artist | |
| Matthieu Royer | .... | animation supervisor | |
Especialistas | |||
| Laurent Alexandre | .... | stunts | |
| Oumar Diaoure | .... | stunt coordinator | |
| Alain Figlarz | .... | fight choreographer | |
| David Genty | .... | stunts | |
| Laurent Larrieu | .... | stunt coordinator | |
| Laurent Larrieu | .... | stunt coordinator: divers | |
| Franck Merenda | .... | stunts | |
| Sébastien Peres | .... | stunt double | |
Cámara y Departamento Eléctrico | |||
| Jacques Ballard | .... | submarine camera assistant | |
| Fabrice Bismuth | .... | first assistant camera | |
| Elodie Boulard | .... | camera trainee | |
| Thomas Brémond | .... | still photographer | |
| Fanny Coustenoble | .... | second assistant camera | |
| Pierre Garnier | .... | key grip | |
| Laurent Héritier | .... | gaffer | |
| Gary Pachany | .... | first assistant camera: "b" camera | |
| Alain Souffi | .... | submarine cinematographer | |
Departamento de reparto | |||
| Géraldine Mouton | .... | extras casting | |
Departamento de vestuario | |||
| Sandrine Douat | .... | wardrobe assistant | |
Departamento de Edición | |||
| Frederic Jupin | .... | digital conformation | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Géraldine Rétif | .... | assistant editor | |
Otros miembros del equipo | |||
| Ghislaine Cauet-Martinotto | .... | production assistant | |
| Rachel Corlet-Soulier | .... | script supervisor | |
| Françoise Della Libera | .... | production administrator | |
| Romeo Julien | .... | avid conformation | |
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| Les yeux sans visage | Persepolis | La sentinelle | Le corbeau | Premonition |
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Crimen section | IMDb France section | Add this title to MyMovies |
There are many ingredients of the cyberpunk genre in this film, which is why I was looking forward to see it. Unfortunately, it is a weird mix and while Leclerq obviously has a flair for aesthetics, he would have been better off letting someone else write the script.
Albert Dupontel, better known as an actor and director of comedies, continues his recent transition to more "heroic" roles. Here, he has amazing presence and physicality playing David Hoffmann, a hard-nosed cop. Unfortunately, the script is so bad, the direction so poor, that sometimes you just can't believe his lines or behavior.
His character is not the only one lacking development and substance. Everyone surrounding him looks even more like a walking cliché. Marie Guillard lacks credibility as Becker, Hoffman's pretty rookie partner. Veteran actor Marthe Keller plays a doctor with an agenda and recites her uninspiring lines without conviction. Alain Figlarz is intensely physical as the movie's main goon but as a villain, again the script doesn't sell him very well. There are many other characters we equally do not care about. Apparently, in the future, every woman in the police department will be a pretty girl who looks unfit for the job.
So, if the plot is terrible, the characters uninteresting and their lines ridiculous, why exactly does it deserve a 5 rating? Well for one, there are martial arts scene in the pure tradition of Bourne. the context in which they happen is silly but their execution is actually flawless and they are pulse-pounding. Kudos to Dupontel here. He delivers big. The rendition of a Paris in the not-so-distant future is also beautiful. It's mostly interiors (few outside shots) but you do get a nice feel of what could realistically be the future. It's extremely stylish and European. Speaking of which, the photography here is very good.
What you're left with is a movie that combines elements of techno-thriller, noir and sci-fi and takes itself very seriously. Unfortunately, it's not done well enough. When your scenario lacks credibility, a good way to save it is by injecting something else. Irony, humor or romance. But Chrysalis never does that. And the action is sparse enough that we notice it's flaws.
I hope Leclerq will pursue his career but I'd rather he directs and let someone write.