| Javier Cámara | ... | Cundo | |
| Gonzalo de Castro | ... | Fernando | |
| César Vea | ... | Mote | |
| José Luis Alcobendas | ... | Pablo | |
| Malena Alterio | ... | Marta | |
| Emilio Gutiérrez Caba | ... | Tino | |
| Mariana Cordero | ... | Mercedes | |
| Fanny Gautier | ... | Rosa | |
| Alex Amaral | ... | Miguel | |
| Yalitza Hernández | ... | Esmeralda (as Yanitza Hernández) | |
| José Antonio Lobato | ... | Fonso | |
| Raquel Armesto | ... | Alba | |
| Víctor Clavijo | |||
| Teresa Lozano | |||
| listado alfabético del resto del reparto: | |||
| Adriano Prieto | ... | Encargado Carpintería | |
| Vicente Colomar | ... | (uncredited) | |
Dirigida por | |||
| Tom Fernández | |||
Créditos del guión(en orden alfabético) | ||
| Tom Fernández | writer | |
Producida por | |||
| Sandra Hermida | .... | line producer | |
| Javier Méndez | .... | executive producer | |
| Jaume Roures | .... | producer | |
| Lola Salvador | .... | executive producer | |
Música original por | |||
| Javier Tejedor | |||
Fotografía por | |||
| Carlos Suárez | |||
Montaje por | |||
| Ángel Hernández Zoido | |||
Casting | |||
| Cecilia Bayonas | |||
Dirección artística | |||
| Soledad Seseña | |||
Diseño de vestuario por | |||
| Maria Reyes | |||
Departamento de maquillaje | |||
| Susana Sánchez | .... | makeup department head | |
Dirección de producción | |||
| Sandra Hermida | .... | production manager | |
Efectos especiales | |||
| Anthony S. Ciccarelli | .... | special effects technician | |
| Pau Costa | .... | special effects | |
| Javier Jal | .... | special effects technician | |
Visual Effects | |||
| Ferrán Piquer | .... | visual effects coordinator | |
Cámara y Departamento Eléctrico | |||
| Juan Leyva | .... | first assistant camera | |
| Pablo Sanchez | .... | second assistant camera | |
Departamento de vestuario | |||
| Charo Diego | .... | set costumer | |
Departamento de Edición | |||
| Ainara Porron | .... | post-production coordinator | |
Otros miembros del equipo | |||
| Iván Armesto | .... | extras director | |
| Glòria Blanes | .... | script supervisor | |
| Marisa Fernández Armenteros | .... | production coordinator | |
| Goyo Gamez | .... | first production assistant | |
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| Big Fish | Les invasions barbares | Heaven Can Wait | Buffalo '66 | Volver |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Comedia section | IMDb Spain section | Add this title to MyMovies |
*** This comment may contain spoilers ***
Spanish cinema has a different way to look at relationships; they pretty much slap you on the face with their approach. There is very little time to mop around and wonder what it could have been. Results are expected and reactions are provoked,usually with the delivery of an insult, strategically placed. Not to say that feelings are not taken into consideration, Spanish realism just has no time to waste in extended expositions or extra dialog. What we find in this film is many pitch perfect with every possible stereotype we can find in any family dramas, but each has been given an extra dash of color in order to highlight his or her faults.
As friends gather to honor the last request of one of their childhood group, we slowly learn that this is no ordinary town. Soon the protagonist learns how the rest of town feels about his sudden departure 10 years ago, and how they believe the death of Suso might be in more than one way related to his reckless past. There is plenty of resentment going around, and it is hard to dodge the bullets. In fact, changes happen when he allows his emotional core to be bruised.
"Suso's Tower" is a small film with plenty of aspirations. It succeeds in presenting an interesting slice of life in a very touching manner. The cast is more than adequate, with a simple Celtic-tinged score, and crystal clear depictions of the lovely countryside.