Tian tang kou (2007)

Calificación de los usuarios:

5.5/10   

Director:

Alexi Tan

Escritores:

Alexi Tan (written by) &
Dan Jiang (written by) ...

Fecha de Lanzamiento:

16 agosto 2007 (China)

Género:

Acción | Drama | Romance

Frase comercial:

The days of innocence have passed. They must make their choices like men. But at what costs? Is blood really thicker than water?

Plot:

Set in Shanghai during the 1930s, the story is inspired by John Woo's classic work Bullet in the Head, released in 1990. |

Comentarios de los usuarios:

Elegance in the absence of depth

Reparto

Daniel Wu	...	Ah Feng
Ye Liu	...	Da Gang
Qi Shu	...	Lulu (as Shu Qi)
Tony Yang	...	Xiao Hu
Xiaolu Li	...	Su Zhen (as Lulu Li)
Honglei Sun	...	Boss Hong
Chen Chang	...	Mark
Jun Zhao	...	Mei
Dian Lun Zhang	...	Xi Yan (as Zhang Dian Lun)
Jie Gao	...	Boss Chen (as Gao Jie)
Yong Xin Gui	...	Newspaper Boy (as Gui Yong Xin)
Li Qiu Zhang	...	Lulu's Maid (as Zhang Li Qiu)
Ren Yuen Wu	...	Hu's Father (as Wu Ren Yuen)
Xiao Hu Ding	...	Rickshaw Man (as Ding Xiao Hu)
Xiang Hu	...	Young Vietnamese Man (as Hu Xiang)

También conocida como:

Blood Brothers (International: English title)
Gate to Heaven (Hong Kong: English title) (literal title)

MPAA:

Rated R for strong violence.

Duración:

Canada:95 min (Toronto International Film Festival)

País:

Taiwan | China

Idioma:

Mandarin | Inglés | Francés

Color:

Color

Relación de Aspecto:

2.35 : 1

Sonido:

Dolby Digital

Clasificación:

Singapore:NC-16 | Hong Kong:IIB | Canada:14A | USA:R | Australia:MA | Netherlands:16 | Finland:K-15

Compañía:

CMC Entertainment

Banda de Sonido:

Tian Tang Kou

Elegance in the absence of depth

With the 30's Shanghai as background, the film is a gangs story, a romance story, a brotherhood story and a simple story, with a theme portraying the lust for power against brotherhood piety. The narrative is unrestricted with plots generally linear albeit that it is told in flashback. The story embeds complex relations among characters with such relations & revenges constituting parallel narratives for similarity and contrast. The narrative is framed from the perspective of Feng (Daniel Wu) and supplemented with ancillary perspective from the other lead, Mark (Chen Chang). Director Alexi Tan attempts to make it moderately stylistic by use of freeze action (not freeze frame), complete silence and some other cinematographic devices (obviously Tan restrains it from being overdone). Though the movie comes with strong leads and their fine staging, the diegesis is relatively weak and shallow in portraying the evolution of the key antagonists' personalities down the plots. Nevertheless, visual motif (flicking of cigarette on a cigarette box) is repeatedly used to reinforce the use of power and the desire for such. In terms of visuals, the film comes with replete elegant costumes and settings with Mckintoshes, western hats, suits and cuffed shirts' sleeves filling the mise-en-scenes. Fine mastering of lighting and shooting angles in the presence of both diegetic and non-diegetic music delivers a moody combination of visual and acoustic amusement to the audience. The gun-pointing scenes are fairly flamboyant in mounting up tension whilst sudden fires and zigzags of characters' motions bring occasional shocks to the audience and generate uncomfortable surprises to the audience. Yet the visual-acoustic artifice is less than sufficient to redress its shortcoming in the meek, if not weak, psychological coverage of the characters. The film is another product in which substance is subordinate to style.