| Fotos (ver todos los 18 | slideshow) | Videos (see all 5) |
Dirigida por | |||
| Chris Sivertson | |||
Créditos del guión(WGA) | ||
| Jeff Hammond | (written by) (as Jeffrey Hammond) | |
Producida por | |||
| Ittay Arad | .... | associate producer | |
| Tom Gores | .... | executive producer | |
| David Grace | .... | co-producer | |
| Johnny O. Lopez | .... | executive producer | |
| Frank Mancuso Jr. | .... | producer | |
| Aaron Mazzolini | .... | co-producer | |
| Jennifer Nieves | .... | associate producer | |
| Sabrina Sipantzi | .... | line producer (as Sabrina Sipantzi Ballard) | |
Música original por | |||
| Joel McNeely | |||
Fotografía por | |||
| John R. Leonetti | |||
Montaje por | |||
| Lawrence Jordan | |||
Casting | |||
| Dino Ladki | |||
Diseño de producción por | |||
| Jerry Fleming | |||
Decorados | |||
| Betty Berberian | |||
Diseño de vestuario por | |||
| Rachel Sage | |||
Departamento de maquillaje | |||
| Brooke Bell | .... | key makeup artist | |
| Joe Colwell | .... | makeup effects shop supervisor | |
| Daniel Curet | .... | key hair stylist | |
| David Danon | .... | key hair stylist | |
| Zack Fox | .... | makeup effects production manager | |
| Tracey Levy | .... | makeup artist | |
| J.M. Logan | .... | makeup effects producer | |
| David Monzingo | .... | special makeup effects supervisor | |
| Anne Morgan | .... | department head hair | |
| Anne Morgan | .... | hair stylist: Lindsey Lohan | |
| Janine Rath | .... | hair department head (as Janine Rath-Thompson) | |
| Tricia Sawyer | .... | makeup department head | |
Dirección de producción | |||
| David Gaines | .... | post-production supervisor | |
Ayudante de dirección | |||
| Benita Allen | .... | first assistant director | |
| Frederic Roth | .... | second assistant director | |
Departamento de Arte | |||
| Shant Balkian | .... | set dresser | |
| Michael Belasco | .... | art production assistant | |
| Elida Cerda | .... | construction medic | |
| Jerry A. Chavez | .... | property master | |
| William DeBiasio | .... | buyer | |
| Matthew D. Egan | .... | propmaker gangboss | |
| Wendy Jerde | .... | scenic painter gang boss | |
| Michael E. Johnson | .... | set dresser | |
| Ricky Lewis Jr. | .... | concept/storyboard artist | |
| Wendy Means | .... | art department coordinator (as Wendy Stanton) | |
| Amanda Mendonca | .... | set dresser buyer | |
| Joe Monaco | .... | set dresser | |
| Lars Petersen | .... | construction coordinator | |
| Eric Reichardt | .... | lead scenic | |
| Hillel Chaim Smith | .... | set dresser | |
| John L. Sullivan | .... | propmaker gangboss | |
| Brian Vogelgesang | .... | on-set decorator | |
| Steven C. Voll | .... | general foreman | |
| Gaylene West | .... | assistant property master | |
Departamento de sonido | |||
| David A. Cohen | .... | adr editor | |
| Ronald Eng | .... | supervising sound editor | |
| Dana LeBlanc Frankley | .... | first assistant sound editor | |
| Alan Freedman | .... | adr mixer | |
| Daniel A. Greenwald | .... | utility sound technician | |
| Robin Harlan | .... | foley artist | |
| Sarah Monat | .... | foley artist | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Willard Overstreet | .... | supervising foley editor | |
| Kurt Peterson | .... | boom operator | |
| Matthew Reale | .... | sound mixing recordist | |
| Keith Rogers | .... | sound re-recording mixer | |
| Randy Singer | .... | foley mixer | |
| Kevin Skaggs | .... | digital transfer engineer | |
| Robert Troy | .... | supervising dialogue editor | |
| Steve Tushar | .... | sound effects editor | |
| Ed White | .... | production sound mixer | |
Efectos especiales | |||
| Chris Cline | .... | special effects technician | |
| Dan Crawley | .... | special effects technician | |
| Matt Falletta | .... | special effects technician | |
| Larry Fioritto | .... | special effects supervisor | |
| Chris Hampton | .... | special effects supervisor | |
| Jeff Jingle | .... | animatronics supervisor/puppeteer | |
| Mi Kyung Lee | .... | special effects technician | |
| Bob Mano | .... | key mechanical designer: JML Film Corp. | |
| Bob Mano | .... | puppeteer: JML Film Corp. | |
| Steve Newquist | .... | special effects technician | |
| Mark Viniello | .... | special effects technician | |
Visual Effects | |||
| Andrew Bardusk | .... | digital compositor | |
| Carl Frytz | .... | animator | |
| Carl Frytz | .... | digital effects artist | |
| Chris Hopkins | .... | digital effects artist | |
| Richard Kratt | .... | digital compositor | |
| Steven Lawrence | .... | lead 3D artist: 11:11 MediaWorks | |
| Steven Lloyd | .... | visual effects | |
| J.M. Logan | .... | visual effects producer | |
| Tom Martinez Jr. | .... | digital effects artist | |
| Roger Nall | .... | visual effects supervisor | |
| Joe Russo | .... | visual effects producer | |
Especialistas | |||
| Keith Campbell | .... | stunt coordinator | |
| Debbie Evans | .... | stunt driver | |
| Meegan Godfrey | .... | stunt double | |
| Theo Kypri | .... | stunts | |
Cámara y Departamento Eléctrico | |||
| Ron Batzdorff | .... | still photographer | |
| Tony Bendt | .... | dolly grip: "b" camera | |
| Jeffrey N. Civa | .... | assistant camera: additional team | |
| Chris Cotterman | .... | grip | |
| Scott Crabbe | .... | key digital video assist operator | |
| Kevin Huver | .... | second assistant camera: "a" camera | |
| Tim Marshall | .... | gaffer | |
| Thom Owens | .... | Steadicam operator | |
| Thom Owens | .... | camera operator: "b" camera | |
| Dan Reilly | .... | key grip | |
| Chad Rivetti | .... | technician: digital camera | |
| Scott Ronnow | .... | first assistant camera | |
| Mark Santoni | .... | assistant camera | |
| Michael J. Schwartz | .... | electrician | |
| Darrell B. Sheldon | .... | dolly grip | |
| Michael St. Hilaire | .... | head camera operator | |
| Dan Turek | .... | first assistant camera | |
Departamento de Animación | |||
| Ben Ceccarelli | .... | animator | |
Departamento de reparto | |||
| Sasha Adkinson | .... | extras casting | |
| Jaime Harlan | .... | casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Vanessa Portillo | .... | extras casting | |
| Christine Reynolds | .... | extras casting: San Luis Obispo | |
Departamento de vestuario | |||
| Zelda Lambrecht | .... | costumer: Ms. Lohan | |
| Philip Maldonado | .... | set costumer | |
| Cami Nemanich | .... | costume intern | |
| Stephen Oh | .... | costumer | |
| Bess Stansell | .... | set costumer: extras | |
Departamento de Edición | |||
| Alastor Arnold | .... | digital intermediate editor | |
| Lizzy Calhoun | .... | assistant editor | |
| John Daro | .... | digital intermediate colorist | |
| Mato | .... | color timer: film | |
| John Nicolard | .... | digital intermediate supervisor | |
| Bill Schultz | .... | digital intermediate executive | |
| Stephen Shapiro | .... | assistant editor | |
| Walter Volpatto | .... | digital color grading supervisor | |
Departamento de Música | |||
| Klaus Berhmal | .... | musician: piano | |
| Caitlin Kazepis | .... | vocalist | |
| Michael Patti | .... | midi orchestration | |
| Brian Sapp | .... | music coordinator | |
Departamento de Transporte | |||
| Corey Askins | .... | transportation captain | |
| Jimmy Kaminsky | .... | driver | |
| Robert Mckee | .... | picture car mechanic | |
| Hugo Ocana | .... | driver | |
| John Pellegrino | .... | driver | |
| Adam Pinkstaff | .... | driver | |
| Brenda Ryan | .... | driver | |
Gracias | |||
| Deborah Eldridge | .... | thanks | |
| Eva Kalawski | .... | thanks | |
| Mary Ann Sigler | .... | thanks | |
| Sally Ward | .... | thanks | |
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| I corpi presentano tracce di violenza carnale | Tightrope | Halloween | The Prowler | Lo squartatore di New York |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Crimen section | IMDb USA section | Add this title to MyMovies |
My friend won tickets to a pre release showing of this movie in Boston. I went into the theater with absolutely no idea what it would be about and with no preconceived notions. I left the theater feeling confused and thankful that I hadn't actually paid to see it.
This film takes every thriller movie cliché in the book and slathers it on ad nauseam. I'm not opposed to a good cliché thriller movie, but at some point it becomes comical. The plot was extremely contrived and had enough holes to fill the Royal Albert Hall. Perhaps the scenes explaining the plot ended up on the cutting room floor in favor of some of the more grotesque and gratuitous gore scenes (of which there were plenty). The film's twist, one so ludicrous even the most die-hard Lohan films will giggle, is pulled directly from left field after a seemingly magical epiphany by the film's main character. The filmmakers thrown in a plethora of minor characters with undeveloped and unresolved story lines in an attempt to "throw off" the audience. Nevertheless, not ten minutes into the film, I, along with the others I was with, had successfully predicted the antagonist.
The final thirty minutes of the film was a non-stop laugh riot. The packed theater of varying demographics was rolling in the aisles as cliché after hackneyed cliché flew off the screen in rapid succession to hilarious results. I joked to the person beside me that I hadn't laughed as hard since the first time I saw "Borat".
Stylistically, the movie is a film school student's wet dream rife of "artsy" shots and recurring motifs. Unfortunately, for the audience, this does little to redeem from the film's most blaring flaw: it's entire premise.
It's difficult to fairly critique the film's actors given what they had to work with. I can say that Lohan's performance seemed rather bland and stale throughout, as though in the back of her mind she knew the movie was trite and looked at it more as a paycheck than a serious mark on her resume.
Aside from the occasional, "I almost died laughing when....", I heard scarcely a good comment in the lobby after the film. As a horror-comedy this film might have actually been good, but as a thriller it missed the mark entirely.