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My Kid Could Paint That
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My Kid Could Paint That (2007) Más información en IMDbPro »

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My Kid Could Paint That (2007) -- A look at the work and surprising success of a four-year-old girl whose paintings have been compared to the likes of Picasso and has raked in hundreds of thousands of dollars.

Revisión

Calificación de los usuarios:
7.3/10   1,340 votos
MOVIEmeter: ?
Up 13% in popularity this week. See rank & trends on IMDbPro.
Director:
Amir Bar-Lev
Contact:
View company contact information for My Kid Could Paint That on IMDbPro.
Fecha de Lanzamiento:
18 octubre 2007 (Australia) más
Género:
Documental
Frase comercial:
Inspiration or Manipulation? You Decide.
Plot:
A look at the work and surprising success of a four-year-old girl whose paintings have been compared to the likes of Picasso and has raked in hundreds of thousands of dollars. | full synopsis
Premios:
1 nomination más
Comentarios de los usuarios:
Human Interest Story or Hoax? We May Never Know.... más

Reparto

  (Vista general del reparto en créditos)
Amir Bar-Lev ... Himself
Anthony Brunelli ... Himself
Elizabeth Cohen ... Herself
Ron Curtis Jr. ... (voice)
Michael Kimmelman ... Himself
Laura Olmstead ... Herself
Mark Olmstead ... Himself
Marla Olmstead ... Herself
más

Más detalles

También conocida como:
La niña prodigio: Realidad o fraude (Argentina) (DVD title) [es]
más
MPAA:
Rated PG-13 for language.
Duración:
82 min
País:
USA | UK
Idioma:
Inglés
Color:
Color
Relación de Aspecto:
1.85 : 1 más
Compañía:
A&E IndieFilms más

Cosas divertidas

Conexiones de Película:
Apareció en "Siskel & Ebert & the Movies: (2007-10-13)" (2007) más

preguntas frecuentes

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12 out of 14 people found the following comment useful:-
Human Interest Story or Hoax? We May Never Know...., 1 April 2008
8/10
Author: brocksilvey de United States

Meet Marla Olmstead, a cute, seemingly normal 4-year-old girl. Then see the paintings Marla creates, hailed by the art world as the works of a prodigy abstract artist. Now meet Amir Bar-Lev, documentary filmmaker so fascinated by Marla's story that he decides to make a movie about it. Then along comes a "60 Minutes" investigative report that throws into question the claim that Marla alone is responsible for her paintings, and Bar-Lev's film switches gears mid-stream. Suddenly, he's begging the parents of this little girl to prove to him that their story is legitimate, so that his film won't end up being one more expose declaiming the family as frauds.

This ambiguous and disquieting film never answers the central question: are Marla's works her's alone, or did she receive "help" from her father or possibly, as some suggest, the bitter art gallery owner who takes credit for discovering her? Bar-Lev tries his best to gather evidence to support the Olmsteads' claims, but that evidence never materializes. The kind of painting Marla does when she's being filmed is the type that any four year old would do; all of her paintings are "finished" off camera. And Marla herself just doesn't act like a prodigy in the way of other child prodigies. Bar-Lev can't even get her to talk about her paintings, and she seems detached not only from the artworks but from everything else around her. Only once do the Olmsteads themselves film Marla creating a painting from start to finish, and they use this painting to prove to the world that they're not making their story up. But virtually everyone but the Olmsteads themselves seem to think that this painting looks very different from the finished ones hanging in art galleries and selling for thousands of dollars.

Whatever the true story is, the film leaves the distinct impression that something is amiss with this seemingly all-American family. The dad seems cagey; the mom seems to be working overtime to convince herself that everything is normal. A telling interview with the two parents that closes the film suggests that the couple may not be completely happy with one another -- their body language and lack of eye contact with one another conveys that. One senses that the dad is seeing some of his own dreams for fame realized through his daughter; the mom seems to be going against the maternal instincts that are telling her enough is enough. As objective as Bar-Lev tries to be, the evidence overwhelmingly suggests that the Olmsteads (or at least Mark Olmstead, the father) is bamboozling (or at least trying to bamboozle) everyone, possibly even his wife.

"My Kid Could Paint That" is not the kind of documentary that pursues answers to the questions it raises. Bar-Lev seems almost too cautious not to offend anyone for his film to have any real bite. But the questions it does raise are interesting ones: what is the validity of abstract art? Does the age of the artist have an impact on the art's quality? Would Marla's paintings have received as much attention and acclaim if they were produced by an adult, or in buying Marla's paintings, are people really buying a piece of Marla?

I felt a little guilty watching this film, because I wanted the set up to be a fraud from the start. I don't know why that is, and I wonder if as I watched the film this attitude made me see the story I wanted to see rather than the story as it actually was. But if I can be accused of that, then so can Bar-Lev, and so can the Olmsteads themselves, who, whether their story is true or not, put it before the world and packaged it for maximum effect.

Grade: A-

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Recent Posts (updated daily)User
But when a kid finally does paint it, no one believes it trylon_perisphere
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Marla's brother, Zane rednals
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Kids never lie! GTBadCat31
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