Todos estamos invitados (2008)

Calificación de los usuarios:

5.4/10   

Director:

Manuel Gutiérrez Aragón

Escritores:

Ángeles González Sinde (writer)
Manuel Gutiérrez Aragón (writer)

Fecha de Lanzamiento:

11 abril 2008 (Spain)

Género:

Drama | Romance | Suspenso

Plot:

Spain. The Basque Country. Sometime in the 90s. Josu Jon, a young member of a terrorist organization...

Plot Keywords:

University Professor | Nationalism | Terrorism

Premios:

4 wins & 1 nomination

Comentarios de los usuarios:

Too late, too timid and unsuccessful

Reparto

Óscar Jaenada	...	Josu Jon
José Coronado	...	Xabier Legazpi (as Jose Coronado)
Vanessa Incontrada	...	Francesca
Iñaki Miramón	...	Imanol Iribar
listado alfabético del resto del reparto:
Alberto Berzal
Txema Blasco
Mariana Cordero	...	Enfermera monja
Kike Díaz de Rada	...	Lesaca
Juanlu Escudero
Adolfo Fernández	...	Orkatz González
Iñaki Font	...	Iraultza
Iñake Irastorza	...	Madre Josu
Josu Ormaetxe
Gotzon Sánchez
Leire Ucha	...	Olatz
Paul Zubillaga	...	Paco

Dirigida por
Manuel Gutiérrez Aragón

Créditos del guión (en orden alfabético)
Ángeles González Sinde		writer
Manuel Gutiérrez Aragón		writer

Producida por
Enrique Cerezo	....	executive producer

Música original por
Ángel Illarramendi

Fotografía por
Gonzalo F. Berridi

Montaje por
José Salcedo

Dirección artística
Félix Murcia

Diseño de vestuario por
Estíbaliz Markiegi

Departamento de maquillaje
Itziar Arrieta	....	hair stylist
María Dolores López	....	makeup artist

Dirección de producción
Carlos Bernases	....	production manager
Pedro José De la Fuente García	....	production supervisor
Maite del Pozo	....	assistant production manager

Ayudante de dirección
Carlos Gras	....	first assistant director

Departamento de sonido
Manuel Carrión	....	foley artist
Eduardo Esquide	....	sound

Efectos especiales
David Campos	....	special effects technician
Anthony S. Ciccarelli	....	special effects technician
Pau Costa	....	special effects coordinator
Javier Jal	....	special effects technician
Javier H. Moneo	....	special effects technician
Raúl Romanillos	....	special effects

Departamento de vestuario
Elena Gómez	....	costumer

Departamento de Edición
Marta Velasco	....	first assistant editor (2006-2007)

Otros miembros del equipo
Maria Asuero	....	production assistant

Compañías Productores

• C I P I Cinematográfica

Distribuidores

• Alta Films (2007) (Spain) (theatrical)

Otras Compañías

• Southern Sun  lighting

Duración:

Argentina:80 min

País:

Spain

Idioma:

Español

Color:

Color

Clasificación:

Argentina:16

Locaciones de Filmación:

Donostia-San Sebastián, Guipúzcoa, País Vasco, Spain

Compañía:

C I P I Cinematográfica

Too late, too timid and unsuccessful

The shortage of films dealing with the oppression imposed to a part of Spanish society (the people living in the Basque Country) by the Marxist-nationalist terrorism of the Basque separatist mafia-like organization ETA can only be explained by fear. The fear that makes very difficult to depict what happens in a society in which silence is the fist commandment also explains why, after 30 years of democracy and a generous autonomy for the Basque Region, the terrorists remain active. The making of this film had to overcome the negative of many of its possible crew to collaborate in it (ETA has killed journalists and intellectuals who oppose to the Basque Nazism). Terrorism in the Basque Country is directly supported by less than 10% of population but many Basques regard themselves as "moderate" nationalists (about 50% of the population votes for more or less "moderate" nationalist parties) but most of them oppose terrorism only in their speech but never in their action. It is a mean mix of fear and usefulness (when you are a nationalist your life becomes much more comfortable than the one of non-nationalist citizens) that remains unchallenged.

It would have been necessary many more movies that portray the life of those that have been threatened for opposing to the nationalist mafia, to advance in the fight against terror, and those films should have been made twenty years before. Gutierrez Aragon deserves credit for reflecting how fear is the fabric of that society: it is well depicted the way of living of a university teacher who must be escorted by bodyguards 24h a day, and it explains that thousands of other common citizens live under protection (plain councilors, journalists, teachers…) while their neighbors and "friends" give them their back. But the story most of the time does not flow but advances in fits and starts, and the political responsibility of the authorities is not discussed; it seems that when writing the script so many subjects were necessary to treat, because of the delay of years, that the mission was not successfully accomplished. So far, fiction has not been the accurate way for cinema to deal with that everyday reality and maybe only documentary movies could be successful in it. In the scarce list of movies dealing with the suffering of victims of the Basque nationalist terrorism one stands out: "Thirteen among a thousand "(2005) (Trece entre mil) by Basque director Arteta: it is a documentary and it is both more valiant and more precise than "Todos estamos invitados" in the objective to portrait the covered truth of a society oppressed by Nazis in the middle of a democratic and prosperous Europe.