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"Lost"
The Economist (2008)


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Calificación de los usuarios: 8.6/10 (805 votes)

Overview

Director:
Jack Bender
Writers:
Jeffrey Lieber (creator) and
J.J. Abrams (creator) ...
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Series de televisión:
"Lost" (2004)
Original Air Date:
14 febrero 2008 (Season 4, Episode 3)
Plot:
Sayid negotiates a deal with Locke to hand over Charlotte from the "rescue team," so that he can get on their helicopter and reach their ship. Kate joins Sayid for the mission, but she decides to stay behind with Sawyer. full summary | add synopsis
Plot Keywords:
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Comentarios de los usuarios:
Another knockout, Kitsis and Horowitz deliver their best script yet más

Cast

 (Episode Cast overview, first billed only)

Additional Details

Duración:
43 min
País:
USA
Idioma:
English | German
Color:
Color
Clasificación:
Canada:14+
Filming Locations:
O'ahu, Hawaii, USA
Company:
ABC Studios más

Cosas divertidas

Trivialidades:
This is the first episode where we see a bird’s eye view of the island. más
Goofs:
Factual errors: When Elsa talks in German to her employer in the flash forward scene, the subtitles say 'He had no idea' but what she actually says at that moment translates into 'He won't give up the name now'. Earlier in that scene, the subtitles say 'He won't give up the name now' but the actual words translate into 'He won't say anything'. más
Quotes:
James 'Sawyer' Ford: You ready to give us the name, Gizmo?
John Locke: He's not going to tell you who the spy is on their boat, James.
James 'Sawyer' Ford: Yeah, why not?
John Locke: Because that's the only thing keeping him alive.
James 'Sawyer' Ford: Well here's an idea: why don't we take a gun, point it to his big toe and send that little piggy to the market.... And if he still doesn't want to tell us, move on to the roast beef. Why don't we do that?
John Locke: Because then we'd have to carry him.
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Movie Connections:
References Gremlins (1984) más

preguntas frecuentes

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33 out of 38 people found the following comment useful:-
Another knockout, Kitsis and Horowitz deliver their best script yet, 14 February 2008
9/10
Author: AdnanZ de Canada

*** This comment may contain spoilers ***

*spoilers for "The Economist" only

"The Economist" is not as frantically paced as the last two episodes in this season, and at first look doesn't quite reveal as much. At first look. The more I think about this episode the more I realize that this season is possibly the first to begin revealing little by little part of the overall story at work here. Season Four's seasonal arc, with the addition of flashforwards, appears to be more directly related to the bigger mythology of the series than any season arc before it. I'm very excited to say the least.

In this episode's island events Sayid engineers a trade with Locke, giving him Miles in exchange for Charlotte, Kate chooses to stay at the Barracks with Sawyer, leaving Jack miserable, Daniel tries an experiment which adds to suggestions of a time warp, and most importantly: Sayid happens upon Ben's stash of passports and clothing, presumably used for his trips off the island.

This episode was a Sayid flashforward, and though not especially revealing with regard to his character, it was certainly interesting, even before the shocking ending this episode had. Sayid is, and I'm assuming you've seen the episode if you read past the spoiler warnings, working for Ben. Yes, none other than Benjamin Linus. Here's what interested me most: this basically changes the concept that Ben is 'the island guy' by informing us that he has not only left the island, but that he appears to be working within a much larger scheme of things. The reveal that Sayid is working essentially as a hit-man in Ben's service is not just interesting in itself, it's also interesting in that it appears that Sayid is doing it in exchange for protection of his 'friends'. I'm assuming this means the Oceanic Six and those on the island, but it's entirely possible it's something we haven't seen yet.

Is Ben working in opposition to Abbadon? Which group are the bad and which are the good? Is it really that clear-cut? I don't think it is. I think good and bad are becoming far, far more ambiguous as this show moves forward.

All in all: another exceptional episode of the series and more indication that LOST is moving forward in a far more confident manner than it has ever done before. Kudos to the writers Eddy Kitsis and Adam Horowitz, this is their best script to date.

Stay Lost!

9/10

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