Directed by
| Jonás Domínguez | ||
Writing Credits (in alphabetical order)
| Jonás Domínguez | ... | (written by) |
Cast
| Maria Molins | ... | Mujer | |
| Fermí Reixach | ... | El | |
| Carme Sansa | ... | Ella | |
Produced by
| David Canelo | ... | producer |
| Jonás Domínguez | ... | producer |
| C. Martín Ferrera | ... | executive producer |
Music by
| Bernardo Castro | ||
Cinematography by
| Roger Llonch | ||
Editing by
| Xavi Carrasco | ||
Art Direction by
| Glendis López | ||
Makeup Department
| Melissa Sandoval | ... | makeup artist |
Production Management
| David Canelo | ... | production manager |
Second Unit Director or Assistant Director
| Sonia Pavón | ... | first assistant director (as Sonia Pavon) |
| Carlos Pérez-Reche | ... | second assistant director |
Sound Department
| Rico Boix | ... | foley artist |
| Jaume Duque | ... | sound designer / sound editor |
| Juan Pedro Espino | ... | sound recordist |
| Mario Lorenzo | ... | Mastering Engineer/re-recording mixer |
Visual Effects by
| Job Alejandro Gil Rivero | ... | visual effects |
Camera and Electrical Department
| Sergi Cervera | ... | electrician |
| Helena González Campo | ... | first assistant camera |
| Jon C. Lugaritz | ... | best boy electric |
| Albert Raga | ... | electrician |
| Pol Renau | ... | electrician |
| Job Alejandro Gil Rivero | ... | dit |
| Micaela Ruiz | ... | second assistant camera |
| Javier Vázquez | ... | gaffer |
Costume and Wardrobe Department
| Glendis López | ... | costume supervisor |
Editorial Department
| David Canelo | ... | post production supervisor |
| Guillem Ventura | ... | colorist |
Thanks
| Loránd János | ... | thanks |
| Fernando Polanco | ... | thanks |