| Photos (see all 58 | slideshow) | Videos (see all 14 videos) |
Dirigida por | |||
| Matt Reeves | |||
Créditos del guión(WGA) | ||
| Drew Goddard | (written by) | |
Producida por | |||
| J.J. Abrams | .... | producer | |
| Dave Baronoff | .... | associate producer (as David Baronoff) | |
| Bryan Burk | .... | producer | |
| Sherryl Clark | .... | executive producer | |
| Guy Riedel | .... | executive producer | |
Fotografía por | |||
| Michael Bonvillain | |||
Montaje por | |||
| Kevin Stitt | |||
Casting | |||
| Alyssa Weisberg | |||
Diseño de producción por | |||
| Martin Whist | |||
Dirección artística | |||
| Doug J. Meerdink | |||
Decorados | |||
| Robert Greenfield | |||
Diseño de vestuario por | |||
| Ellen Mirojnick | |||
Departamento de maquillaje | |||
| Merribelle Anderson | .... | key hair stylist (as Merribelle A. Anderson) | |
| Norman Bryn | .... | key makeup artist: New York | |
| Dena Fayne | .... | hair stylist (as Dena Fayone) | |
| Jake Garber | .... | key makeup artist | |
| Garrett Immel | .... | makeup artist | |
| Dennis Liddiard | .... | makeup department head | |
| Lori McCoy-Bell | .... | department head hair | |
| Frank Vazquez | .... | key hair stylist: New York (as Frank Vasquez) | |
| Brad Look | .... | makeup artist (uncredited) | |
| Veronica Lorenz | .... | makeup artist (uncredited) | |
| Bret Mardock | .... | makeup artist: extras (uncredited) | |
Dirección de producción | |||
| Udi Nedivi | .... | unit production manager | |
| Matthew Spiegel | .... | production supervisor | |
| Paul Springer | .... | post-production manager | |
| Richard Stirling | .... | post-production supervisor | |
Ayudante de dirección | |||
| Katie Carroll | .... | second assistant director | |
| Efrain Cortes | .... | second second assistant director (as Efrain Cortes Jr.) | |
| Louis Guerra | .... | second second assistant director: New York (as Louis J. Guerra) | |
| Rip Murray | .... | first assistant director | |
| Eugene Davis | .... | additional second assistant director (uncredited) | |
| Betsy Friedman | .... | additional assistant director: New York (uncredited) | |
| Larry D. Katz | .... | additional second second assistant director (uncredited) | |
Art Department | |||
| Adam L. Barker | .... | plaster supervisor | |
| Mark Boucher | .... | set dresser | |
| Alan Easley | .... | set dressing leadman | |
| Mathias Fain | .... | on-set dresser | |
| Chad S. Frey | .... | set designer | |
| Hank Giardina | .... | paint supervisor | |
| J. Michael Glynn | .... | property master | |
| Marisol Jiménez | .... | construction auditor | |
| Charles Kern | .... | camera scenic artist | |
| George Lee | .... | set designer | |
| Cameron Matheson | .... | set dresser | |
| John Hammer Maxwell | .... | on-set dresser | |
| Neville Page | .... | creature designer | |
| John Pollard | .... | art director: New York | |
| Josh Sheppard | .... | lead storyboard artist | |
| Chris Snyder | .... | construction coordinator | |
| Joel Venti | .... | storyboard artist | |
| Jeffry C. Voorhees | .... | assistant property master | |
| Jane Wuu | .... | set designer | |
| Robert Zorella | .... | art department coordinator: New York | |
Efectos especiales | |||
| Hunter Athey | .... | previz artist | |
| Andy Clement | .... | animatronic effects designer and creator | |
| Chris Cline | .... | special effects technician | |
| Josh Hakian | .... | special effects supervisor | |
| Ken Tarallo | .... | special effects | |
| Matt Vogel | .... | special effects | |
| David Waine | .... | special effects coordinator | |
Visual Effects | |||
| Nathan Abbot | .... | digital compositor | |
| Papavramides Alexandra | .... | digital compositor: Double Negative | |
| Dalia Al-Husseini | .... | digital effects artist: Double Negative | |
| Mimia Arbelaez | .... | technical director | |
| Nicola Atkinson | .... | visual effects | |
| J. Cody Baker | .... | digital intermediate assistant (as James Cody Baker) | |
| Kevin Blank | .... | visual effects supervisor | |
| Christina Boon | .... | digital artist | |
| S. Kai Bovaird | .... | data wrangler: Paramount Pictures | |
| Kane Brassington | .... | rotoscope artist | |
| Devin Breese | .... | match mover | |
| Hans Brekke | .... | character animator: Tippett Studio | |
| Jamie Briens | .... | technical director: Double Negative | |
| Kari Brown | .... | technical director: Double Negative | |
| Michael Brunet | .... | animator | |
| Astrid Busser-Casas | .... | digital compositor | |
| Daniel Cairnie | .... | digital compositor: Double Negative | |
| Howard R. Campbell | .... | technical director: lighting | |
| Shelley Campbell | .... | digital compositor: Tippett Studio | |
| Des Carey | .... | digital intermediate producer | |
| Yaseed Chaumoo | .... | matchmove artist: Double Negative | |
| Michael Clemens | .... | digital compositor | |
| Richard Collis | .... | digital artist | |
| David Conley | .... | visual effects associate producer | |
| Moises Cruz | .... | digital intermediate dailies producer | |
| Patrick Danaher | .... | animator | |
| Philipp Danner | .... | digital compositor: Double Negative | |
| Russell Darling | .... | computer graphics supervisor: Tippett Studio | |
| Gus Dizon | .... | texture painter | |
| Austin Eddy | .... | character animator: Tippett Studio | |
| Bronwyn Edwards | .... | lead compositor | |
| William Elder-Groebe | .... | animator | |
| Michael Bruce Ellis | .... | visual effects supervisor | |
| James D. Etherington | .... | digital compositor: Double Negative | |
| Kenneth Fanning | .... | matchmover: Double Negative | |
| Brandon Fayette | .... | visual effects consultant: "bad robot" | |
| Chantal Feghali | .... | visual effects producer | |
| Julian Foddy | .... | digital artist: Double Negative | |
| Nicola Fontana | .... | lead artist: Double Negative | |
| Brad Fox | .... | technical director: Tippett Studio | |
| Page Frakes | .... | color pipeline supervisor | |
| Adam Gerardin | .... | editorial assistant | |
| Allan Gersten | .... | visual effects technical director | |
| Walter Gilbert | .... | digital compositor: Double Negative | |
| Gavin Graham | .... | lead 3D artist: Double Negative | |
| Jerry Hall | .... | digital compositor | |
| Michael Hall | .... | digital effects artist | |
| Joseph Hamdorf | .... | lead effects animator: Tippett Studio | |
| Adam Hammond | .... | rotoscope artist | |
| Aeon Henderson | .... | digital compositor | |
| Barry Howell | .... | pre-visualization artist | |
| Shannon Hullender | .... | editorial assistant | |
| Jennifer Hutcheon | .... | visual effects editor | |
| Lee Ifans | .... | visual effects editor: Double Negative | |
| Claire Inglis | .... | digital compositor | |
| Eric Jeffery | .... | lead character rigger | |
| Rafal Kaniewski | .... | digital compositor | |
| Kathryn Kerr | .... | post production coordinator | |
| John Kilshaw | .... | visual effects supervisor | |
| Marcin Kolendo | .... | digital artist | |
| Peter Konig | .... | art director | |
| Dave Kujawski | .... | render technical assistant | |
| Roger Kupelian | .... | matte painting supervisor: Fugitive Studios | |
| Todd Labonte | .... | animator: Tippett Studio | |
| Serena Lam | .... | digital artist | |
| Kirk Larkins | .... | matchmove artist: Tippett Studio | |
| Isaac Layish | .... | digital compositor: Double Negative | |
| Luke Letkey | .... | digital compositor | |
| Eric Leven | .... | visual effects supervisor | |
| Dan Levitan | .... | senior compositor | |
| David A. Link | .... | digital compositor: Tippett Studio | |
| Richard Matsushita | .... | digtial artist: Hammerhead Productions | |
| Claire McLachlan | .... | digital compositor: Double Negative | |
| Naveen Medaram | .... | digital artist: Double Negative | |
| Charlotte Merrill | .... | digital compositor | |
| Sangita Mistry | .... | compositor: Double Negative | |
| Dele Momoh | .... | visual effects artist: Double Negative | |
| Steven Moore | .... | modeler: Double Negative | |
| Steve R. Moore | .... | visual effects editor | |
| Hiroshi Mori | .... | previsualization artist: The Third Floor | |
| Chris Morley | .... | compositing supervisor: Tippett Studio | |
| Antoine Moulineau | .... | lead CG artist | |
| Ross Nakamura | .... | lead roto/paint artist: Tippett Studio | |
| Stuart Nelhams | .... | assistant visual effects editor: Double Negative | |
| Gruff Owen | .... | sequence lead compositor | |
| Chris Paizis | .... | match move supervisor | |
| Ami Patel | .... | digital compositor | |
| Tilman Paulin | .... | digital compositor: Double Negative | |
| Carlos Pedroza | .... | previs artist | |
| Annie Pomeranz | .... | visual effects producer | |
| Rupert Porter | .... | visual effects producer: Double Negative | |
| Konstantin Promokhov | .... | effects animation artist | |
| Paul Raeburn | .... | compositor | |
| Gerardo Ramirez | .... | pre-visualization artist | |
| Jonathan S. Ramos | .... | effects animator: Tippett Studio | |
| Cory Redmond | .... | lighting technical director | |
| Jance Rubinchik | .... | character animator: Tippett Studio | |
| Rhys Salcombe | .... | modeller: Double Negative | |
| Jordan Schilling | .... | compositor | |
| David Schnee | .... | digital compositor: Tippett Studio | |
| Sam Schwier | .... | matchmove supervisor: Double Negative | |
| Charles Scott IV | .... | visual effects consultant: "bad robot" | |
| Foad Shah | .... | digital compositor: Double Negative | |
| Brian Smith | .... | rotoscoper | |
| Richard Stay | .... | compositor: Double Negative | |
| Jim Steel | .... | senior digital compositor: Double Negative | |
| Sean Stranks | .... | lead sequence compositor: Double Negative | |
| Bridget M. Taylor | .... | digital compositor: Double Negative | |
| Jacob Telleen | .... | render technical assistant | |
| Nick Theodorakis | .... | digital imaging supervisor | |
| Adrian Thompson | .... | visual effects artist | |
| Stephen Thornhill | .... | digital artist | |
| Simon Tingell | .... | digital paint and rotoscope artist: Double Negative | |
| Diego Trazzi | .... | visual effects | |
| Oleg Troy | .... | matchmove artist | |
| Eric Tsui | .... | matchmove artist: Double Negative | |
| Frederick Vega | .... | pipeline technical assistant: Tippett Studio | |
| David Vickery | .... | CG supervisor: Double Negative | |
| Victor Wade | .... | lead digital compositor | |
| Christian Waite | .... | matchmove artist | |
| Alexis Wajsbrot | .... | visual effects | |
| Joshua Wassung | .... | previsualization artist | |
| Neil West | .... | matchmove artist: Double Negative | |
| Guy Williams | .... | visual effects: Double Negative | |
| Vicki Wong | .... | editorial/imaging manager | |
| Jay Worth | .... | visual effects coordinator | |
| Alfred Young | .... | lead technical director | |
| Patrick Zentis | .... | lead matte painter | |
Especialistas | |||
| Laura Lee Connery | .... | stunts | |
| Shauna Duggins | .... | stunts | |
| Annie Ellis | .... | stunt driver | |
| Annie Ellis | .... | stunts | |
| Dana Dru Evenson | .... | stunts | |
| Webster P. Whinery Jr. | .... | stunts | |
Camera and Electrical Department | |||
| Bill Almeida | .... | rigging gaffer: New York | |
| Robert Reed Altman | .... | camera operator | |
| John Billeci | .... | best boy: New York | |
| Joe Buscaglia | .... | additional first assistant camera | |
| Sean Devine | .... | camera grip | |
| Matt Guiza | .... | second assistant camera | |
| Chris Hayes | .... | camera operator | |
| Chip Ingram | .... | grip | |
| Jesse Jaraczewski | .... | rigging electrician | |
| Gary Kangrga | .... | key rigging grip | |
| Clay Liversidge | .... | gaffer: New York | |
| William Louthe | .... | generator operator: New York | |
| Patrick Lowry | .... | grip | |
| Anthony T. Marra II | .... | key grip | |
| Brian Minzlaff | .... | set lighting | |
| Paul Postal | .... | electrician | |
| Gay E. Riedel | .... | electrician: New York (as Gay Riedel) | |
| Chris Shadley | .... | key video assist | |
| Darrin Smith | .... | rigging best boy: New York | |
| Rick A. West | .... | gaffer | |
Casting Department | |||
| Kate Caldwell | .... | casting associate | |
| Tracy Dixon | .... | background casting | |
| Barbara Harris | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Cheryl Cravedi | .... | set costumer | |
| Robert Q. Mathews | .... | costume supervisor | |
| Niamh Murphy | .... | costume textile artist | |
| Sara O'Donnell | .... | costumer | |
Editorial Department | |||
| Des Carey | .... | digital intermediate producer | |
| Kris Cole | .... | assistant editor | |
| Dan Goslee | .... | digital intermediate assistant | |
| Matthew Kuborn | .... | post-production assistant | |
| Missy Papageorge | .... | digital intermediate producer | |
| Jim Passon | .... | color timer | |
| Stephen M. Rickert Jr. | .... | assistant editor | |
| Alex Romano | .... | digital intermediate on-line editor | |
| Stefan Sonnenfeld | .... | digital intermediate colorist | |
Music Department | |||
| Peter Fuchs | .... | music recording mixer | |
| Stephanie Lowry | .... | music editor | |
Transportation Department | |||
| L. Chip Crosby Jr. | .... | transportation captain | |
| James Lowder | .... | transportation coordinator | |
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I thought that this movie would have its best scenes in the trailers, so when I went in I did not expect too much. But I did expect that it would be different given JJ Abram's influence on Alias. Well, if you're not much for jumpy cameras and are prone to motion sickness, you probably will not stay too long in the theater. But if you can focus wide and not get caught up too much in the details, you are in for an intense and unique take on the monster hits a major city (New York) genre. Where does it come from? What is it? One can speculate, but the movie is really dealing with the trauma of a small group of party goers and their encounter with the extraordinary! The effects are amazing, the acting by relative unknowns, hits on all marks; making the movie all the more convincing to the very end. Not for the faint of heart or the under-aged; under 17s might be up nights with the shakes, definitely don't take preteens! Way better than, "The Mist," a must see for giant monster fans everywhere!