Il y a longtemps que je t'aime (2008)

Calificación de los usuarios:

7.7/10   

Director:

Philippe Claudel

Guionista:

Philippe Claudel (writer)

Fecha de Lanzamiento:

19 marzo 2008 (Belgium)

Género:

Drama | Misterio

Plot:

A woman struggles to interact with her family and find her place in society after spending fifteen years in prison.

Plot Keywords:

Prison | Hospital | Death | Parent Child Relationship | Art Gallery

Premios:

Nominated for 2 Golden Globes. Another 9 wins & 14 nominations

Comentarios de los usuarios:

Is this Scott Thomas's greatest role?

Reparto

Kristin Scott Thomas	...	Juliette Fontaine
Elsa Zylberstein	...	Léa
Serge Hazanavicius	...	Luc
Laurent Grévill	...	Michel
Frédéric Pierrot	...	Capitaine Fauré
Claire Johnston	...	La mère de Juliette et Léa
Catherine Hosmalin	...	La conseillère d'insertion
Jean-Claude Arnaud	...	Papy Paul
Olivier Cruveiller	...	Gérard
Lise Ségur	...	P'tit Lys
Mouss	...	Samir (as Mouss Zouheyri)
Souad Mouchrik	...	Kaisha
Nicole Dubois	...	La DRH hôpital
Laurent Claret	...	Directeur hôpital
Marcel Ouendeno	...	Bamakalé

También conocida como:

I've Loved You So Long (UK) (USA)
So viele Jahre liebe ich dich (Alemania)
Hace mucho que te quiero (Spain) [es]
Hace tanto que te quiero (Spain) (working title) [es]

MPAA:

Rated PG-13 for thematic material and smoking.

Duración:

117 min

País:

France | Alemania

Idioma:

Francés

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

DTS | Dolby Digital

Clasificación:

Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Netherlands:6 | USA:PG-13 | Ireland:12A | Canada:G (Quebec) | Canada:G (British Columbia) | Australia:M | UK:12A | Sweden:11

Locaciones de Filmación:

Nancy, Meurthe-et-Moselle, France

Compañía:

UGC YM

Citas:

Juliette Fontaine: The worst prison is the death of one's child. You never get out of it.

Conexiones de Película:

References To Be or Not to Be (1942)

Is this Scott Thomas's greatest role?

This may be the film that makes Kristin Scott Thomas's reputation as not a good actress but a great one. It is a French film, and one has to accept the parameters of French 'intimisme'; as such it is wonderful. It is not a question of being a parent or not: it's a question of being ready or not to be swept out of one's daily self by great acting. Elsa Zylberstein is a fine actress (I remember her with affection in 'Farinelli'), but Scott Thomas here surpasses anything she has done before. She is capable, we knew, of making herself nearly ugly ('Angels and Insects'); she can do understated sensitivity ('Four Weddings and a Funeral'); here she gets a part of the emotional power of a Medea or a Phaedra and plays it with the let-it-rip force of a great tragédienne. The film is a vehicle for an actress, and none the worse for that. It is not unworthy of her, and that may be the best one can say of Claudel's work; but that may just be enough. There was a curiously fugitive quality to KST's interviews about this film: one got the impression she didn't really want to talk about it in more than mundane depth. One can see why. It all goes very near the bone. She may want to do a sheer glorious comedy next, just to remind us all of the blithe side of her nature. Long may she live, and work.