Directed by
| Nick Moran | ||
Writing Credits
| Nick Moran | ... | (written by) and |
| James Hicks | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Adam Bohling | ... | producer |
| David Groves | ... | executive producer |
| Simon Jordan | ... | producer |
| Dean O'Toole | ... | line producer |
| David Reid | ... | producer |
Music by
| Ilan Eshkeri | ||
Cinematography by
| Peter Wignall | ... | director of photography |
Editing by
| Alex Marsh | ||
Casting By
| Kate Plantin | ||
Production Design by
| Russell De Rozario | ||
Art Direction by
| Joe Howard | ||
Set Decoration by
| Steve Oakes | ||
Costume Design by
| Stephanie Collie | ||
Makeup Department
| Jo Grover | ... | hair stylist / makeup artist |
| Lisa Hollis | ... | hair trainee / makeup trainee |
| Maureen Moran | ... | hair stylist / makeup artist |
| Ellie Ottway | ... | hair trainee / makeup trainee |
| Kath Rayner | ... | hair supervisor / makeup supervisor |
| Rachael Speke | ... | hair stylist / makeup artist |
| Lizzi Lawson Zeiss | ... | hair designer / makeup designer |
Second Unit Director or Assistant Director
| Victoria Banks | ... | second assistant director |
| Daniel Goldstein | ... | third assistant director |
Art Department
| John Campling | ... | property hand |
| Johnny Campling | ... | property master |
| Misca Castillo | ... | art department trainee |
| Tom Coates | ... | art department assistant |
| Oskar De Rozario | ... | art department assistant |
| Anthony Paul Driver | ... | construction supervisor (as Tony Sonny Driver) |
| Danny Driver | ... | standby painter |
| Darren Elliott | ... | standby carpenter |
| Caroline Harper | ... | stand-by art director |
| Sharon Kaye | ... | art department runner |
| Dave Paley | ... | construction manager |
| Jamie Plummer | ... | art department trainee |
| Oli van der Vijver | ... | props |
| Louise Vogel | ... | assistant art director (as Louise Woodham) |
| Lee Whiteman | ... | property hand |
Sound Department
| Simon Bysshe | ... | additional boom operator |
| Matthew Collinge | ... | sound supervisor |
| Mike Dowson | ... | re-recording mixer |
| Jamie Gambell | ... | production sound mixer |
| Jessie Gambell-Dixon | ... | sound trainee (as Jesse Gambell) |
| Paul Govey | ... | re-recording mixer |
| Ben Greaves | ... | boom operator |
| Ashley Haller | ... | sound mix technician |
| Ben Norrington | ... | dialogue editor |
| Joseph Paines | ... | sound assistant |
| Rob Prynne | ... | sound effects editor (as Rob Pryne) |
| Gavin Rose | ... | dialogue editor |
| James Seddon | ... | dolby consultant |
| Danny Sheehan | ... | sound supervisor |
| Dave Sloss | ... | foley artist / foley recordist |
| Mark Verner | ... | foley artist / foley editor |
Special Effects by
| Adam Hollow | ... | special effects |
| Bob Hollow | ... | special effects supervisor |
| Curtis Iggulden | ... | special effects |
Visual Effects by
| Dave Bannister | ... | compositor: Rushes Postproduction |
| George Barbour | ... | 3d artist: Rushes Postproduction |
| Michael Deming | ... | digital film bureau |
| Guy Elson | ... | compositor: Rushes Postproduction |
| Sukh Gill | ... | visual effects coordinator: Rushes Postproduction |
| Louise Hussey | ... | visual effects producer: Rushes Postproduction |
| Alex Jenyon | ... | compositor: Rushes Postproduction |
| Hayden Jones | ... | 3d artist: Rushes Postproduction |
| Timothy P. Jones | ... | visual effects: digital film bureau |
| Tom Kimberley | ... | compositor: Rushes Postproduction |
| Alex Llewellyn | ... | compositor: Rushes Postproduction |
| Angela Noble | ... | 3D artist: Ruses Postproduction |
| John Palmer | ... | digital film bureau manager: Scanning and Laser record |
| Mark Pascoe | ... | animator |
| Rob Pizzey | ... | digital colorist (as Rob Pizzy) |
| Kate Porter | ... | compositor: Rushes Postproduction |
| Scott Pritchard | ... | compositor: Rushes Postproduction |
| Jonathan Privett | ... | visual effects supervisor: Rushes Postproduction |
| Cristina Puente | ... | compositor: Rushes Postproduction |
| Adam Rowland | ... | compositor: Rushes Postproduction |
| Lee Tibbetts | ... | 3D artist: Ruses Postproduction |
| Alan Williamson | ... | visual effects assistant: Rushes Postproduction |
| Jocelin Capper | ... | Managing Director Rushes Film & TV (uncredited) |
| Ian Murphy | ... | compositor: Rushes Postproduction (uncredited) |
| Jez Tucker | ... | senior systems administrator: Rushes Post Production (uncredited) |
Stunts
| Gary Arthurs | ... | stunts |
| Steve Caswell | ... | stunts |
| Jamie Edgell | ... | stunt coordinator |
| Derek Lea | ... | assistant stunt coordinator |
| Andy Wareham | ... | stunts |
Camera and Electrical Department
| Steven Daly | ... | rigger |
| Paulo Fernandes | ... | electrician |
| Glyn Fielding | ... | additional grip |
| Tash Gamper | ... | clapper loader |
| Sam Goldie | ... | focus puller: "b" camera |
| James Holliday | ... | electrician |
| Stuart Hurst | ... | gaffer |
| Bill Kaye | ... | still photographer |
| Alex Meacock | ... | trainee grip |
| Richard Miles | ... | rigging gaffer |
| Tim Millikin | ... | assistant grip |
| Sophie Monneret | ... | camera trainee |
| Mark Morley | ... | dolly grip: pick ups |
| Duncan Riedl | ... | best boy |
| Ricky Stelling | ... | H.O.D Rigger |
| Jon Webb | ... | first assistant camera (as Jonathan Webb) / lighting technician (as John Webb) |
| Terry Williams | ... | key grip |
| Lee Wooster | ... | electrician: dailies |
Costume and Wardrobe Department
| Jeff Banks | ... | suits by |
| Ellen Crawshaw | ... | costume assistant |
| Vidya Krishnamurthy | ... | assistant costume designer |
| Heather Leat | ... | costume supervisor |
Editorial Department
| Ian Cunningham | ... | assistant editor |
| Tone Davies | ... | laboratory contact |
| Michael Deming | ... | digital film bureau |
| Rob Gordon | ... | digital on-line editor |
| Emily Greenwood | ... | digital on-line editor |
| Dan Helme | ... | digital titles layout artist |
| Timothy P. Jones | ... | digital film bureau |
| Patrick Malone | ... | digital intermediate: director of production |
| Erin McGookin | ... | digital intermediate producer |
| John Palmer | ... | digital film bureau manager |
| Rob Pizzey | ... | digital colorist (as Rob Pizzy) |
| John Taylor | ... | laboratory contact |
| Laurent Treherne | ... | digital film technical director |
| Dean Watkins | ... | representing: Ascent Media Group |
Location Management
| Callum Johnston | ... | location runner (as Callum Johnson) |
| Jonathan Wicks | ... | location manager |
Music Department
| Christoph Bauschinger | ... | music programming |
| Andy Brown | ... | music contractor / orchestra conductor |
| Bernard Butler | ... | music producer: 'Please Stay' |
| Clem Cattini | ... | musician: drums |
| Caroline Dale | ... | musician: cello |
| Ian Fuller | ... | musician: bass |
| Dave Hartley | ... | musician: piano |
| Justin Hawkins | ... | musician: vocals |
| Sally Heath | ... | musician: piano |
| Julian Kershaw | ... | orchestrator |
| Elisa Kustow | ... | music production coordinator |
| Richard Lancaster | ... | music engineer |
| The London Metropolitan Orchestra | ... | original score performed by / performer: London Metropolitan Orchestra |
| Alasdair Malloy | ... | musician: glass harmonica (as Alisdaire Malloy) |
| David McAlmont | ... | backing vocals |
| Stephen McLaughlin | ... | music producer: original score (as Steve McLaughlin) / original score mixed by (as Steve McLaughlin) |
| Nick Moran | ... | musician: guitars |
| Simon Moran | ... | musician: guitars |
| The Moranoraks | ... | additional music |
| Ann Marie Shields | ... | music supervisor (as Anne-Marie Shields) |
| Scott Shields | ... | musician: Hamish McShanti vocals (as Scott 'KGB' Shields) |
| Jonathan Stewart | ... | music supervisor (as Jon Stewart) / performance consultant: music (as Jon Stewart) |
| Jeff Toyne | ... | orchestrator |
Script and Continuity Department
| Yasmin Rais | ... | script supervisor |
Transportation Department
| John Alvarez | ... | driver: Mr. Spacey |
| Ben Dillon | ... | action vehicle coordinator |
| Jimmy Edwards | ... | driver: art department |
| Sean Hobbs | ... | driver |
| Phil Hunt | ... | transportation captain |
| Idris Jones | ... | driver |
| Richard Peevor | ... | driver |
| Steve Tyler | ... | unit driver |
| Mark Williams | ... | driver |
Additional Crew
| Monika Agorelius | ... | electronic press kit: Closeup Productions |
| Holly Bailey | ... | runner |
| Freya Beales | ... | researcher |
| Len Bond | ... | head of security |
| Clive Bubbly | ... | archive photographs |
| Sarah Connolly | ... | runner |
| Melanie Crofton-Sleigh | ... | marketing director |
| Alan W.P. Davies | ... | runner (as Alan Davies) |
| Gopal Dutta | ... | runner |
| Jo Gross | ... | production coordinator |
| Steve Jacob | ... | production accountant |
| Hamish Jenkinson | ... | assistant: Mr. Spacey (as Hamish Jenkins) |
| David Johnstone | ... | insurance services: Media Insurance Brokers |
| Julia Jones | ... | publicist |
| Tom Kennedy | ... | runner |
| Vicky Lewis | ... | production assistant |
| Iain Mackenzie | ... | assistant: Mr Bohling & Mr Reid / post-production coordinator |
| Cassandra Manita | ... | production legal services: Harbottle and Lewis LLP |
| Oliver Whitehouse | ... | runner |
Thanks
| Rachel Baker | ... | the producers would like to thank: Fuji Film |
| John Beecher | ... | the producers would like to thank |
| Alan Blaikley | ... | the writers would like to thank |
| David Bower | ... | the producers would like to thank: Gibson UK |
| Dave Brolan | ... | the producers would like to thank |
| Clem Cattini | ... | the writers would like to thank |
| Edwyn Collins | ... | the producers would like to thank |
| Jess Conrad | ... | the writers would like to thank |
| Ed Deedigan | ... | the writers would like to thank: Kando (as Eddie Deedigan) |
| Roger Dobson | ... | the writers would like to thank: the Joe Meek Society |
| Robbie Duke | ... | the writers would like to thank |
| Nick Franks | ... | the producers would like to thank: Gibson UK |
| Alex Giannini | ... | the writers would like to thank |
| Barry Gibson | ... | the producers would like to thank: Burns London |
| Nigel Grainger | ... | the producers would like to thank: White Noise |
| Chas Hodges | ... | the writers would like to thank (as Chas & Joan Hodges) |
| Joan Hodges | ... | the writers would like to thank (as Chas & Joan Hodges) |
| Ken Howard | ... | the writers would like to thank |
| Trevor Howsam | ... | the producers would like to thank |
| Sarah Jacob | ... | the producers would like to thank |
| Paul Jepson | ... | the writers would like to thank |
| Ken Ledram | ... | the producers would like to thank: the Joe Meek Association |
| Deena Mathews | ... | the producers would like to thank: ARRI Media |
| Patrick McEnallay | ... | the producers would like to thank: Panalux (as Patrick McEnally) |
| The Meek Family | ... | the writers would like to thank (as the Meek Family) |
| Sandra Meek | ... | the writers would like to thank |
| Tony Milner | ... | the writers would like to thank: New Vic Workshop |
| David Nevols | ... | the producers would like to thank: the Joe Meek Appreciation Society |
| Mark Newson | ... | the writers would like to thank: the Joe Meek Society |
| Ike Okosa | ... | the producers would like to thank |
| Theo Paphitis | ... | the producers would like to thank |
| Katie Quayle | ... | the writers would like to thank: New Vic Workshop |
| Vic Shah | ... | the producers would like to thank |
| Caroline Tipple | ... | the producers would like to thank: Twickenham Film Studios |
| Alex Trezies | ... | the producers would like to thank: Hammerhead Television Facilities |
| Liam Watson | ... | the producers would like to thank: Toe Rag Studios |
| Moran Weaver | ... | a special thank you |
| P. Wilton | ... | the producers would like to thank (as Mr. P. Wilton) |
