| Photos (see all 16 | slideshow) | Videos (see all 9) |
Dirigida por | |||
| Jason Friedberg | |||
| Aaron Seltzer | |||
Créditos del guión(WGA) | ||
| Jason Friedberg | (written by) & | |
| Aaron Seltzer | (written by) | |
Producida por | |||
| Jason Friedberg | .... | producer | |
| W. Mark McNair | .... | co-producer (as Mark McNair) | |
| Arnon Milchan | .... | executive producer | |
| Hal Olofsson | .... | co-producer | |
| Peter Safran | .... | producer | |
| Aaron Seltzer | .... | producer | |
Música original por | |||
| Christopher Lennertz | |||
Fotografía por | |||
| Shawn Maurer | (director of photography) | ||
Montaje por | |||
| Peck Prior | |||
Casting | |||
| Eyde Belasco | |||
Diseño de producción por | |||
| William A. Elliott | |||
Dirección artística | |||
| William Ladd Skinner | |||
Decorados | |||
| Teresa Visinare | |||
Diseño de vestuario por | |||
| Frank Helmer | |||
Departamento de maquillaje | |||
| Steven E. Anderson | .... | special makeup effects artist | |
| J.D. Bowers | .... | prosthetics lab technician: W.M. Creations Inc. | |
| J.D. Bowers | .... | prosthetics sculptor: W.M. Creations Inc. | |
| Samantha M. Capps | .... | third makeup artist | |
| Roxy D'Alonzo | .... | makeup artist (additional photography) | |
| Stephan Dupuis | .... | special makeup effects supervisor | |
| Roxanne Ferguson | .... | key hair stylist | |
| Jake Garber | .... | special makeup effects artist: additional photography | |
| Betty Hamnac | .... | hair stylist | |
| Stacey Herbert | .... | makeup artist | |
| Brad Look | .... | makeup artist | |
| Yolanda Mercadel | .... | hair stylist | |
| Matthew W. Mungle | .... | prosthetic supplier | |
| Ned Neidhardt | .... | key makeup artist | |
| Douglas Noe | .... | makeup department head | |
| Gary J. Perticone | .... | hair department head | |
| Lufeng Qu | .... | special makeup effects artist | |
| Mark Rappaport | .... | special makeup effects supervisor: Creature Effects Inc. | |
Dirección de producción | |||
| Giovanni Lovatelli | .... | unit production manager: additional shoot | |
| Jen Wall | .... | production supervisor | |
Departamento de sonido | |||
| Christopher Assells | .... | sound effects editor | |
| Gregory Black | .... | utility sound technician | |
| Zane D. Bruce | .... | foley artist | |
| Kenny Delbert | .... | utility sound technician | |
| Don Givens | .... | foley mixer | |
| Jeffrey Haupt | .... | sound mixer | |
| Ruby C. Haupt | .... | boom operator | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Anna MacKenzie | .... | supervising sound editor | |
| Joseph T. Sabella | .... | foley artist | |
| Greg Steele | .... | adr mixer | |
| Orest Sushko | .... | sound re-recording mixer | |
| Tami Treadwell | .... | adr recordist | |
| Greg Zimmerman | .... | adr recordist | |
Efectos especiales | |||
| Larz Anderson | .... | special effects supervisor | |
| William Boggs | .... | special effects | |
| Val Crawford | .... | hair/fabrication: Creature FX | |
| Pete Kelley | .... | special effects artist | |
| Julian Ledger | .... | creature effects technician | |
| Ali Miki | .... | special effects: Creature Effects Inc | |
| Todd Minobe | .... | creature engineer | |
| Todd Minobe | .... | puppeteer | |
| J. Michael O'Brien | .... | special effects | |
| Scott Oshita | .... | special effects mechanical designer | |
| Mark Rappaport | .... | creature effects supervisor | |
| Mike Rotella | .... | special effects technician: W.M. Creations | |
| Carly Sertic | .... | special effects p.a. | |
| Kai Shelton | .... | special effects | |
Visual Effects | |||
| Donnie Creighton | .... | digital intermediate producer | |
| Ryan Helsley | .... | digital intermediate producer | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Steven Lloyd | .... | digital effects artist | |
| Robert Rowles | .... | digital compositor | |
| Neal Sopata | .... | digital artist | |
| David Yrisarri | .... | visual effects producer | |
Casting Department | |||
| Mark Fincannon | .... | location casting | |
| Dorian Frankel | .... | casting associate | |
| Wendy Talazac | .... | extras casting | |
Costume and Wardrobe Department | |||
| Donna Chance | .... | key set costumer | |
| Emily Dominguez | .... | costumer | |
| Allyson Garro | .... | costume assistant | |
| Jennifer Kamrath | .... | set costumer | |
| Terri Middleton | .... | costumer | |
| Rachel Parkin | .... | costumer | |
| Ann Walters | .... | key set costumer | |
| Lesley D. Wickham | .... | seamstress | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Ryan Helsley | .... | digital intermediate producer | |
| Sarah Lucky | .... | assistant editor | |
| Harry Muller | .... | color timer | |
| Siobhan Prior | .... | assistant editor | |
| Mike Sowa | .... | digital intermediate colorist | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Film Orchestra Belgrade | .... | orchestra | |
| J.J. George | .... | supervising music editor | |
| Corey A. Jackson | .... | composer: additional music | |
| Dave Jordan | .... | music supervisor | |
| Andrew Kinney | .... | orchestrator | |
| Larry Rench | .... | orchestrator | |
| Brandon Roberts | .... | orchestrator | |
| Rebekah Touma | .... | music coordinator | |
| Jojo Villanueva | .... | music supervisor | |
| Philip White | .... | assistant to composer | |
Transportation Department | |||
| Doug Dovichi | .... | transportation coordinator | |
| Vinny Dovichi | .... | driver | |
| Larry Stelling | .... | driver | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
A dismal failure of a spoof with only the slightest bit of funny. This dreck breaks all the rules of good spoofing.
1. Be timely. A joke about Ellen in Mr Wrong? Really?
2. Be funny when offensive. Accident prone kid in Scary Movie 3, mildly funny. Assault on a kid by Spartian, not funny.
3. Be subtle sometimes. Not everything has to go to the extreme.
4. Be broad. Go everywhere for your spoofs, not just the same wells over and over.
AND MOST IMPORTANTLY....
5. DON'T EXPLAIN EVERY RIFF AND SOURCE MATERIAL. If you have to tell your audience where it comes from, chances are it's not funny.
The fact that this film is only 60 odd minutes plus one of the longest credit sequences loaded with even more unfunny deleted scenes (seriously can't those wait for the DVD no one should buy either), that's just adding insult to injury.