| Christian Atanasiu | ... | Mayordomo | |
| Féodor Atkine | ... | Vendedor de pianos | |
| George-Christoph Biller | ... | Himself | |
| Christian Brembeck | ... | J. S. Bach | |
| Àlex Brendemühl | ... | Camioner | |
| Georgina Cardona | ... | Violonchelista | |
| Lucien Dekoster | ... | Afinador de pianos | |
| Beatriz Ferrer-Salat | ... | Amazona | |
| Gertrud Kossler | ... | Clienta | |
| Bert Kripstädt | ... | Camarero | |
| Lina Lambert | ... | Madre de Mendelssohn | |
| Daniel Ligorio | ... | F. Mendelssohn | |
| Jordi Llordella | ... | Amigo de Mendelssohn | |
| Ferran Ruiz | ... | Hijo de Bach | |
| Thomas Sauerteig | ... | Amigo de la violonchelista | |
| Franz Schuchart | ... | Guía turístico | |
| Antonio Serrano | ... | Acompañante del camionero | |
| Fanny Silvestre | ... | Anna Magdalena Bach | |
| Mariona Solanas | ... | Hija de Bach | |
| Àlvar Triay | ... | Camionero del Bar | |
| Daniela Wick | ... | Descendiente de Bach | |
| Jens Wittwer | ... | Hijo mayor de Bach | |
| Johannes Zametzer | ... | Carnicero |
Dirigida por | |||
| Pere Portabella | |||
Créditos del guión(en orden alfabético) | ||
| Xavier Albertí | writer | |
| Pere Portabella | writer | |
| Carles Santos | writer | |
Producida por | |||
| Helena Goma | .... | assistant producer | |
| Pascual Otal | .... | line producer | |
| Pere Portabella | .... | producer | |
Fotografía por | |||
| Tomàs Pladevall | |||
Montaje por | |||
| Òskar Gómez | |||
Dirección artística | |||
| Quim Roy | |||
Diseño de vestuario por | |||
| Montse Figueras | |||
Departamento de maquillaje | |||
| Claudia de Anta | .... | makeup artist | |
| Eva Sanz | .... | hair stylist | |
Dirección de producción | |||
| Estitxu Elizasu | .... | assistant production manager | |
| Pascual Otal | .... | production manager | |
Ayudante de dirección | |||
| Montse Garre | .... | second assistant director | |
| Anne Settimó | .... | assistant director: continuity | |
| Jordi Vidal | .... | first assistant director | |
Departamento de sonido | |||
| Biel Cabré | .... | boom operator | |
| Ricard Casals | .... | sound re-recording mixer | |
| Albert Manera | .... | sound | |
| Xavier López Souto | .... | post-sound editor (as Xavier Souto) | |
Efectos especiales | |||
| Bernat Puig | .... | special effects | |
Departamento de vestuario | |||
| Montse Figueras | .... | costume supervisor | |
Departamento de Música | |||
| George-Christoph Biller | .... | musician | |
| Christian Brembeck | .... | musician | |
| Àlex Brendemühl | .... | musician | |
| Georgina Cardona | .... | musician | |
| Lito Iglesias | .... | musician | |
| Thomanechor Leipzig | .... | musician | |
| Daniel Ligorio | .... | musician | |
| Antonio Serrano | .... | musician | |
Otros miembros del equipo | |||
| Xavier Garcia Ruano | .... | production assistant | |
| Anne Settimó | .... | script supervisor | |
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| Batalla en el cielo | Edvard Munch | Japón | Lucía y el sexo | Big Fish |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Musical section | IMDb Spain section | Add this title to MyMovies |
If Luis Bunuel cared about music, he would have made this movie. Writer/Producer/Director Pere Portabella was the producer of Bunuel's "Viridiana," so it's OK to draw a line between their approaches to film.
The "Silence Before Bach" is a series of vignettes, somewhat like the "Phantom of Liberty" or "Russian Ark," devoted to the life-enhancing qualities of the music of Johann Sebastian Bach. Some sequences are modern-day, some are in period costume. Some are flatly reportorial, some flirt with Vermeer-like poetry. Things never get too heavy, and sometimes they rise to a crackling Catalan wit.
I'm indebted to the film for introducing me to the writings of the mad Romanian writer Emil Cioran, who noted tortuously that "Bach's music is the only argument proving that the creation of the Universe can't be regarded as a complete failure."
At the time of this writing, links to external reviews appear to be skimpy. However, there are reviews of this film in the NY Times, Post and Sun, New York Magazine and the New Yorker, the Village Voice, the New Republic and Film Comment. Hopefully the IMDb will get around to roping some of them in eventually.
Unfortunately, Pere Portabella will not allow his films to be released on video or DVD, so if this one pops up in a theater near you, don't miss it.