Duplicity (2009)

Calificación de los usuarios:

6.6/10   

Director:

Tony Gilroy

Guionista (WGA):

Tony Gilroy (written by)

Fecha de Lanzamiento:

20 marzo 2009 (USA)

Género:

Crimen | Romance | Suspenso

Frase comercial:

Outwit. Outspy. Outsmart. Outplay. Then get out.

Plot:

A pair of corporate spies who share a steamy past hook up to pull off the ultimate con job on their respective bosses. |

Plot Keywords:

One Word Title | Violence | Man Wearing Towel

Comentarios de los usuarios:

Witty, smart, sexy, stylish

US Showtimes:

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Reparto

Clive Owen	...	Ray Koval
Julia Roberts	...	Claire Stenwick
Tom Wilkinson	...	Howard Tully
Paul Giamatti	...	Richard Garsik
Dan Daily	...	Garsik's Aide
Lisa Roberts Gillan	...	Tully's Assistant (as Lisa Roberts Gillan)
David Shumbris	...	Turtleneck
Rick Worthy	...	Dale Raimes
Oleg Shtefanko	...	Boris Fetyov (as Oleg Stefan)
Denis O'Hare	...	Duke Monahan
Kathleen Chalfant	...	Pam Frailes
Khan Baykal	...	Dinesh Patel
Thomas McCarthy	...	Jeff Bauer
Wayne Duvall	...	Ned Guston
Fabrizio Brienza	...	Hotel Manager

También conocida como:

Duplicity - Gemeinsame Geheimsache (Alemania)
Duplicidad (Argentina) (Peru) [es]

MPAA:

Rated PG-13 for language and some sexual content.

Duración:

125 min | Turkey:118 min

País:

USA | Alemania

Idioma:

Inglés | Español

Color:

Color

Relación de Aspecto:

2.35 : 1

Sonido:

DTS | Dolby Digital | SDDS

Clasificación:

USA:PG-13 (certificate #45010) | Ireland:12A | Australia:PG | Finland:K-7 | South Korea:12 | UK:12A | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Portugal:M/12 | Singapore:PG | Canada:PG (Alberta/British Columbia/Manitoba/Ontario) | Hong Kong:IIA | Belgium:KT | Netherlands:6 | Philippines:PG-13 (MTRCB) | Argentina:13 | Mexico:B | Sweden:Btl | New Zealand:PG

Locaciones de Filmación:

Atlantis Casino, Paradise Island, Bahamas

Compañía:

Laura Bickford Productions

Trivialidades:

Writer-director Tony Gilroy named Julia Roberts' character "Stenwick" as a tribute to the classic-era movie actress Barbara Stanwyck.

Errores:

Errores que Revelan: When the waiter serves Ray a glass of champagne (near the end), the foam disappears almost instantly, unlike in the glass the waiter has just served Claire, where the foam takes some time to disappear.

Citas:

Ray Koval: Then you seduce me, then you drug me and ransack my hotel room.
Claire Stenwick: I'm sorry.

Banda de Sonido:

Swampblood

Witty, smart, sexy, stylish

Upon attending the New York Premier last evening at the Ziegfeld Theater, I found myself in awe, relieved and pleased. Amidst the flash bulbs, the press, the paparazzi and the glamor, there emerged a "Film" in every true sense of the word. As the crowd settled and the curtain lifted, I'm not sure anyone quite knew what to expect. From the quirky trailers (which have caused the film more harm than the studios may have initially thought) to the various negative pre-release responses, I held my breath.

As a screenwriter, Tony Gilroy is a force to be reckoned with. There is an eloquence and sophistication to his dialog that is rarely seen in modern day cinema. Lines that are delivered by Owen and Roberts are sharp, witty, edgy and intelligent. Naturally, when you throw these two "A List" stars into the mix, what rises on screen is pure cinematic beauty. Both Julia and Clive, seem comfortable and natural in their roles as lovers/operatives and the chemistry is at often times dazzling to watch.

As a Director, Gilroy always pays careful, particular attention to detail. A sly smile, a nod, a toss of the hair as well as a hilarious super slow motion fight scene between Paul Giamatti and Tom Wilkinson to open the picture.

Editing is tops, experimenting and breaking new ground with split screen that hasn't been utilized so well since vintage DePalma. Through precision cutting by John Gilroy (none other than Tony's brother) everything manages to be tied together in a neat little package.

Overall, Duplicity makes you think. It forces the mind to watch, listen, observe, break down and focus in order for it to be enjoyed to its fullest. As audience members of the 21st century, we are all accustomed to and subjected to more mindless entertainment at the movies than twenty minutes of prime time MTV. In this harsh reality, Duplicity is a refreshing change of pace that presents itself to us as a challenge, a test ready to be taken and more than likely aced.