- During two tourist trips to North Korea the filmmakers secretly record their experiences and interactions and provide a glimpse onto the country's propaganda machine aimed at foreign visitors.
- Friends Gregor Möller, Philip Kist and Anne Lewald visit in 2013 and 2017 and do what is strictly forbidden and for which they might have ended up in a forced labor camp: even though accompanied by state watchers, they secretly film their travels, accompanied by state watchdogs. We get an extraordinary insight into one of the most closed societies in the world and experience the 'beautiful new world' as the state propaganda machinery displays it.—Canon y mus
- During two tourist trips to North Korea the filmmakers secretly record their experiences and interactions and provide a glimpse onto the country's propaganda machine aimed at foreign visitors.
Filmmakers Gregor Möllers and Anne Lewald visit North Korea in 2013 for the 60th anniversary of the end of the Korean War and again in 2017 for the Pyongyang Marathon as foreign tourists. Using secret recordings, they register their impressions of the notoriously closed country's propaganda and their interactions with its people.
Shot during two trips to North Korea in 2013 and 2017, filmmakers Gregor Möllers and Anne Lewald provide a rare glimpse of change in the notoriously closed country. As foreign tourists, they are not allowed autonomy or spontaneity, and their itinerary is arranged for them in advance by guides who chaperone them everywhere. Despite these limitations the Berliners find a way to register their impressions of a city lacking authenticity, a country longing for reunification and a people shaped by Juche beliefs and socialist propaganda. In a society steeped in obfuscation and spectacle, where deception is necessary for perception and expression, the filmmakers themselves must play a double role, secretly recording without permission while also genuinely relating to their hosts. By blending travelogue and espionage, A POSTCARD FROM PYONGYANG captures what happens when you rely solely on what you see, not what you're told, and reveals what Kim Jong-Un's regime doesn't want foreigners to see... reality.
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By what name was A Postcard from Pyongyang - Traveling through Northkorea (2019) officially released in India in English?
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