Despite a fun premise and a well-structured first act, “The Man from Toronto” tries to do too many things at once and devolves into a strange bouillabaisse of studio comedy tropes.
For a character-driven “mistaken identity” comedy that lives or dies based on the humorous interactions between two A-list leads, its lousy script barely constitutes life support.
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RogerEbert.comOdie Henderson
RogerEbert.comOdie Henderson
Director Patrick Hughes’ latest is both 112 minutes, and a hodgepodge of so many other movies that it becomes the most obnoxious of cinematic collages.