Gran Torino

A very touching film that brings out a different but still great side of Clint Eastwood.

Clint Eastwood is simply great both in front of and behind the camera.

Eastwood is as great as Walt Kowalski, a man who, behind his rough exterior, deeply feels the world around him. Through humor and deep emotions, this film shows us that people are complicated and life is unpredictable.

Such films are rare, and nowadays they are almost non-existent. The development of the main character and the depiction of his emotions and internal conflict are interesting, which is exactly the basis of the film.

There is also a bit of humor in the film, located exactly where it should be and thus creates that necessary balance against the cruel reality.

The script is brilliant, and Clint Eastwood turned it into a great film, managing to evoke tension and feelings, as well as the inner struggle of the characters.

The film is superbly directed and easily guides the viewer through the story. The cinematography is excellent, as is the photography. The soundtrack fits perfectly into the atmosphere of the film.

This is an old-fashioned drama with interesting characters that are not one-dimensional but complicated and layered. Unfortunately, the actor who plays the character of Thao is simply not a good actor, but the rest of the cast played their parts excellently.

I was particularly impressed by Ahney Her in the role of Sue, and Clint Eastwood is equally excellent in the role of Walt Kowalski. Also, Christopher Carley excellently portrayed the character of Father Janovich, a young and somewhat naive priest, whose character is also interesting and develops throughout the film.

A great, powerful and inspiring film.

A modern day masterpiece. There is really no movie that is so funny, however, so moving at the same time. A true cultural masterpiece that puts political correctness to shame. We are all equal and Gran Torino does a fine job of letting us know. One of Clint Eastwood's greatest. Acting and directing.

If Clint Eastwood had retired after Gran Torino, it might have been one of the most perfect endings to an iconic actor's career. Walt Kowalski is like Harry Callahan or number of Eastwood characters from his past only, like the vessel they're protrayed through, older. He's the crusty, cynical tough-guy who deep inside is a bit softer and has a warmer than you'd expect heart. Which is the truth we see revealed in Kowalski over the course of this movie as he befriends and helps the Hmong kid next door. There might be enough of these movies to constitute an entire subgenre of friendship films: one involving an older guy who learns a little about life while teaching a boy to be a man. It's a friendship story and even what you'd call a feel-good one despite the violence and negativity surrounding it. The film aims for authenticity though I think bits of it will be seen by posterity as dated, false hollywood depictions.

Maybe the later movies kept him busy but this is where Eastwood's career as an actor should have (and in a sense did) end.

After his wife dies, Korean Water veteran Walt Kowalski busies his life with small household jobs and snarling at his family, until his young neighbour tries to steal his car.

It's a film you really do need to be in the mood for, as it is an intense watch, and could definitely be seen as heavy going. What I've always enjoyed about it, the touches of humour that pop up every now and then, I also think the film is very relatable.

What stands out, is the superb direction, the powerful storyline, and the performance of the leading man.

I think Clint Eastwood does a really fine job as Walt, he really is a tormented soul, you really do feel as though he's a man on the edge, totally disillusioned by life and everything around him, I'd seen it a great performance. I think Bee Vang is great as Thao too.

When I first saw it, and still to this day, his spitting really does gross me out, although it fits the character, designed to make us feel strongly about him perhaps.

8/10.