Directed by
| Matt Bissonnette | ... | (as Matthew Bissonnette) |
Writing Credits
| Matt Bissonnette | ... | (written by) (as Matthew Bissonnette) |
Cast (in credits order)
Produced by
| Matt Bissonnette | ... | executive producer (as Matthew Bissonnette) |
| Mitch Glick | ... | associate producer / line producer |
| Corey Marr | ... | executive producer / producer |
| Adam Scott | ... | executive producer |
Cinematography by
| Jonathon Cliff | ... | director of photography |
Editing by
| Matthew Hannam | ||
Set Decoration by
| April Glover | ||
Costume Design by
| Melissa Clemens | ||
Makeup Department
| Rhiannon Webb | ... | hair stylist / makeup artist |
Second Unit Director or Assistant Director
| Sam Reinis | ... | first assistant director (as Paige Reinis) |
Art Department
| Vanessa Velez Boswell | ... | props: daily |
Sound Department
| Matthew Chan | ... | re-recording mixer (as Matt Chan) / supervising sound editor (as Matt Chan) |
| Jennifer Costa | ... | assistant sound editor |
| Ada Douglass | ... | boom operator (as Adam Douglass) / sound recordist (as Adam Douglass) |
| Stefan Fraticelli | ... | foley artist |
| Christopher Guglick | ... | adr editor (as Chris Guglick) / dialogue editor (as Chris Guglick) |
| Robin Harris | ... | adr production coordinator |
| Rob Hutchins | ... | sound effects editor |
| Richard B. Larimore | ... | adr coordinator |
| Ryan Lukasik | ... | foley assistant |
| Geoff Raffan | ... | sound effects editor |
| Jan Rudy | ... | adr editor / dialogue editor / re-recording mixer |
| Kevin Schultz | ... | foley recordist |
| Carrie Sheldon | ... | boom operator / sound recordist |
| Jared Simmons | ... | sound recordist: daily |
| Greg Taieb | ... | adr engineer |
| Randy Wilson | ... | foley recordist |
| Marilee Yorston | ... | foley artist |
Visual Effects by
| Kert Gartner | ... | compositor |
| Darren Wall | ... | visual effects |
Camera and Electrical Department
| Brayton Austin | ... | dolly grip |
| Hugh Bell | ... | steadicam operator |
| Steven Clark | ... | dolly grip |
| Chuck May | ... | key grip |
| Christina Ortiz | ... | first assistant camera: daily |
| Jon Peter | ... | first assistant camera: daily (as John Peter) |
| Marlen Schlawin | ... | first assistant camera |
| Scott Tremblay | ... | gaffer |
Editorial Department
| Peter Armstrong | ... | digital intermediate producer |
| Lee Hughes | ... | digital intermediate project manager |
| Dave Muscat | ... | digital intermediate editor |
| Duff Smith | ... | assistant editor |
| Chris Wallace | ... | digital intermediate colorist |
| Motassem Younes | ... | digital intermediate optical editor |
| Tom Mayclim | ... | digital intermediate scanner and recorder (uncredited) |
| James Yazbeck | ... | post-production assistant (uncredited) |
Music Department
| Mac McCaughan | ... | music consultant |
Script and Continuity Department
| Sam Reinis | ... | script supervisor (as Paige Reinis) |
Additional Crew
| Adam Balsam | ... | production assistant |
| Candice Faktor | ... | production assistant |
| Krystal Maughan | ... | production assistant |
| Eileen McIntire | ... | production assistant |
| Rachel McIntire | ... | production assistant |
Thanks
| Anne Frank | ... | personal thanks |
| Dan Lyon | ... | thanks |
| Molly Parker | ... | thanks |
| Danny Webber | ... | thanks |
| Wilco | ... | thanks |
| Warren Zavala | ... | thanks |
