"Eve of The Daleks" brazenly attempts to accomplish what Steven Moffat previously achieved with S9's "Heaven Sent"... But with Chris Chibnall as writer (what do you even expect by this point?), it's no surprise to say it obviously pales in comparison, wasting the concept presented.
Alas, maybe I could've invested myself in the general story, overlooked & forgiven the ridiculousness of it all, turning a blind eye to the contrived sequences, the blatantly bad pacing (the loop they're stuck in decreases by a minute each time it restarts from 8 to midnight onwards, so the episode should therefore conclude at the 36 minute mark - yet it's an hour in total?), the eye-rolling-ly convenient bad aim from the Dalek death rays fired down straight, narrow corridors (whenever required by the plot), the EXTREMELY questionable portrayals of creepy, voyeuristic, male behaviour etc. If I'd at least cared even slightly about the people featured within this messy tale but to be quite frank, I've finally reached a point where (although it pains me to say) I'm truly sick & tired of Jodie Whittaker's hateful Doctor. Just want her gone.
The worst part is it's not actually her fault as an actress - so the blame for this overwhelming feeling of lethargy isn't her fault - because there's no doubting her talents as a performer & her potential (I'm also sure she's a wonderful person on set & off); we simply find ourselves in a very regrettable situation where the first woman to ever embody the iconic role has been continually saddled with abysmal, offensive writing from the current showrunner throughout her era, squandering her capabilities - & especially after watching 13 exploit a disabled character's blindness in S11's "It Takes You Away", weaponise the Master's race against him in S12's "Spyfall Part 2", prioritise moral lectures in the TARDIS over saving people's lives in "Orphan 55", show ambivalence towards discussions regarding Graham's experiences with cancer in "Can You Hear Me?" (the list goes on) etc. Seeing her iteration of the main protagonist still show absolutely no discernible sign of progression whatsoever, happily sending Dan off to act as Dalek cannon fodder whilst continuing to respond (after 3 arduous seasons) with wilful ignorance & a lack of sympathy - when confronted with the reality that Yaz has always had romantic feelings for her... These damning moments culminate to form a series of misdeeds which act as irrefutable proof of her irredeemable nature. She is intrinsically unable to change or the see error of her ways & remains immoral, manipulative & unconscionable, lacking basic decency, behaving selfishly, cruelly & having not developed one iota in 4 years since we first officially met her in the introductory installment "The Woman Who Fell To Earth". That stagnation & refusal to evolve reeks & I unfortunately find myself growing increasingly unable to show any enthusiasm for her tenure. Perhaps if the show depicted her villainy as exactly that - subverting audience expectations by addressing her vulgar inhumanity - I'd be more inclined to pay attention... But I'm done excusing bad writing & Chris' lazy, complacent lack of consideration. Portraying cold callousness as somehow righteous has become excruciatingly predictable & speaks volumes about his perceptions of good & bad - if he can't decipher the difference.
In fact, for it to have taken THIS long to address a character's sexuality in 2022? That's regressive, not progressive. Shan't applaud a big TV exec. For doing the bare minimum when we should be demanding better from our creators. Thus, this new year's special is certainly a difficult slog & one of the final nails in the coffin, created to entomb a charmless, lifeless era, trudging to its lacklustre, inevitable end.
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