Directed by
| Julie Miller | ||
Writing Credits (in alphabetical order)
| Jo Firestone | ||
Cast
 |
Robia Deville | ... | Self |
| Jo Firestone | ... | Self | |
Produced by
| Paige Boudreaux | ... | producer: Williams Street |
| Parker Cowden | ... | production coordinator |
| Jo Firestone | ... | executive producer |
| John Lee | ... | executive producer |
| Alyson Levy | ... | executive producer |
| Lisa Thomas | ... | producer |
Cinematography by
| Charlotte Hornsby | ... | (Director of Photography) |
Editing by
| Priscilla Mena | ||
Production Design by
| Cassia Maher | ||
Makeup Department
| Roberto Alvarado Jr. | ... | Key Makeup Artist/Hair Stylist |
Production Management
| Amanda Mackoul | ... | post-production supervisor |
Art Department
| Jaroslaw Ziaja | ... | colorist |
Sound Department
| Doug Anderson | ... | sound engineer/boom operator |
| Paul Furedi | ... | sound mixer |
Visual Effects by
| Alex Gilbeaux | ... | graphics |
Camera and Electrical Department
| Dan Debrey | ... | camera operator 2/gaffer |
| Garrett Doermann | ... | key grip |
| David Merino | ... | assistant camera |
| Olaa Olabi | ... | dit |
| Jesse Ruuttila | ... | camera operator 1 |
| Sam Wolff | ... | g&e swing |
Location Management
| Julia Thompson | ... | location manager |
Additional Crew
| Grant Herson | ... | COVID Officer |
| Koji Nishiyama | ... | set pa |
| Zach Phillips | ... | COVID Supervisor |
| Teresa Seemann | ... | production accountant |
| Mira Steinzor | ... | key pa |
Thanks
| Mike DiCenzo | ... | special thanks |
| Katie Dolan | ... | special thanks |
| Fred Firestone | ... | special thanks |
| Marilyn Firestone | ... | special thanks |
| John Haskell | ... | special thanks |
| Conner O'Malley | ... | special thanks |
| Joe Pera | ... | special thanks |
| Ashley Brooke Roberts | ... | special thanks |
| Amy Rosen | ... | special thanks |
| Rubyn Wasserman | ... | special thanks |
