To Die Like a Man deserves your attention for showcasing a filmmaker with the capacity for bold narrative trickery that doesn't come at the expense of emotional investment.
To Die Like A Man is powerfully controlled, and builds to a moving finale in which the characters are stripped down to their essences: no flowers, just stem.
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The Globe and Mail (Toronto)Rick Groen
The Globe and Mail (Toronto)Rick Groen
The title leaves no doubt about the ending but, thanks to Santos's unflinching performance and Rodrigues's continued audaciousness, the climax still takes us aback.
For all its melodrama To Die Like a Man is a not a tearjerker. Its gaze into the void is as unblinking as that of the H.I.V.-positive 60-year-old hustler in Jacques Nolot's even more hard-headed film, "Before I Forget."