This episode dealt with the issue of kleptomania in a hilarious way but felt a bit overlong.
24 Reviews
Best one of the lot
sahil-masrur78625 June 2021
Stand up and applause !
Perspicuity110 July 2021
Why aren't more movies set in a train? Director Abhishek Chaubey has done a brilliant job yet again, I just hope people do notice and appreciate his effort this time. Although Manoj Bajpayee has been around for a very long time, I feel like he has been rediscovered through OTT platforms. What a performance that was, absolutely spellbinding! Audience never really cared about actors like Manoj Bajpayee or Kay Kay or Pankaj Tripathi, despite the fact that these guys are trained actors and have worked in theatre. But with the explosion of digital platforms, which sends content directly to the viewers, allowing the audience to watch it at a time of their own convenience and from their own comfort zone, the hidden gems of Indian Cinema are finally receiving the recognition and appreciation that they always deserved. In 'Hungama Hai Kyun Barpa', the wide range of emotions displayed by Manoj are so real, you feel like the character of Musafir Ali has come to life. It doesn't remain a fictional story after a while, you end up becoming a fellow passenger in the train witnessing the proceedings as they happen. But Manoj Bajpayee is not alone in this wonderful film, his fellow passenger is yet another genius actor discovered very late by the Indian filmmakers. Gajraj Rao playing Aslam Baig has done a phenomenal job. Every single time, it's such a joy to watch this actor, I find it quite shocking that it took everyone so long to realize the potential of this brilliant actor. 'Hungama Hai Kyun Barpa' is without a doubt the best film of this anthology and a must watch for everyone.
Hungama Hai Kyon Barpa - First Thoughts (P.S. there are no spoilers)
bhatiasarabjeet26 June 2021
I did not follow chronology when watching Ray, of course I started with the first story.. but this one was the last one I watched or rather, diligently chose to save the best for the last (simply coz it had Manoj Bajpayee in it!)
At its very first glance, this short film will bring you the sweet reminiscence of our indian trains, the platform and the AC compartment, the cherished train journeys which we all miss and which for most of us seem like a distant hope for now, thanks to the pandemic. As you remain immersed in a nostalgia that makes you stay glued to the screen with a childlike excitement, appears Manoj Bajpayee as the quintessential protagonist in the form of Musafir Ali, a beloved ghazal singer with a sheer aura that combines the classic Urdu nazakat with the masculinity of a Greek God that would make anyone go week in the knees, almost instantly.
As the film progresses, it sets the scene for a dazzling chemistry between Musafir Ali (Bajpayee) and Aslam Baig (Gajraj Rao) as journey-mates in the same 1st AC compartment, and as the story unfolds during this journey from Bhopal to New Delhi, all I could think of is the real-life train journeys I have taken with my dad and the pleasure it gave him to socialize with random strangers even if it came with its own risks (which we all are aware of, wink wink), making me smile from ear to ear...
Small nuggets of humor sneaked in intelligently by the writers and played breezily by the actors not only keep you involved but somehow offer a relief from the sheer chaos around us even if it is just for the moment and not to forget the ghazals and the shayari purposefully sprinkled at places, giving the screenplay that silky flow.
If you've already seen Gajaraj Rao, Raghuvir Yadav and Manoj Pahwa on the screen (with movies like Badhai Ho, Peepli Live, Ramprasad ki Tehrvi etc.), you'd know that you are about to see some profound performances and characters which will leave a mark on your memory no matter how short or long their presence is. So, the moment you see each of them appearing (at various stages of the story), you know that its going to be an enjoyable experience irrespective of the genre i.e. Horror, crime, romance or comedy (let's keep that under wraps with this one for now). Now combine all this with a brilliant story .. I mean it is an adaptation of stories by Satyajit Ray, so, you know what I mean...top drawer, a quirky screenplay and Manoj Bajpayee's screen charm and...voila! (Mic Drop!!)
As the story drifts towards the climax, with all its ironies, it will leave you wondering about how life lends you perspective in the most inexplicable and unexpected of ways. As for me, I had a big smile on my face by the time the end titles rolled out, just thinking about what my dad used to tell me...always be open to listen to a stranger and their story, for you may not know when and where you might just stumble upon a gem for life....
At its very first glance, this short film will bring you the sweet reminiscence of our indian trains, the platform and the AC compartment, the cherished train journeys which we all miss and which for most of us seem like a distant hope for now, thanks to the pandemic. As you remain immersed in a nostalgia that makes you stay glued to the screen with a childlike excitement, appears Manoj Bajpayee as the quintessential protagonist in the form of Musafir Ali, a beloved ghazal singer with a sheer aura that combines the classic Urdu nazakat with the masculinity of a Greek God that would make anyone go week in the knees, almost instantly.
As the film progresses, it sets the scene for a dazzling chemistry between Musafir Ali (Bajpayee) and Aslam Baig (Gajraj Rao) as journey-mates in the same 1st AC compartment, and as the story unfolds during this journey from Bhopal to New Delhi, all I could think of is the real-life train journeys I have taken with my dad and the pleasure it gave him to socialize with random strangers even if it came with its own risks (which we all are aware of, wink wink), making me smile from ear to ear...
Small nuggets of humor sneaked in intelligently by the writers and played breezily by the actors not only keep you involved but somehow offer a relief from the sheer chaos around us even if it is just for the moment and not to forget the ghazals and the shayari purposefully sprinkled at places, giving the screenplay that silky flow.
If you've already seen Gajaraj Rao, Raghuvir Yadav and Manoj Pahwa on the screen (with movies like Badhai Ho, Peepli Live, Ramprasad ki Tehrvi etc.), you'd know that you are about to see some profound performances and characters which will leave a mark on your memory no matter how short or long their presence is. So, the moment you see each of them appearing (at various stages of the story), you know that its going to be an enjoyable experience irrespective of the genre i.e. Horror, crime, romance or comedy (let's keep that under wraps with this one for now). Now combine all this with a brilliant story .. I mean it is an adaptation of stories by Satyajit Ray, so, you know what I mean...top drawer, a quirky screenplay and Manoj Bajpayee's screen charm and...voila! (Mic Drop!!)
As the story drifts towards the climax, with all its ironies, it will leave you wondering about how life lends you perspective in the most inexplicable and unexpected of ways. As for me, I had a big smile on my face by the time the end titles rolled out, just thinking about what my dad used to tell me...always be open to listen to a stranger and their story, for you may not know when and where you might just stumble upon a gem for life....
Ek no Musafir Ali rocks in RAY blockbuster
sifankhant27 June 2021
Manoj bajpayee Amazing acting play role of singer Urdu Shari or gajal Amazing performance one watch change the life and Musafir Ali's life' Change Gajaraj Rao acting alsoa Amazing best episode of Ray I like very much.
Twice upon a train
Me_SM_26 June 2021
What a delight. Magic delivered in a perfectly packaged 50 minutes. So many things executed with excellence and served with elegance. This is presented so well that you wouldn't blink.
A gripping story to keep you glued. Set design that is straight out of a dream. Two leads with impeccable skills. Well choreographed scenes, specially the one that goes for more than a minute without cut. And to cap it all, well directed.
And God, did I mention the background music? Just wow. A PERFECT SCORE.
A gripping story to keep you glued. Set design that is straight out of a dream. Two leads with impeccable skills. Well choreographed scenes, specially the one that goes for more than a minute without cut. And to cap it all, well directed.
And God, did I mention the background music? Just wow. A PERFECT SCORE.
This is pure art.
mahendras88943 July 2021
Just beautiful
coolsagnikmaity26 June 2021
Had higher expectations
harshgupta-975154 July 2021
Had much higher expectations from this episode because of the genre of the first two episodes in this series. It's a light, easy, breezy watch, unlike the first 2 episodes, which were thrillers, dark and very suspenseful.
Throughout the episode I was continuously waiting for something eventful to happen but alas, nothing major really happened :( Hence the disappointment.
As usual, Manoj Bajpai and Gajraj Rao are fantastic as the two leads, but the story fails to leave a mark on my mind.
Throughout the episode I was continuously waiting for something eventful to happen but alas, nothing major really happened :( Hence the disappointment.
As usual, Manoj Bajpai and Gajraj Rao are fantastic as the two leads, but the story fails to leave a mark on my mind.
A Delight all the way
SleepingMorpheus27 June 2021
This is easily the most basic and most enjoyable of the bunch. We have Manoj Bajpai masterclass along with Gajraj Rao. Interactions between these two is the whole story, and not for a minute you feel bored. Writing, Direction is awesome. Just watch this one, its a blast.
This episode was the best in Ray.
rrdeo2227 June 2021
BEST And My FAVOURITE of The Series.
MandalBros-529 June 2021
TILL NOW this is the only episode of the anthology series that made me smile and laugh. It's also the only episode that made me feel that yes I'm watching a Satyajit Story Adaptation. What to say about acting when 2 great actors are sharing the same screen together. Raghuvir Yadav and Manoj Pahwa in their short screen timing will surely win your heart.
Clock sound as the background music worked beautifully. Abhishek Chaubey again proved why he is one of the best directors right now. Finally, with the hilarious climax and an enjoyable title song which is actually a humorous version of 1990 Ghazal by Ghulam Ali, I fully loved 'Hungama Hai Kyon Barpa'.
Available on Netflix.
© MandalBros.
Clock sound as the background music worked beautifully. Abhishek Chaubey again proved why he is one of the best directors right now. Finally, with the hilarious climax and an enjoyable title song which is actually a humorous version of 1990 Ghazal by Ghulam Ali, I fully loved 'Hungama Hai Kyon Barpa'.
Available on Netflix.
© MandalBros.
Awesome movie
somanathmohapatra25 June 2021
Fantastic acting .....
dhurveamrit26 June 2021
The Best of the Lot!!
neil-aanjana1626 June 2021
This episode saved the grace of the Anthology. Manoj Bajpai's performance, the dutch angles, the play like feel were some aspects that stood out. Of course, Ghulam Ali's ghazals and and the overall look and feel of the episode is worth a watch. Nice one.
Manoj bajpayee and gajraj are wonderful
dkgupta49313 July 2021
Brilliant Acting and Direction
sandeep-848264 July 2021
Amazing performances by #ManojBajpai(Musafir Ali) & #Gajrajrao(Aslam Baig)... #RaghubiryaDav has shown his mettle in the small role of Hakim...how the story moves in a first class compartment of a train and Being confined to just a few places and characters, leaves an impressive impression...it's worth watching...
Best Episode "Hungama hai kyon Barpa"
shanu-873012 July 2021
Outstanding acting. Simple story
vivekmahajan10 August 2021
A simple story made really outstanding by acting or Manoj Bajpai but more than him by Gajraj Rao. Both of them again especially Gajraj Rao is so marvellous that it just makes you gripped and want to see more, in the end it's a simple ending. Loved it. Really nice.
Manoj Bajpai really killed it
perlshop11 July 2021
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