Right off the bat, Peter Greenaway wants to make clear that he’s never really taken himself seriously as a filmmaker — although like so many of the paradoxes that comprise Greenaway’s identity, it’s not wise to take such a claim too seriously.
“This is a terrible confession to speak to you,” he says via Skype from a tiny house on the Atlantic coast where he goes on weekends. “There’s always that sense of being removed from the activity, of taking a step back and trying to look at it with not a sarcastic or derivative attitude, but certainly a considerable irony.”
Such cheekiness is plenty apparent in Greenaway’s filmography, which spans 16 features, ranging from the Terry Gilliam-esque irreverence of “The Falls” (1980), a three-hour catalog of eccentric survivors of an imaginary cataclysm, to the obsessive brain-dump that is “The Tulse Luper Suitcases” (2003-04), a tricksy trio...
“This is a terrible confession to speak to you,” he says via Skype from a tiny house on the Atlantic coast where he goes on weekends. “There’s always that sense of being removed from the activity, of taking a step back and trying to look at it with not a sarcastic or derivative attitude, but certainly a considerable irony.”
Such cheekiness is plenty apparent in Greenaway’s filmography, which spans 16 features, ranging from the Terry Gilliam-esque irreverence of “The Falls” (1980), a three-hour catalog of eccentric survivors of an imaginary cataclysm, to the obsessive brain-dump that is “The Tulse Luper Suitcases” (2003-04), a tricksy trio...
- 5/14/2022
- by Peter Debruge
- Variety Film + TV
As I realized after having an interview with him a couple of weeks ago, before becoming famous as the protagonist of films like “A Sun” ,The Falls” and “Leave Me Alone” Chen Yi-wen also had a very interesting career as a director, which, stopped, though, in 2006 with just five titles. As such, I took it upon myself to check all of them, with “A Chance to Die”, a film ordered by Sino-Japanese producers, and the one with the lowest score on IMDb for some reason, being the first.
The intro is quite indicative of the rest of the movie, with violence, sex and rapid pace giving the tone, before we stumble upon a team of maverick criminals intruding on a drug deal in Taipei, stealing millons of cash and leaving two Japanese dead. While triad bosses become fret over the situation, and their inner antagonism becomes more and more intense,...
The intro is quite indicative of the rest of the movie, with violence, sex and rapid pace giving the tone, before we stumble upon a team of maverick criminals intruding on a drug deal in Taipei, stealing millons of cash and leaving two Japanese dead. While triad bosses become fret over the situation, and their inner antagonism becomes more and more intense,...
- 5/12/2022
- by Panos Kotzathanasis
- AsianMoviePulse
Chen Yi-wen started his career as an actor, repeatedly cooperating with the late Edward Yang, before he decided to become a director himself. He continued with his two capacities until 2006, with the film “Tripping” being the last he directed to date. As an actor, he has repeatedly cooperated with Chung Mong-hong, netting the Best Leading Actor Award for “A Sun” in the 56th Golden Horse Awards. Five films he starred in were released in 2021, including “The Falls”, “Increasing Echo” and “Leave Me Alone”
On the occasion of the latter screening at Osaka Asian Film Festival, we speak with him about his career and the way the industry has changed through the years, his collaborations with Edward Yang, Chung Mong-hong and Fan Yang-chung, streaming platforms and many other topics.
Leave Me Alone screened at Osaka Asian Film Festival
You have been in the movie industry since the 90s. Which are the...
On the occasion of the latter screening at Osaka Asian Film Festival, we speak with him about his career and the way the industry has changed through the years, his collaborations with Edward Yang, Chung Mong-hong and Fan Yang-chung, streaming platforms and many other topics.
Leave Me Alone screened at Osaka Asian Film Festival
You have been in the movie industry since the 90s. Which are the...
- 4/21/2022
- by Panos Kotzathanasis
- AsianMoviePulse
When Taiwan auteur Chung Mong-hong’s acclaimed drama “A Sun” became a hit among film critics and film buffs from around the world after Variety’s chief film critic Peter Debruge named it the best film of 2020, it had reignited the hope and expectations of the island’s cinematic offerings. The buzz and excitement were seen as what could be the beginning of a comeback of Taiwanese cinema on the international stage.
Nearly two years on, the momentum is still there, but Taiwanese filmmakers are approaching the international stage with a more pragmatic approach. “A Sun,” and the director’s follow-up feature, “The Falls,” which both premiered on the international festival circuit (and now stream on Netflix), have certainly brought Taiwanese projects more exposure, according to industry insiders, but it was not yet enough to revive the glory from the golden days of Hou Hsiao-Hsien (“City of Sadness”) and Edward Yang...
Nearly two years on, the momentum is still there, but Taiwanese filmmakers are approaching the international stage with a more pragmatic approach. “A Sun,” and the director’s follow-up feature, “The Falls,” which both premiered on the international festival circuit (and now stream on Netflix), have certainly brought Taiwanese projects more exposure, according to industry insiders, but it was not yet enough to revive the glory from the golden days of Hou Hsiao-Hsien (“City of Sadness”) and Edward Yang...
- 2/12/2022
- by Vivienne Chow
- Variety Film + TV
Here are all the winners of the 28th Vesoul Iff Asian Cinemas that took place from the 1st to the 8th of February in Vesoul, France.
Honorary Golden Cyclo:
(offered by the Agglomeration Community and the city of Vesoul)
Mrs. Leila Hatami, actress, Iran for her entire career, and Mr. Kôji Fukada, director, Japan for the all of his work.
Cyclo D’Or:
(offered by the Regional Council of Bourgogne-Franche-Comté), International Jury: President: Ms. Leila Hatami, actress (Iran), members: Ms. Suha Arraf, director (Palestine), Ms. Tran Bich Quan, distributor, producer (France), Mr. Zig Dulay, director (Philippines)
Yanagawa by Zhang Lu (China) Beautiful, strong images, based on a powerful and perfectly told story, lead us to the discovery of brotherly relationship and love
Grand Jury Prize:
Along The Sea by Fujimoto Akio (Japan) Exposing a calm, restful nature on the one hand, harsh and merciless on the other, the film confronts...
Honorary Golden Cyclo:
(offered by the Agglomeration Community and the city of Vesoul)
Mrs. Leila Hatami, actress, Iran for her entire career, and Mr. Kôji Fukada, director, Japan for the all of his work.
Cyclo D’Or:
(offered by the Regional Council of Bourgogne-Franche-Comté), International Jury: President: Ms. Leila Hatami, actress (Iran), members: Ms. Suha Arraf, director (Palestine), Ms. Tran Bich Quan, distributor, producer (France), Mr. Zig Dulay, director (Philippines)
Yanagawa by Zhang Lu (China) Beautiful, strong images, based on a powerful and perfectly told story, lead us to the discovery of brotherly relationship and love
Grand Jury Prize:
Along The Sea by Fujimoto Akio (Japan) Exposing a calm, restful nature on the one hand, harsh and merciless on the other, the film confronts...
- 2/9/2022
- by Adriana Rosati
- AsianMoviePulse
Zhang Lu’s “Yanagawa” (China), Hong Sung-eun’s “Aloners” (South Korea) and Fujimoto Akio’s “Along the Sea” (Japan/Vietnam) were among the top award winners at France’s Vesoul International Film Festival of Asian Cinemas.
“Yanagawa,” which opened the 2021 Pingyao Film Festival, won the Golden Cyclo, the festival’s top honor awarded by the international jury. “Aloners,” which has previously won awards at Jeonju and Torino, won the international jury prize and the Netpac jury award.
The grand jury prize went to San Sebastian, Tokyo and Fajr player “Along the Sea,” which also won the festival’s critic’s choice award and the National Institute of Oriental Languages and Civilizations (Inalco) jury prize. The Inalco jury also recognized Da Fei’s “The Coffin Painter” (China).
The international jury accorded special mentions to Chung Mong-Hong’s Venice selection “The Falls” (Taiwan), Brillante Mendoza’s Busan Kim Ji Seok Award winner...
“Yanagawa,” which opened the 2021 Pingyao Film Festival, won the Golden Cyclo, the festival’s top honor awarded by the international jury. “Aloners,” which has previously won awards at Jeonju and Torino, won the international jury prize and the Netpac jury award.
The grand jury prize went to San Sebastian, Tokyo and Fajr player “Along the Sea,” which also won the festival’s critic’s choice award and the National Institute of Oriental Languages and Civilizations (Inalco) jury prize. The Inalco jury also recognized Da Fei’s “The Coffin Painter” (China).
The international jury accorded special mentions to Chung Mong-Hong’s Venice selection “The Falls” (Taiwan), Brillante Mendoza’s Busan Kim Ji Seok Award winner...
- 2/8/2022
- by Naman Ramachandran
- Variety Film + TV
Chung Mong-hong is one of the most exciting voices coming out of Taiwanese cinema for years now. His work, either as a director in titles such “Godspeed” and “A Sun” or as producer in “The Great Buddha+” and “Classmates Minus” is a always a pleasure to watch, particularly for the way he manages to combine mainstream themes with an art-house approach and rich sociopolitical context. “The Falls” is not an exception.
“The Falls” is screening at Vesoul International Film Festival of Asian Cinema
Single mother Pin-Wen is a career woman working in a multinational company, while living with her teenage daughter, Xiao Jing. One day, however, things take a turn for the worse for her, as she is informed of a severe salary cut, and also that her daughter is forced to quarantine after a classmate tested positive for coronavirus. At the company’s request, Pin-Wen is also forced to stay at home,...
“The Falls” is screening at Vesoul International Film Festival of Asian Cinema
Single mother Pin-Wen is a career woman working in a multinational company, while living with her teenage daughter, Xiao Jing. One day, however, things take a turn for the worse for her, as she is informed of a severe salary cut, and also that her daughter is forced to quarantine after a classmate tested positive for coronavirus. At the company’s request, Pin-Wen is also forced to stay at home,...
- 2/3/2022
- by Panos Kotzathanasis
- AsianMoviePulse
France’s Vesoul International Film Festival of Asian Cinemas kicks off Feb. 1 with a gala screening of Iranian auteur Mohsen Makhmalbaf’s 2001 Cannes winner “Kandahar” and will conclude on Feb. 8 with Kazakhstan filmmaker Yerlan Nurmukhambetov’s “The Horse Thieves. Roads of Time.”
The guest of honor at the festival’s 28th edition will be Japanese filmmaker Fukada Koji, who will be presented with an Honorary Cyclo at the opening ceremony. All 10 of Fukada’s features and four shorts will be presented at Vesoul, marking the first complete retrospective for the filmmaker. In all, 20 films from Japan will play at the festival, including Nakano Ryota’s “The Asadas” and Miyazaki Hayao’s “My Neighbor Totoro.”
The festival also pays tribute to Chinese master Xie Fei, whose masterpiece “Woman Sesame Oil Maker” won the Berlin Golden Bear in 1993.
This year, the international competition jury is presided over by Leila Hatami, Berlin Silver...
The guest of honor at the festival’s 28th edition will be Japanese filmmaker Fukada Koji, who will be presented with an Honorary Cyclo at the opening ceremony. All 10 of Fukada’s features and four shorts will be presented at Vesoul, marking the first complete retrospective for the filmmaker. In all, 20 films from Japan will play at the festival, including Nakano Ryota’s “The Asadas” and Miyazaki Hayao’s “My Neighbor Totoro.”
The festival also pays tribute to Chinese master Xie Fei, whose masterpiece “Woman Sesame Oil Maker” won the Berlin Golden Bear in 1993.
This year, the international competition jury is presided over by Leila Hatami, Berlin Silver...
- 2/1/2022
- by Naman Ramachandran
- Variety Film + TV
Leila Hatami, Iranian actress, silver bear in Berlin for A Separation by Ashgar Faradhi, an Iranian film with one million admissions in France, will be the president of the international Jury. The other members are: Suha Arraf, director (Palestine), Zig Dulay, director (Philippines), Yerlan Nurmukhambetov, director (Kazakhstan), Tran Bich Quan, distributor-producer (France).
Koji Fukada, the rising star of Japanese directors, will present all of his films in world premiere.
Both will receive a Cyclo d’or d’honneur for their entire career or their work during the opening ceremony on February 1, 2022.
Moshen Makhmalbaf, multi-award-winning Iranian director, and Atiq Rahimi, Afghan director, Goncourt Prize 2008, signatories of the appeal of July 29, 2021 “let’s save Afghan artists! », will present several films during the Afghan Day.
A tribute will be paid to filmmaker Marc Haaz, technical director of Fica, who died tragically, at the age of 33, on July 30, 2021.
The complete films of Xei Fei,...
Koji Fukada, the rising star of Japanese directors, will present all of his films in world premiere.
Both will receive a Cyclo d’or d’honneur for their entire career or their work during the opening ceremony on February 1, 2022.
Moshen Makhmalbaf, multi-award-winning Iranian director, and Atiq Rahimi, Afghan director, Goncourt Prize 2008, signatories of the appeal of July 29, 2021 “let’s save Afghan artists! », will present several films during the Afghan Day.
A tribute will be paid to filmmaker Marc Haaz, technical director of Fica, who died tragically, at the age of 33, on July 30, 2021.
The complete films of Xei Fei,...
- 1/30/2022
- by Panos Kotzathanasis
- AsianMoviePulse
Exclusive: In yet another of a recent string of intriguing local-language projects, Sony Pictures International Productions is teaming with Taiwan’s Activator to co-produce paranormal comedy Dead Talents Society. Spip has also acquired worldwide distribution rights in addition to closing a deal for global remake rights.
Directed by John Hsu (Detention), the feature is based on his short film which he also wrote (check it out below). The premise centers around ghosts who strive to be the most successful and famous stars in the underworld through their scare tactics and performances amongst the living. The end goal is to become the spookiest of urban legends.
The film is set to start production in 2022 and slated for a theatrical release in Taiwan via Sony Pictures Releasing Taiwan in 2023.
Bolin Chen (In Time With You) and Sandrine Pinna (Yang Yang) are set to star. Award-winning Taiwanese filmmakers Lieh Lee, Aileen Li and...
Directed by John Hsu (Detention), the feature is based on his short film which he also wrote (check it out below). The premise centers around ghosts who strive to be the most successful and famous stars in the underworld through their scare tactics and performances amongst the living. The end goal is to become the spookiest of urban legends.
The film is set to start production in 2022 and slated for a theatrical release in Taiwan via Sony Pictures Releasing Taiwan in 2023.
Bolin Chen (In Time With You) and Sandrine Pinna (Yang Yang) are set to star. Award-winning Taiwanese filmmakers Lieh Lee, Aileen Li and...
- 1/18/2022
- by Nancy Tartaglione
- Deadline Film + TV
Production is underway in Taiwan on multi-national art house film “Tomorrow Is a Long Time” that stars acclaimed Leon Dai.
The confinement and claustrophobia of urban life have long been recurring themes in Asian cinema from Wong Kar-wai and Fruit Chan in Hong Kong to Taiwan-based Ho Wi Ding. Another Taiwan director Chung Mong Hong most recently gave the theme a Covid-era touch in his award-winning “The Falls.”
Though not specifically a pandemic era production, the story of “Tomorrow” is that of a middle-aged widower whose relationship with his sensitive teenage son slowly becomes unbearable in the densely-packed spaces of contemporary Singapore.
The English- and Mandarin-language drama film is the feature debut of Singaporean filmmaker Jow Zhi Wei (“After the Winter”). Production started in November in Singapore and has now relocated to Taiwan. Filming is expected to wrap by the end of the month, with the completed picture hitting the...
The confinement and claustrophobia of urban life have long been recurring themes in Asian cinema from Wong Kar-wai and Fruit Chan in Hong Kong to Taiwan-based Ho Wi Ding. Another Taiwan director Chung Mong Hong most recently gave the theme a Covid-era touch in his award-winning “The Falls.”
Though not specifically a pandemic era production, the story of “Tomorrow” is that of a middle-aged widower whose relationship with his sensitive teenage son slowly becomes unbearable in the densely-packed spaces of contemporary Singapore.
The English- and Mandarin-language drama film is the feature debut of Singaporean filmmaker Jow Zhi Wei (“After the Winter”). Production started in November in Singapore and has now relocated to Taiwan. Filming is expected to wrap by the end of the month, with the completed picture hitting the...
- 1/14/2022
- by Patrick Frater
- Variety Film + TV
Having isolated a film enthusiast on a North Sea lighthouse island in 2021, this year’s Göteborg Film Festival, Scandinavia’s biggest movie-tv event, looks set to stage another bold metaphor for film consumption, subjecting audiences at three different movie screenings to mass hypnosis.
Dubbed The Hypnotic Cinema, the strand’s titles chosen for the singular experiment are Apichatpong Weerasethakul’s 2021 Cannes Jury Prize winner “Memoria,” starring Tilda Swinton; “Land of Dreams,” from Iran’s Venice Silver Lion winners Shirin Neshat and Shoja Azari (“Women Without Men”) starring Sheila Vand, Matt Dillon and Isabella Rossellini; and Danish director Christian Tafdrup’s “Speak No Evil,” slated to world premiere at this month’s Sundance Festival.
Before each film, a hypnotist will perform a mass hypnosis from the main stage at the Stora Teatern in Göteborg, the festival announced Tuesday. Transforming the audience’s state of mind in accordance with the mood and theme of the film,...
Dubbed The Hypnotic Cinema, the strand’s titles chosen for the singular experiment are Apichatpong Weerasethakul’s 2021 Cannes Jury Prize winner “Memoria,” starring Tilda Swinton; “Land of Dreams,” from Iran’s Venice Silver Lion winners Shirin Neshat and Shoja Azari (“Women Without Men”) starring Sheila Vand, Matt Dillon and Isabella Rossellini; and Danish director Christian Tafdrup’s “Speak No Evil,” slated to world premiere at this month’s Sundance Festival.
Before each film, a hypnotist will perform a mass hypnosis from the main stage at the Stora Teatern in Göteborg, the festival announced Tuesday. Transforming the audience’s state of mind in accordance with the mood and theme of the film,...
- 1/4/2022
- by John Hopewell
- Variety Film + TV
Hamaguchi Ryusuke’s “Drive My Car,” Japan’s entry to the Academy Awards’ international category, looks to be the odds on favorite from Asia to win the category.
The drama with a theater world backdrop follows the trajectory of South Korean four-statuette winner “Parasite” in that it began its winning ways at Cannes and is festooned with awards en route to the Oscars. “Parasite” won the Palme d’Or, which “Drive My Car” did not, with that honor this year going to Julia Ducournau’s “Titane,” which became France’s entry to the category. It also recently won at the New York Film Critics Circle.
Nevertheless, “Drive My Car” won three awards at Cannes and has the added advantage of U.S. distribution, where it is currently on theatrical release.
The 2008 win for Takita Yojiro’s “Departures” remains Japan’s only win since the category was made competitive in 1956.
While...
The drama with a theater world backdrop follows the trajectory of South Korean four-statuette winner “Parasite” in that it began its winning ways at Cannes and is festooned with awards en route to the Oscars. “Parasite” won the Palme d’Or, which “Drive My Car” did not, with that honor this year going to Julia Ducournau’s “Titane,” which became France’s entry to the category. It also recently won at the New York Film Critics Circle.
Nevertheless, “Drive My Car” won three awards at Cannes and has the added advantage of U.S. distribution, where it is currently on theatrical release.
The 2008 win for Takita Yojiro’s “Departures” remains Japan’s only win since the category was made competitive in 1956.
While...
- 12/12/2021
- by Naman Ramachandran
- Variety Film + TV
After going dark for the first time in more than half a century, the return of the Cannes Film Festival proves one major point: the event is still a significant launch pad when it comes to the International Feature Film Oscars. Indeed, of the 90-plus submissions recorded so far this year, nearly a quarter made their debut on the Croisette, be it in Competition, Un Certain Regard, Directors’ Fortnight or Critics’ Week. It’s perhaps to be expected—since the Academy first introduced the category in 1956, foreign-language auteur works have dominated more commercial fare—but the skew towards Cannes is telling. Other festivals have their place—notably Berlin and Venice, with Sundance emerging this year as an unexpected new contender—but, as a rough guide, Cannes has physically premiered six of the last 10 winners and presented last year’s victor, Thomas Vinterberg’s Another Round (Denmark) under the umbrella of its virtual 2020 label.
- 12/10/2021
- by Damon Wise
- Deadline Film + TV
by Nathaniel R
Alyssia Chia and Gingle Wang arrive for "The Falls" -- will we also see them at the Oscars?
Chung Mong-hong's mother/daughter drama The Falls, which revolves around Covid-19 and mental illness, and is Taiwan's submission to the Oscars this year took home the top prize at the 58th annual Golden Horse Awards. But it was no sweeper. Chung Mong-hong, who had previously dominated the Golden Horse Awards just two seasons ago with A Sun (which went on to make Oscar's international finalist list), lost best director. Overall the wealth was spread with all of the Best Film nominees taking home statues. Chang Chen's latest star vehicle The Soul (streaming on Netflix) picked up four of them, tying The Falls haul.
The complete list of winners and gifs and photos from the event are after the jump...
Alyssia Chia and Gingle Wang arrive for "The Falls" -- will we also see them at the Oscars?
Chung Mong-hong's mother/daughter drama The Falls, which revolves around Covid-19 and mental illness, and is Taiwan's submission to the Oscars this year took home the top prize at the 58th annual Golden Horse Awards. But it was no sweeper. Chung Mong-hong, who had previously dominated the Golden Horse Awards just two seasons ago with A Sun (which went on to make Oscar's international finalist list), lost best director. Overall the wealth was spread with all of the Best Film nominees taking home statues. Chang Chen's latest star vehicle The Soul (streaming on Netflix) picked up four of them, tying The Falls haul.
The complete list of winners and gifs and photos from the event are after the jump...
- 11/29/2021
- by NATHANIEL R
- FilmExperience
American Girl took five prizes including best new director and best new performer.
Chung Mong-hong’s The Falls won best narrative feature and three other prizes at Taiwan’s Golden Horse Awards on Saturday night (November 27), while Kiwi Chow’s Revolution Of Our Times took best documentary feature.
Selected as Taiwan’s submission for best international feature at the Oscars, The Falls also won awards for best leading actress (Alyssa Chia), best original screenplay (Chung and Chang Yaosheng) and best original score (Lu Luming). The film received its world premiere at this year’s Venice film festival.
Revolution Of Our Times,...
Chung Mong-hong’s The Falls won best narrative feature and three other prizes at Taiwan’s Golden Horse Awards on Saturday night (November 27), while Kiwi Chow’s Revolution Of Our Times took best documentary feature.
Selected as Taiwan’s submission for best international feature at the Oscars, The Falls also won awards for best leading actress (Alyssa Chia), best original screenplay (Chung and Chang Yaosheng) and best original score (Lu Luming). The film received its world premiere at this year’s Venice film festival.
Revolution Of Our Times,...
- 11/29/2021
- by Liz Shackleton
- ScreenDaily
Every year since its creation in 1956, the Academy of Motion Picture Arts and Sciences (AMPAS) invites the film industries of various countries to submit their best film for the Academy Award for Best International Feature Film. The award is presented annually by the Academy to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue and that was released theatrically in their respective countries between 1 January 2021 and 31 December 2021. The shortlist of fifteen finalists is scheduled to be announced on 21 December 2021. The final five nominees are scheduled to be announced on 8 February 2022.
Here are the Asian Submissions for Best International Feature Film. There are some excellent movies in this bunch and we have seen and reviewed already some of them.
Armenia
“Should the Wind Drop” by Nora Martirosyan
Azerbaijan
“The Island Within” by Ru Hasanov
Bangladesh
“Rehana” by Abdullah Mohammad Saad
Bhutan
“Lunana: A Yak in the Classroom...
Here are the Asian Submissions for Best International Feature Film. There are some excellent movies in this bunch and we have seen and reviewed already some of them.
Armenia
“Should the Wind Drop” by Nora Martirosyan
Azerbaijan
“The Island Within” by Ru Hasanov
Bangladesh
“Rehana” by Abdullah Mohammad Saad
Bhutan
“Lunana: A Yak in the Classroom...
- 11/28/2021
- by Adriana Rosati
- AsianMoviePulse
“The Falls,” Taiwan’s Oscar contender and a timely drama about the trauma of home quarantine, emerged as the unsurprising winner at the Golden Horse Film Awards in Taipei on Saturday.
And, in a bold decision that has the potential to enrage Mainland Chinese authorities, the prize for best documentary feature was awarded to “Revolution of Our Times.” The film chronicles the brutality of the political crackdown on the streets of Hong Kong in 2019 and 2020.
“The Falls,” which debuted at the Venice Film Festival in September, tells the tale of a mother and daughter cooped up in an apartment during a quarantine. It is directed by Chung Mong-hong, who previously directed “Parking” and “A Sun.”
At the award ceremony “The Falls” earned four prizes, including best narrative feature, best original screenplay, best actress and best original score.
The Golden Horse Film Awards are in their 58th edition and for many...
And, in a bold decision that has the potential to enrage Mainland Chinese authorities, the prize for best documentary feature was awarded to “Revolution of Our Times.” The film chronicles the brutality of the political crackdown on the streets of Hong Kong in 2019 and 2020.
“The Falls,” which debuted at the Venice Film Festival in September, tells the tale of a mother and daughter cooped up in an apartment during a quarantine. It is directed by Chung Mong-hong, who previously directed “Parking” and “A Sun.”
At the award ceremony “The Falls” earned four prizes, including best narrative feature, best original screenplay, best actress and best original score.
The Golden Horse Film Awards are in their 58th edition and for many...
- 11/28/2021
- by Patrick Frater
- Variety Film + TV
Film scholar and former director of Taiwan’s Film Archive Huang Jianye is set to chair the jury for the 58th iteration of the Taipei-based Golden Horse Awards, the festival said Wednesday.
The awards are now heading into the third year without participants from China after a controversial awards speech in 2018 included mentions of Taiwanese independence. The comments led Beijing to order its citizens to make a hasty retreat that year and impose a ban on attending what had once been known as the Oscars of Asia.
Without China’s presence, the Golden Horse Awards have shrunk in scope, but are still soldiering on. Festival screenings are set to begin Nov. 11 ahead of the awards ceremony on Nov. 27 in Taipei.
Joining Huang on the jury this year will be Japanese producer Osaka Fumiko, a frequent collaborator of Hou Hsiao-hsien and Jia Zhangke; producer Lee Lieh; director Chen Yu-Hsun (“My Missing Valentine...
The awards are now heading into the third year without participants from China after a controversial awards speech in 2018 included mentions of Taiwanese independence. The comments led Beijing to order its citizens to make a hasty retreat that year and impose a ban on attending what had once been known as the Oscars of Asia.
Without China’s presence, the Golden Horse Awards have shrunk in scope, but are still soldiering on. Festival screenings are set to begin Nov. 11 ahead of the awards ceremony on Nov. 27 in Taipei.
Joining Huang on the jury this year will be Japanese producer Osaka Fumiko, a frequent collaborator of Hou Hsiao-hsien and Jia Zhangke; producer Lee Lieh; director Chen Yu-Hsun (“My Missing Valentine...
- 11/3/2021
- by Rebecca Davis
- Variety Film + TV
Hamaguchi Ryusuke’s “Drive My Car” and Asghar Farhadi’s “A Hero,” two films that debuted in Cannes, emerge as the strong favorites for the Asia Pacific Screen Awards, after nominations were announced on Wednesday.
Both films are nominated for best film, best directing, best screenplay and best performance by an actor.
The best film category is rounded out by nominations for India-France co-production “A Night of Knowing Nothing,” directed by India’s Payal Kapadia; “The Pencil” from Russia’s Natalya Nazarova; and “There is No Evil,” an Iran-Czech-Germany co-production directed by Mohammad Rasoulof that won the Golden Bear in Berlin.
Organizers said that nominations had gone to 38 films from 25 Asia Pacific countries and regions. Films from Japan and Iran each collected seven nominations. And, after 14 years, a representative from Vietnam collected the country’s first Apsa nomination.
But the Apsa nominations represented a complete shut-out for both mainland China and Taiwan.
Both films are nominated for best film, best directing, best screenplay and best performance by an actor.
The best film category is rounded out by nominations for India-France co-production “A Night of Knowing Nothing,” directed by India’s Payal Kapadia; “The Pencil” from Russia’s Natalya Nazarova; and “There is No Evil,” an Iran-Czech-Germany co-production directed by Mohammad Rasoulof that won the Golden Bear in Berlin.
Organizers said that nominations had gone to 38 films from 25 Asia Pacific countries and regions. Films from Japan and Iran each collected seven nominations. And, after 14 years, a representative from Vietnam collected the country’s first Apsa nomination.
But the Apsa nominations represented a complete shut-out for both mainland China and Taiwan.
- 10/12/2021
- by Patrick Frater
- Variety Film + TV
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