For the fifth year in a row, October gets a little creepier and scarier when the Spooky Movie Film Festival rolls into the Washington, D.C. area on Oct. 21-25 for six terrifying nights of of feature films and shorts.
Every year, Spooky Movie redefines the very definition of “horror” by presenting an absolutely unique selection films from all over the world. This year the bloody offerings range from backwoods horror comedies to documentaries to Norwegian and British zombie flicks to Australian monster movies and more.
Most exciting, however, is the return of the father of the splatter movie himself: Herschell Gordon Lewis, who will be screening his latest gore extravaganza, the diabolical The Uh-Oh Show!. This is Lewis’ first gross-out flick in seven years and is an unholy combination of blood, social satire and fairy tales. Bad Lit’s seen it and thinks it’s a real hoot and a holler.
Every year, Spooky Movie redefines the very definition of “horror” by presenting an absolutely unique selection films from all over the world. This year the bloody offerings range from backwoods horror comedies to documentaries to Norwegian and British zombie flicks to Australian monster movies and more.
Most exciting, however, is the return of the father of the splatter movie himself: Herschell Gordon Lewis, who will be screening his latest gore extravaganza, the diabolical The Uh-Oh Show!. This is Lewis’ first gross-out flick in seven years and is an unholy combination of blood, social satire and fairy tales. Bad Lit’s seen it and thinks it’s a real hoot and a holler.
- 10/14/2010
- by Mike Everleth
- Underground Film Journal
The short film Yellow Plastic Raygun directed by Alessandro Cima, which was featured on Bad Lit just a few weeks ago, has won the Best Experimental film award at the Downtown Film Fest Los Angeles that ran Sept. 8-12.
I believe this was the second year for the festival, which was created by the former organizers of the defunct Silver Lake Film Festival in an effort to help promote the formerly neglected, but now popular downtown neighborhood of L.A.
Yellow Plastic Raygun is a mix of found and original footage that creates a retro-futuristic tale of society crumbling. The film also ends with creative shots of the World Trade Center that Cima filmed himself several years ago prior to 9/11. You can watch the film on Bad Lit here.
Another winner of the Dffla include the Matt Harlock and Bill Thomas’ documentary American: The Bill Hicks Story, which also screened Australia twice recently,...
I believe this was the second year for the festival, which was created by the former organizers of the defunct Silver Lake Film Festival in an effort to help promote the formerly neglected, but now popular downtown neighborhood of L.A.
Yellow Plastic Raygun is a mix of found and original footage that creates a retro-futuristic tale of society crumbling. The film also ends with creative shots of the World Trade Center that Cima filmed himself several years ago prior to 9/11. You can watch the film on Bad Lit here.
Another winner of the Dffla include the Matt Harlock and Bill Thomas’ documentary American: The Bill Hicks Story, which also screened Australia twice recently,...
- 9/17/2010
- by Mike Everleth
- Underground Film Journal
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