Tunisian Youssef Chebbi’s “Plague,” Moroccan Adnane Baraka’s “We Don’t Forget” and Meryam Joobeur’s “Motherhood” feature among buzz titles at this year’s Marrakech Festival Atlas Workshops, which will have Martin Scorsese as their official patron.
Consolidated as a key platform for Moroccan, Arab and African projects and pix in production made by a new generation of filmmakers and created by Marrakech Festival artistic director Remi Bonhomme, the Atlas Workshops unspool Nov. 27-30. They take place alongside the 20th edition of the Marrakech International Film Festival, which runs from Nov. 24-Dec. 2.
In a definite potential highlight of the Atlas Workshops, Meryjam Joubeur, whose “Brotherhood” was Oscar nominated for best live action short, will present 10 minutes of “Motherhood,” one of the awaited feature debuts of 2023. It is sure to spark major festival interest.
“Plague” marks Chebbi’s second feature after acclaimed Cannes Directors’ Fortnight genre blender “Ashkal: The Tunisian Investigation,...
Consolidated as a key platform for Moroccan, Arab and African projects and pix in production made by a new generation of filmmakers and created by Marrakech Festival artistic director Remi Bonhomme, the Atlas Workshops unspool Nov. 27-30. They take place alongside the 20th edition of the Marrakech International Film Festival, which runs from Nov. 24-Dec. 2.
In a definite potential highlight of the Atlas Workshops, Meryjam Joubeur, whose “Brotherhood” was Oscar nominated for best live action short, will present 10 minutes of “Motherhood,” one of the awaited feature debuts of 2023. It is sure to spark major festival interest.
“Plague” marks Chebbi’s second feature after acclaimed Cannes Directors’ Fortnight genre blender “Ashkal: The Tunisian Investigation,...
- 11/3/2023
- by John Hopewell
- Variety Film + TV
Projects come from 11 different countries across the Arab world and African continent.
The Atlas Workshops, the industry platform of the Marrakech International Film Festival, has unveiled 25 projects for its sixth edition, which runs from November 27-30.
Atlas Workshops has lined up 16 projects in development and nine films in production or post-production from 11 countries across the Arab world and African continent.
The line-up includes projects from Tunisian directors Youssef Chebbi and Erige Sehiri. Chebbi’s feature Ashkal played in Directors’ Fortnight at Cannes last year, as did Sehiri’s Under The Fig Trees.
Also coming to The Atlas Workshops is Somalia...
The Atlas Workshops, the industry platform of the Marrakech International Film Festival, has unveiled 25 projects for its sixth edition, which runs from November 27-30.
Atlas Workshops has lined up 16 projects in development and nine films in production or post-production from 11 countries across the Arab world and African continent.
The line-up includes projects from Tunisian directors Youssef Chebbi and Erige Sehiri. Chebbi’s feature Ashkal played in Directors’ Fortnight at Cannes last year, as did Sehiri’s Under The Fig Trees.
Also coming to The Atlas Workshops is Somalia...
- 11/3/2023
- by Tim Dams
- ScreenDaily
The Marrakech International Film Festival has unveiled the 25 projects selected for the sixth edition of its industry-focused Atlas Workshops, aimed at nurturing emerging Moroccan, Arab and African talent.
Running from November 27 to 30, the event will present 16 projects in development and nine films in production or post-production from 11 countries, selected from among the 320 applications received from the Arab world and African continent.
In a reflection of the growing diversity of the stories being told by Arab and African independent filmmakers, the selection spans a diverse range of film genres, from Lebanese director Sandra Tabet’s horror picture Rabies to Moroccan filmmaker Hind Bensari’s humanist documentary Out of School and Adnane Baraka’s poetic work We Don’t Forget.
Moroccan filmmaker Baraka made waves with his documentary Fragments from Heaven, about a nomad living in a tent in a remote part of Morocco who goes in search of meteorite fragments to boost the family fortunes.
Running from November 27 to 30, the event will present 16 projects in development and nine films in production or post-production from 11 countries, selected from among the 320 applications received from the Arab world and African continent.
In a reflection of the growing diversity of the stories being told by Arab and African independent filmmakers, the selection spans a diverse range of film genres, from Lebanese director Sandra Tabet’s horror picture Rabies to Moroccan filmmaker Hind Bensari’s humanist documentary Out of School and Adnane Baraka’s poetic work We Don’t Forget.
Moroccan filmmaker Baraka made waves with his documentary Fragments from Heaven, about a nomad living in a tent in a remote part of Morocco who goes in search of meteorite fragments to boost the family fortunes.
- 11/3/2023
- by Melanie Goodfellow
- Deadline Film + TV
Feature will open theatrically at New York’s Film Forum on December 8.
Film Movement has acquired all North American rights to Total Trust, Zhang Jialing’s Cph-dox, Hot Docs and Sheffield selection about the Chinese surveillance state.
Total Trust’: Cph:dox Review
The distributor has set a December 8 theatrical release at New York’s Film Forum followed by home entertainment and digital platforms after president Michael Rosenberg negotiated the deal with Cinephil MD Olivier Tournaud.
Total Trust follows three women fighting for civil liberties and social justice in a country which uses high tech security and surveillance technology to monitor...
Film Movement has acquired all North American rights to Total Trust, Zhang Jialing’s Cph-dox, Hot Docs and Sheffield selection about the Chinese surveillance state.
Total Trust’: Cph:dox Review
The distributor has set a December 8 theatrical release at New York’s Film Forum followed by home entertainment and digital platforms after president Michael Rosenberg negotiated the deal with Cinephil MD Olivier Tournaud.
Total Trust follows three women fighting for civil liberties and social justice in a country which uses high tech security and surveillance technology to monitor...
- 10/20/2023
- by Jeremy Kay
- ScreenDaily
Feature will open theatrically at New York’s Film Forum on December 8.
Film Movement has acquired all North American rights to Total Trust, Zhang Jialing’s Cph:dox, Hot Docs and Sheffield selection about the Chinese surveillance state.
Total Trust’: Cph:dox Review
The distributor has set a December 8 theatrical release at New York’s Film Forum followed by home entertainment and digital platforms. Film Movement president Michael Rosenberg and Cinephil MD Olivier Tournaud announced the deal on Friday.
Total Trust follows three women fighting for civil liberties and social justice in a country which uses high tech security and surveillance...
Film Movement has acquired all North American rights to Total Trust, Zhang Jialing’s Cph:dox, Hot Docs and Sheffield selection about the Chinese surveillance state.
Total Trust’: Cph:dox Review
The distributor has set a December 8 theatrical release at New York’s Film Forum followed by home entertainment and digital platforms. Film Movement president Michael Rosenberg and Cinephil MD Olivier Tournaud announced the deal on Friday.
Total Trust follows three women fighting for civil liberties and social justice in a country which uses high tech security and surveillance...
- 10/20/2023
- by Jeremy Kay
- ScreenDaily
"You'd better not let him catch you." Film Movement has revealed an official US trailer for a Tunisian indie drama titled Under the Fig Trees, made by documentary filmmaker Erige Sehiri as her first narrative feature. This initially premiered way back during the 2021 Venice Film Festival, and it is finally getting a proper art house release in the US this fall. It also toured to other fests, including at the Munich, Melbourne, Reykjavik, London, and Toronto Film Festivals in 2022. Set over the course of a single day, and with a cast made up of an ensemble of non-professional actors, Under the Fig Trees is "an elegant, understated tapestry of complex interactions" and "pleasurable, immersive experience" that ultimately reveals the ways in which sisterhood itself becomes an act of resistance. The film stars Fide Fdhili, Feten Fdhili, Ameni Fdhili, Samar Sifi, and Leila Ouhebi. The country of Tunisia...
- 10/15/2023
- by Alex Billington
- firstshowing.net
A selection at Cannes Film Festival’s Directors’ Fortnight sidebar, Erige Sehiri’s drama Under the Fig Trees would go on to be selected as Tunisia’s Oscar entry and now is finally getting a U.S. release starting this month courtesy of Film Movement Classics. Set over the course of a single day, and with a cast made up of an intergenerational ensemble of non-professional actors, the film ultimately reveals the ways in which sisterhood itself becomes an act of resistance. Ahead of the October 20 theatrical release, we’re pleased to exclusively premiere the new trailer.
Here’s the synopsis: “On a hot summer day, a crew of workers – men and women, young and old – arrive at dawn at a picturesque fig orchard in northwest Tunisia. We eavesdrop, through the sun-dappled leaves of the fig trees, on the young women stealing away precious moments from the foreman’s watchful gaze.
Here’s the synopsis: “On a hot summer day, a crew of workers – men and women, young and old – arrive at dawn at a picturesque fig orchard in northwest Tunisia. We eavesdrop, through the sun-dappled leaves of the fig trees, on the young women stealing away precious moments from the foreman’s watchful gaze.
- 10/11/2023
- by Leonard Pearce
- The Film Stage
Fifth-generation Chinese filmmaker Chen Kaige’s “Farewell My Concubine” wowed the Cannes jury under president Louis Malle in 1993 — all the way to a Palme d’Or win. But by the time the three-hour epic set in the world of the Peking Opera reached U.S. theaters that year, Miramax’s Harvey Weinstein had cut 20 minutes from the movie that left even Malle puzzled. According to Peter Biskind‘s influential “Down and Dirty Pictures,” Malle said the new version seemed “longer because it doesn’t make any sense. It was better before those guys made cuts.”
At last, “Farewell My Concubine,” the only Chinese-language film ever to win the Palme, is now being returned to theaters in its full 171-minute glory, courtesy of Film Movement Classics. IndieWire exclusively announces that the distributor will release a newly restored 4K version in North American theaters beginning September 22 at Film Forum in New York City.
At last, “Farewell My Concubine,” the only Chinese-language film ever to win the Palme, is now being returned to theaters in its full 171-minute glory, courtesy of Film Movement Classics. IndieWire exclusively announces that the distributor will release a newly restored 4K version in North American theaters beginning September 22 at Film Forum in New York City.
- 8/3/2023
- by Ryan Lattanzio
- Indiewire
The pair join jury president French actor Lambert Wilson in the international competition strand
Aftersun director Charlotte Wells and Holy Spider star Zar Amir Ebrahimi are among the jurors for the 76th Locarno Film Festival (August 2-12).
The Scottish filmmaker and Iranian actor will sit on the international competition jury, led by French actor Lambert Wilson, alongside European Film Academy president Matthijs Wouter Knol and Lesli Klainberg, president of film at the Lincoln Centre.
Films competing at Locarno this year include Radu Jude’s Do Not Expect Too Much From The End Of The World, Lav Diaz’s Essential Truths...
Aftersun director Charlotte Wells and Holy Spider star Zar Amir Ebrahimi are among the jurors for the 76th Locarno Film Festival (August 2-12).
The Scottish filmmaker and Iranian actor will sit on the international competition jury, led by French actor Lambert Wilson, alongside European Film Academy president Matthijs Wouter Knol and Lesli Klainberg, president of film at the Lincoln Centre.
Films competing at Locarno this year include Radu Jude’s Do Not Expect Too Much From The End Of The World, Lav Diaz’s Essential Truths...
- 7/12/2023
- by Ellie Calnan
- ScreenDaily
Aftersun director Charlotte Wells and Holy Spider star Zar Amir Ebrahimi have joined the jury of the 76th Locarno International Film Festival and will judge the 2023 competitors for the festival’s Golden Leopard award. Ebrahimi also stars in Noora Niasari’s Sundance audience award winner Shayda, which will be the closing film in Locarno this year.
French actor Lambert Wilson, known for his performances in the Matrix films, will head up this year’s Locarno international jury as president. Also in the 2023 jury are European Film Academy director and CEO Matthijs Wouter Knol and Lesli Klainberg, President of Film at New York’s Lincoln Center.
The films of Locarno’s Concorso Cineasti del presente sidebar, featuring works from first and second-time directors will be assessed by a three-person jury of Beatrice Fiorentino, general delegate of Film Critics’ Week at the Venice Film Festival, the French-Tunisian director Erige Sehiri (Under the Fig Trees...
French actor Lambert Wilson, known for his performances in the Matrix films, will head up this year’s Locarno international jury as president. Also in the 2023 jury are European Film Academy director and CEO Matthijs Wouter Knol and Lesli Klainberg, President of Film at New York’s Lincoln Center.
The films of Locarno’s Concorso Cineasti del presente sidebar, featuring works from first and second-time directors will be assessed by a three-person jury of Beatrice Fiorentino, general delegate of Film Critics’ Week at the Venice Film Festival, the French-Tunisian director Erige Sehiri (Under the Fig Trees...
- 7/12/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
4Dplex Experiences Added In Cambodia, Thailand
Korean tech firm Cj 4Dplex has struck a deal with Thailand’s Major Cineplex to add two ScreenX locations in Cambodia and Thailand. One will be located at the Aeon Mall Mean Chey, have almost 500 seats and have a 75-foot-wide central screen, making it the largest ScreenX auditorium in Southeast Asia. The other will be at Bangkok’s ICONSiam Mall location, debuting on July 27.
ScreenX is a multi-projection system with an immersive 270-degree field of view. That creates a virtual reality-like setting with cinema quality resolution. Major’s first ScreenX launched in 2022 at its Siam Paragon location in central Bangkok.
“We’ve received amazing reactions and feedback from our moviegoers for ScreenX in Thailand and expect to generate the same response at our Cambodia location,” said Vicha Poolvaraluk, CEO, Major Cineplex.
The two companies previously partnered on 4Dx installations, where viewers experience motion, vibration,...
Korean tech firm Cj 4Dplex has struck a deal with Thailand’s Major Cineplex to add two ScreenX locations in Cambodia and Thailand. One will be located at the Aeon Mall Mean Chey, have almost 500 seats and have a 75-foot-wide central screen, making it the largest ScreenX auditorium in Southeast Asia. The other will be at Bangkok’s ICONSiam Mall location, debuting on July 27.
ScreenX is a multi-projection system with an immersive 270-degree field of view. That creates a virtual reality-like setting with cinema quality resolution. Major’s first ScreenX launched in 2022 at its Siam Paragon location in central Bangkok.
“We’ve received amazing reactions and feedback from our moviegoers for ScreenX in Thailand and expect to generate the same response at our Cambodia location,” said Vicha Poolvaraluk, CEO, Major Cineplex.
The two companies previously partnered on 4Dx installations, where viewers experience motion, vibration,...
- 7/3/2023
- by Patrick Frater
- Variety Film + TV
Here’s the latest episode of the The Filmmakers Podcast, part of the ever-growing podcast roster here on Nerdly. If you haven’t heard the show yet, you can check out previous episodes on the official podcast site, whilst we’ll be featuring each and every new episode as it premieres.
For those unfamiliar with the series, The Filmmakers Podcast is a podcast about how to make films from micro budget indie films to bigger budget studio films and everything in-between. Our hosts Giles Alderson, Dan Richardson, Andrew Rodger and Cristian James talk how to get films made, how to actually make them and how to try not to f… it up in their very humble opinion. Guests will come on and chat about their film making experiences from directors, writers, producers, screenwriters, actors, cinematographers and distributors.
The Filmmaker’s Podcast #340: How to make festival films, raise finance and...
For those unfamiliar with the series, The Filmmakers Podcast is a podcast about how to make films from micro budget indie films to bigger budget studio films and everything in-between. Our hosts Giles Alderson, Dan Richardson, Andrew Rodger and Cristian James talk how to get films made, how to actually make them and how to try not to f… it up in their very humble opinion. Guests will come on and chat about their film making experiences from directors, writers, producers, screenwriters, actors, cinematographers and distributors.
The Filmmaker’s Podcast #340: How to make festival films, raise finance and...
- 5/29/2023
- by Phil Wheat
- Nerdly
Morocco’s ‘The Blue Caftan’ wins a hat-trick of awards.
Iraq director Ahmed Yassin Al Daradji’s Hanging Gardens has been named best film at the 7th Critics Awards for Arab Films, which will celebrate its winners in Cannes today.
Al Daradji’s directorial feature debut premiered at Venice and went on to win best film at the Red Sea International Film Festival in December. The film follows a 12-year-old boy living as a rubbish picker in the dumps of Baghdad, nicknamed the ‘hanging gardens’, who finds a discarded US sex doll. True Colours handles sales.
This year’s edition of the awards,...
Iraq director Ahmed Yassin Al Daradji’s Hanging Gardens has been named best film at the 7th Critics Awards for Arab Films, which will celebrate its winners in Cannes today.
Al Daradji’s directorial feature debut premiered at Venice and went on to win best film at the Red Sea International Film Festival in December. The film follows a 12-year-old boy living as a rubbish picker in the dumps of Baghdad, nicknamed the ‘hanging gardens’, who finds a discarded US sex doll. True Colours handles sales.
This year’s edition of the awards,...
- 5/20/2023
- by Michael Rosser
- ScreenDaily
‘Are You There God? It’s Me, Margaret’ and ‘Beau Is Afraid’ both opening.
Universal’s high-octane Fast X is the leading opener at the UK-Ireland box office this weekend, starting in 653 cinemas – more than any previous title in the Fast And Furious franchise.
Directed by Louis Leterrier, Fast X sees Vin Diesel’s Dom Toretto and his family targeted by the vengeful son of drug kingpin Hernan Reyes.
The previous widest opening for a Fast And Furious film was 2019’s Fast & Furious: Hobbs & Shaw – a spin-off to the main franchise - which started in 618 sites with £6.4m, ending on £20.7m.
Universal’s high-octane Fast X is the leading opener at the UK-Ireland box office this weekend, starting in 653 cinemas – more than any previous title in the Fast And Furious franchise.
Directed by Louis Leterrier, Fast X sees Vin Diesel’s Dom Toretto and his family targeted by the vengeful son of drug kingpin Hernan Reyes.
The previous widest opening for a Fast And Furious film was 2019’s Fast & Furious: Hobbs & Shaw – a spin-off to the main franchise - which started in 618 sites with £6.4m, ending on £20.7m.
- 5/19/2023
- by Ben Dalton
- ScreenDaily
Disney’s “Guardians Of The Galaxy Vol. 3” stayed atop the U.K. and Ireland box office for a second consecutive weekend with £5.4 million ($6.6 million) for a total of £23.9 million, per figures from Comscore.
In second place, in its sixth weekend, Universal’s “The Super Mario Bros. Movie” collected £858,444 for a total of £51 million.
There were two debuts in the top five. Sony’s “Love Again” bowed in third place with £340,785 and Universal’s “Book Club: The Next Chapter” in fourth with £299,370. Rounding off the top five was Studiocanal’s “Evil Dead Rise,” which earned £258,417 in its fourth weekend for a total of £5 million.
The other debut in the top 10 was one-off “Eurovision – Grand Final Live (2023)” from CineLive that took in £237,787.
Mubi’s “Return to Seoul” earned £37,070 over its second weekend and now has a total of £186,438.
The big release this upcoming weekend is potential summer blockbuster “Fast X,” starring Vin Diesel,...
In second place, in its sixth weekend, Universal’s “The Super Mario Bros. Movie” collected £858,444 for a total of £51 million.
There were two debuts in the top five. Sony’s “Love Again” bowed in third place with £340,785 and Universal’s “Book Club: The Next Chapter” in fourth with £299,370. Rounding off the top five was Studiocanal’s “Evil Dead Rise,” which earned £258,417 in its fourth weekend for a total of £5 million.
The other debut in the top 10 was one-off “Eurovision – Grand Final Live (2023)” from CineLive that took in £237,787.
Mubi’s “Return to Seoul” earned £37,070 over its second weekend and now has a total of £186,438.
The big release this upcoming weekend is potential summer blockbuster “Fast X,” starring Vin Diesel,...
- 5/16/2023
- by Naman Ramachandran
- Variety Film + TV
The Blue Caftan by Moroccan director and Cannes 2023 Jury member Maryam Touzani has topped the nominations in the seventh edition of the Critics Awards for Arab Films.
The portrait of marriage and stifled sexuality, starring Saleh Bakri and Lubna Azabal has been nominated in seven categories including best film, actor, actress, director, screenplay, cinematography and music.
The film world premiered in Cannes Un Certain Regard in 2022 and went on to be Morocco’s best international film submission for the 2023 Academy Awards making it as far as the first long list.
The Critics Awards for Arab Films are overseen by the Arab Cinema Centre and judged by 193 critics from 72 countries. The winners will be announced at a ceremony during Cannes.
To qualify for consideration, films need to have premiered at international film festivals outside of the Arab world in 2022; involve at least one Arab world production company, and be feature-length.
Other...
The portrait of marriage and stifled sexuality, starring Saleh Bakri and Lubna Azabal has been nominated in seven categories including best film, actor, actress, director, screenplay, cinematography and music.
The film world premiered in Cannes Un Certain Regard in 2022 and went on to be Morocco’s best international film submission for the 2023 Academy Awards making it as far as the first long list.
The Critics Awards for Arab Films are overseen by the Arab Cinema Centre and judged by 193 critics from 72 countries. The winners will be announced at a ceremony during Cannes.
To qualify for consideration, films need to have premiered at international film festivals outside of the Arab world in 2022; involve at least one Arab world production company, and be feature-length.
Other...
- 5/12/2023
- by Melanie Goodfellow
- Deadline Film + TV
Three categories have been added to this year’s awards.
Moroccan filmmaker Maryam Touzani’s The Blue Caftan leads the nominations in the 7th Critics Awards for Arab Films, which has added categories for best editing, cinematography and music.
The Arabic-language drama, in which a woman and her closeted gay husband hire a young apprentice at their caftan store, secured seven nominations – every category except editing and documentary. The film premiered in Un Certain Regard at Cannes last year and was Morocco’s submission for the international feature film Oscar, making the shortlist but not final nominations.
A strong showing...
Moroccan filmmaker Maryam Touzani’s The Blue Caftan leads the nominations in the 7th Critics Awards for Arab Films, which has added categories for best editing, cinematography and music.
The Arabic-language drama, in which a woman and her closeted gay husband hire a young apprentice at their caftan store, secured seven nominations – every category except editing and documentary. The film premiered in Un Certain Regard at Cannes last year and was Morocco’s submission for the international feature film Oscar, making the shortlist but not final nominations.
A strong showing...
- 5/12/2023
- by Michael Rosser
- ScreenDaily
Film Movement has acquired North American rights to Spanish writer-director Estibaliz Urresola Solaguren’s “20,000 Species of Bees,” a tender drama about growing up trans that recently won a Berlin Film Festival Silver Bear.
The New York-based distributor is planning to roll out this topical title — in which the child protagonist explores her gender identity — in U.S. theaters in late 2023, followed by a wide release on all leading home entertainment and digital platforms.
The announcement was made by Film Movement president Michael Rosenberg and Jennyfer Gautier, the head of international sales of Paris-based distributor Luxbox.
In the Spanish-language drama, 8-year-old Aitor, who is nicknamed Cocó, travels with her mother Ane and two older siblings to visit their grandmother in a sleepy village in the Basque Country. It’s here, amongst beehives, that Aitor explores her identity alongside the women of her family who, at her request, start to refer to her with male pronouns.
The New York-based distributor is planning to roll out this topical title — in which the child protagonist explores her gender identity — in U.S. theaters in late 2023, followed by a wide release on all leading home entertainment and digital platforms.
The announcement was made by Film Movement president Michael Rosenberg and Jennyfer Gautier, the head of international sales of Paris-based distributor Luxbox.
In the Spanish-language drama, 8-year-old Aitor, who is nicknamed Cocó, travels with her mother Ane and two older siblings to visit their grandmother in a sleepy village in the Basque Country. It’s here, amongst beehives, that Aitor explores her identity alongside the women of her family who, at her request, start to refer to her with male pronouns.
- 5/4/2023
- by Nick Vivarelli
- Variety Film + TV
Returning to Johannesburg cinemas for the first time since the outbreak of the coronavirus pandemic in 2020, the Joburg Film Festival kicked off its 5th edition with a joyful relaunch on Tuesday night, as local luminaries walked a gold carpet in Nelson Mandela Square in honor of the festival’s slogan, “Our Stories. Our Gold,” and the crowd was serenaded with a soaring performance from South African soprano Zandile Mzazi and singer Thandiswa Mazwai.
The event, which runs Jan. 31 – Feb. 5, bowed with the African premiere of “Xalé” (pictured), from veteran Senegalese director Moussa Sène Absa, a story of female subjugation and self-liberation that opened last year’s BFI Film Festival and was the West African nation’s entry in the 2023 international feature film Oscar race.
The festival wraps with “The Umbrella Men,” by local helmer John Barker (“Wonder Boy for President”), a caper comedy about first-time bank robbers pulling a heist...
The event, which runs Jan. 31 – Feb. 5, bowed with the African premiere of “Xalé” (pictured), from veteran Senegalese director Moussa Sène Absa, a story of female subjugation and self-liberation that opened last year’s BFI Film Festival and was the West African nation’s entry in the 2023 international feature film Oscar race.
The festival wraps with “The Umbrella Men,” by local helmer John Barker (“Wonder Boy for President”), a caper comedy about first-time bank robbers pulling a heist...
- 2/1/2023
- by Christopher Vourlias
- Variety Film + TV
Cairo-based film marketing and distribution outfit Mad Solutions has acquired rights for Arab territories to three films that celebrated their premieres this year at the Cannes and Venice film festivals.
The deals include Fyzal Boulifa’s “The Damned Don’t Cry,” which bowed in the Venice Days sidebar at the Italian fest and will have its Middle East and North Africa premiere at Marrakech before traveling to Saudi Arabia’s Red Sea Film Festival. Also acquired was Rachid Hami’s “For My Country,” a Venice Horizons selection that will have its regional premiere at the Cairo Film Festival.
The company also picked up the rights to Clément Cogitore’s “Sons of Ramses,” which had its world premiere in the Cannes Film Festival’s Critics’ Week strand.
“We are delighted to have acquired the distribution rights to three artistically distinguished films in 2022, which is considered the climax of our efforts in...
The deals include Fyzal Boulifa’s “The Damned Don’t Cry,” which bowed in the Venice Days sidebar at the Italian fest and will have its Middle East and North Africa premiere at Marrakech before traveling to Saudi Arabia’s Red Sea Film Festival. Also acquired was Rachid Hami’s “For My Country,” a Venice Horizons selection that will have its regional premiere at the Cairo Film Festival.
The company also picked up the rights to Clément Cogitore’s “Sons of Ramses,” which had its world premiere in the Cannes Film Festival’s Critics’ Week strand.
“We are delighted to have acquired the distribution rights to three artistically distinguished films in 2022, which is considered the climax of our efforts in...
- 11/16/2022
- by Christopher Vourlias
- Variety Film + TV
Festival runs October 12-23.
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
- 9/16/2022
- by Jeremy Kay
- ScreenDaily
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 9/12/2022
- by Screen staff
- ScreenDaily
Exclusive: Tunisia has submitted Erige Sehiri’s bucolic coming-of-age tale Under the Fig Trees, about a group of teenagers working as fig pickers over the summer, as its entry for the Best International Film Oscar.
News of the selection came ahead of the feature’s North American premiere Friday in Toronto’s Contemporary World Cinema program.
The work had its world premiere in Cannes Directors’ Fortnight in May and since has played at a host of festivals including Karlovy Vary, Melbourne and Sarajevo.
Paris-based sales company Luxbox has unveiled a clutch of new deals to coincide with the Oscar announcement.
Fresh sales include to Benelux (Liberation), Portugal (Nitrato), Spain (Atalante), Turkey (Bir Film) and Eastern Europe (HBO), adding to previously announced deals to France (Jour2Fête) and the Middle East (Mad Solutions).
The film marks Sehiri’s debut fiction feature after a number of award-winning medium and long-length documentaries including the 2018 work Railway Men,...
News of the selection came ahead of the feature’s North American premiere Friday in Toronto’s Contemporary World Cinema program.
The work had its world premiere in Cannes Directors’ Fortnight in May and since has played at a host of festivals including Karlovy Vary, Melbourne and Sarajevo.
Paris-based sales company Luxbox has unveiled a clutch of new deals to coincide with the Oscar announcement.
Fresh sales include to Benelux (Liberation), Portugal (Nitrato), Spain (Atalante), Turkey (Bir Film) and Eastern Europe (HBO), adding to previously announced deals to France (Jour2Fête) and the Middle East (Mad Solutions).
The film marks Sehiri’s debut fiction feature after a number of award-winning medium and long-length documentaries including the 2018 work Railway Men,...
- 9/9/2022
- by Melanie Goodfellow
- Deadline Film + TV
Final Cut, a workshop supporting films in post-production from African and Arab countries – launched by the Venice Film Festival’s industry section, Venice Production Bridge – celebrates its 10th anniversary this week.
Its goals have remained the same, however, as it continues to provide emerging filmmakers with concrete assistance as well as visibility, all the while strengthening Venice’s role as “bridge builder,” says Alessandra Speciale, its curator. The final selection features titles made by directors from nine different countries: Algeria, Jordan, Guinea, Egypt, Lebanon, Morocco, Palestine, Central African Republic and Tunisia.
This year, two additional projects were added to the usual six work-in-progress films, thanks to the France in Focus initiative, supported by Unifrance: Karim Bensalah’s debut “Black Light,” sold internationally by The Party Film Sales, and “The Cemetery of Cinema,” directed by Thierno Souleymane Diallo and marking Guinea’s first presence at the workshop.
Diallo, who has been...
Its goals have remained the same, however, as it continues to provide emerging filmmakers with concrete assistance as well as visibility, all the while strengthening Venice’s role as “bridge builder,” says Alessandra Speciale, its curator. The final selection features titles made by directors from nine different countries: Algeria, Jordan, Guinea, Egypt, Lebanon, Morocco, Palestine, Central African Republic and Tunisia.
This year, two additional projects were added to the usual six work-in-progress films, thanks to the France in Focus initiative, supported by Unifrance: Karim Bensalah’s debut “Black Light,” sold internationally by The Party Film Sales, and “The Cemetery of Cinema,” directed by Thierno Souleymane Diallo and marking Guinea’s first presence at the workshop.
Diallo, who has been...
- 9/1/2022
- by Marta Balaga
- Variety Film + TV
The production is Sehiri’s first fiction feature after her 2018 award-winning documentary Railway Men and short work My Father’s Facebook.
Screen can reveal the first trailer for French-Tunisian director Erige Sehiri’s Under The Fig Trees ahead of its world premiere in Cannes Directors’ Fortnight.
The film revolves around young women and men working the summer harvest in rural Tunisia as they develop new feelings, flirt, and try to understand each other.
The production is Sehiri’s first fiction feature after her 2018 award-winning documentary Railway Men and short work My Father’s Facebook.
It is produced by Sehiri’s...
Screen can reveal the first trailer for French-Tunisian director Erige Sehiri’s Under The Fig Trees ahead of its world premiere in Cannes Directors’ Fortnight.
The film revolves around young women and men working the summer harvest in rural Tunisia as they develop new feelings, flirt, and try to understand each other.
The production is Sehiri’s first fiction feature after her 2018 award-winning documentary Railway Men and short work My Father’s Facebook.
It is produced by Sehiri’s...
- 5/16/2022
- by Orlando Parfitt
- ScreenDaily
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