You’d be forgiven for not having seen every Hong Sangsoo movie. The South Korean director, known for films like “On the Beach at Night Alone,” “Claire’s Camera,” and “The Novelist’s Film” has released 29 features, and often more than one in the same year. So was the case for 2023, which saw the festival circuit premieres of “In Water” and “In Our Day.” And as of writing, Hong already has another movie that premiered at the Berlinale, “A Traveller’s Needs.” A new Hong movie is always a pleasure to celebrate, and so IndieWire shares the exclusive trailer for “In Our Day” ahead of the upcoming release from Cinema Guild. Watch below.
Here’s the synopsis for the film:
Sangwon (Kim Minhee), an actress recently returned to South Korea, is temporarily staying with her friend, Jungsoo (Song Sunmi), and her cat, Us. Elsewhere in the city, the aging poet Hong Uiju (Ki Joobong) lives alone,...
Here’s the synopsis for the film:
Sangwon (Kim Minhee), an actress recently returned to South Korea, is temporarily staying with her friend, Jungsoo (Song Sunmi), and her cat, Us. Elsewhere in the city, the aging poet Hong Uiju (Ki Joobong) lives alone,...
- 4/15/2024
- by Ryan Lattanzio
- Indiewire
Dahomey, a documentary from French-Senegalese filmmaker Mati Diop, has won the Golden Bear for best film at the 74th Berlin International Film Festival.
The multifaceted docu-fictional essay explores the return, in November 2021, of plundered royal treasures of the African Kingdom of Dahomey from Paris to the present-day Republic of Benin, examining the complicated response of those in Benin, whose culture has developed for more than a century without these artifacts.
While taking the stage to accept her award, Diop made a direct political statement, calling out, “I stand with Palestine!”
Jury president, the Oscar-winning 12 Years a Slave and Black Panther actor Lupita Nyong’o, announced the Golden Bear winner from the stage of the Berlinale Palast Saturday night. Nyong’o is the first Black and first African to chair the Berlinale jury.
Dahomey is only the second African film to win the top prize at Berlin, following Mark Dornford-May’s...
The multifaceted docu-fictional essay explores the return, in November 2021, of plundered royal treasures of the African Kingdom of Dahomey from Paris to the present-day Republic of Benin, examining the complicated response of those in Benin, whose culture has developed for more than a century without these artifacts.
While taking the stage to accept her award, Diop made a direct political statement, calling out, “I stand with Palestine!”
Jury president, the Oscar-winning 12 Years a Slave and Black Panther actor Lupita Nyong’o, announced the Golden Bear winner from the stage of the Berlinale Palast Saturday night. Nyong’o is the first Black and first African to chair the Berlinale jury.
Dahomey is only the second African film to win the top prize at Berlin, following Mark Dornford-May’s...
- 2/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
South Korean sales agency Finecut has secured international sales rights to Hong Sangsoo’s A Traveler’s Needs, which stars Isabelle Huppert and is set to premiere in Competition at the Berlinale.
It marks the third collaboration between French actress Huppert and Korean filmmaker Hong after In Another Country, which played in Competition at Cannes 2012, and Claire’s Camera, which was shown in the Special Screenings section of Cannes in 2017.
Announcing its selection for the Berlinale today, artistic director Carlo Chatrian described the film as a “light but piercing take on human relationships”.
It follows a woman, played by Huppert,...
It marks the third collaboration between French actress Huppert and Korean filmmaker Hong after In Another Country, which played in Competition at Cannes 2012, and Claire’s Camera, which was shown in the Special Screenings section of Cannes in 2017.
Announcing its selection for the Berlinale today, artistic director Carlo Chatrian described the film as a “light but piercing take on human relationships”.
It follows a woman, played by Huppert,...
- 1/22/2024
- ScreenDaily
Leading Korean rights sales firm Finecut is to handle the international distribution of “A Traveler’s Needs,” which on Monday was confirmed as debuting in the main competition section of next month’s Berlinale. Remarkably, it is director Hong Sang-soo’s sixth selection for Berlin since 2020.
The picture is also the third time that French acting icon Isabelle Huppert stars in a film by the Korean veteran director, following their previous joint efforts “Claire’s Camera” and “In Another Country.”
A synopsis provided reads: “She came from France. She was playing a child’s recorder in a park. With no means of supporting herself she was advised to teach French. She became a teacher to two women. She likes to lie down on rocks and rely on makkeolli [Korean rice wine] for comfort.” Dialog is a mix of Korean, English and French.
Hong is known for his micro-budget, minimalist drama films that are long on conversation,...
The picture is also the third time that French acting icon Isabelle Huppert stars in a film by the Korean veteran director, following their previous joint efforts “Claire’s Camera” and “In Another Country.”
A synopsis provided reads: “She came from France. She was playing a child’s recorder in a park. With no means of supporting herself she was advised to teach French. She became a teacher to two women. She likes to lie down on rocks and rely on makkeolli [Korean rice wine] for comfort.” Dialog is a mix of Korean, English and French.
Hong is known for his micro-budget, minimalist drama films that are long on conversation,...
- 1/22/2024
- by Patrick Frater
- Variety Film + TV
Leading indie sales agent Finecut has picked up international rights to “In Our Day” by idiosyncratic South Korean director Hong Sang-soo. The film is set as the closing title of the Directors’ Fortnight sidebar of the Cannes festival.
Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. This is already his second feature this year. His earlier, “In Water” played in the Encounters section at Berlin in February
His films are known for their minimalist style, a focus on female characters, serial chance encounters and oblique references to the media industry. On paper, “In Our Day” fits exactly in that groove.
Finecut pitches the synopsis as: “A woman in her early 40s, is temporarily living at the home of a friend, who is raising a cat.
Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. This is already his second feature this year. His earlier, “In Water” played in the Encounters section at Berlin in February
His films are known for their minimalist style, a focus on female characters, serial chance encounters and oblique references to the media industry. On paper, “In Our Day” fits exactly in that groove.
Finecut pitches the synopsis as: “A woman in her early 40s, is temporarily living at the home of a friend, who is raising a cat.
- 4/18/2023
- by Patrick Frater
- Variety Film + TV
As the 2023 Berlin International Film Festival drew to a close, the first of the three major international film festivals began giving out its awards. This year’s Berlin jury was headed by Kristen Stewart, and the selections promised to reflect the actress’ famously good taste in movies. But a strong lineup featuring a variety of innovative films from the world’s top directors ensured that their job was never going to be easy. From a timely documentary about the war in Ukraine to a variety of dramas about men trapped in small spaces (see: “Inside” and “Manhole”), the eclectic collection of films had something for everyone.
At last year’s festival, Carla Simon’s Spanish Drama “Alcarras” won the coveted Golden Bear. Several of the biggest names in global cinema also walked away with big prizes, as Claire Denis won the Silver Bear for Best Director for “Both Sides of the Blade...
At last year’s festival, Carla Simon’s Spanish Drama “Alcarras” won the coveted Golden Bear. Several of the biggest names in global cinema also walked away with big prizes, as Claire Denis won the Silver Bear for Best Director for “Both Sides of the Blade...
- 2/25/2023
- by Christian Zilko
- Indiewire
“Music,” Angela Schanelec’s German drama, has been bought by Cinema Guild for North
American distribution following its world premiere at the Berlin Film Festival.
Cinema Guild will release the film in theaters following its North American festival premiere later this year. The film tells the story of a a pair of wayward young people who abandon their
newborn child on a stormy night in the mountains of Greece. Taken in by a family of farmers, Jon grows up without knowing his father or mother. Years later, after a tragic accident, he is sent to prison, where he meets Iro. The two form a connection, expressed through music, that will, by turns, haunt them and uphold them the rest of their days. Freely inspired by the story of Oedipus, Schanelec’s latest is as terrifying as myth and as gentle as a folk song.
“With Music, Angela Schanelec continues to...
American distribution following its world premiere at the Berlin Film Festival.
Cinema Guild will release the film in theaters following its North American festival premiere later this year. The film tells the story of a a pair of wayward young people who abandon their
newborn child on a stormy night in the mountains of Greece. Taken in by a family of farmers, Jon grows up without knowing his father or mother. Years later, after a tragic accident, he is sent to prison, where he meets Iro. The two form a connection, expressed through music, that will, by turns, haunt them and uphold them the rest of their days. Freely inspired by the story of Oedipus, Schanelec’s latest is as terrifying as myth and as gentle as a folk song.
“With Music, Angela Schanelec continues to...
- 2/21/2023
- by Elsa Keslassy and Leo Barraclough
- Variety Film + TV
Finecut, the leading Korean independent film sales agent, is to represent international rights on “In Water,” the latest film by auteur Hong Sang-soo.
The film will have its world premiere in Berlin as part of the festival’s Encounters section. Its sales launch is set for the accompanying European Film Market.
This follows three successive years in which Hong has appeared in Berlin’s main competition, with: “The Woman Who Ran,” which earned Berlin’s silver bear for best director; 2021 title “Introduction” which won another silver bear, for best screenplay, at that year’s delayed festival; and “The Novelist’s Film” which won a Grand Jury Prize in 2022.
Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. In addition to the four recent Berlin titles, his “In Front of Your Face...
The film will have its world premiere in Berlin as part of the festival’s Encounters section. Its sales launch is set for the accompanying European Film Market.
This follows three successive years in which Hong has appeared in Berlin’s main competition, with: “The Woman Who Ran,” which earned Berlin’s silver bear for best director; 2021 title “Introduction” which won another silver bear, for best screenplay, at that year’s delayed festival; and “The Novelist’s Film” which won a Grand Jury Prize in 2022.
Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. In addition to the four recent Berlin titles, his “In Front of Your Face...
- 2/9/2023
- by Patrick Frater
- Variety Film + TV
This is the customary sentence noting it can be easy to take Hong Sangsoo for granted. The prolificacy of which should tell us he’s as appreciated as ever, and so if he’s not, in actuality, taken for granted it’s still easy to lose the forest for the trees–certainly when 2022 brought The Novelist’s Film (one of his best in years) and Walk Up, which was not a personal favorite but nifty character piece all the same.
All this said: I do suspect something special is brewing with this month’s Berlinale selection in water, which from title (every source presents all-lowercase) to 61-minute runtime (his shortest-ever feature) alone suggests a shift. But sources also tell us the entire film is out-of-focus, a rumor the brief teaser and Berlin’s description lean towards entirely. As Hong’s lovely Letter to the New York Film Festival let on his...
All this said: I do suspect something special is brewing with this month’s Berlinale selection in water, which from title (every source presents all-lowercase) to 61-minute runtime (his shortest-ever feature) alone suggests a shift. But sources also tell us the entire film is out-of-focus, a rumor the brief teaser and Berlin’s description lean towards entirely. As Hong’s lovely Letter to the New York Film Festival let on his...
- 2/7/2023
- by Nick Newman
- The Film Stage
Of contemporary Korean filmmakers, Hong Sang-soo is as prolific as he is accomplished. Over the last 25 years, he completed over 30 features and shorts, and in recent years, he has gleaned prizes with almost each and every one of them. In Berlinale 2020, he famously won the Silver Bear for Best Directing in “The Woman Who Ran”; earlier this year, he took home the Silver Bear Grand Jury Prize for “The Novelist’s Film” (2022). Now, at Toronto International Film Festival, he premieres his latest work: “Walk Up,” or alternatively called “Top”.
Walk Up is screening at Toronto International Film Festival
Like much of Hong Sang-soo’s recent filmography, “Walk Up” underscores a black-and-white drama at the dinner table. The famous and ever-bemused Byungsoo (Kwon Hae-hyo) engages with three notable women in a single building. He first beseeches elegant interior designer Ms. Kim (Lee Hae-young) to take on his alienated daughter (Park Mi-so) as an apprentice.
Walk Up is screening at Toronto International Film Festival
Like much of Hong Sang-soo’s recent filmography, “Walk Up” underscores a black-and-white drama at the dinner table. The famous and ever-bemused Byungsoo (Kwon Hae-hyo) engages with three notable women in a single building. He first beseeches elegant interior designer Ms. Kim (Lee Hae-young) to take on his alienated daughter (Park Mi-so) as an apprentice.
- 9/17/2022
- by Grace Han
- AsianMoviePulse
This year’s 60th annual New York Film Festival Main Slate is bursting with can’t-miss auteur titles from festivals around the globe. Presented by Film at Lincoln Center, the festival takes place from September 30 through October 16 at Lincoln Center and in venues across the city.
“If there is one takeaway from this year’s Main Slate, it is cinema’s limitless capacity for renewal,” said Dennis Lim, artistic director, New York Film Festival. “Collectively, the films in the program suggest that this renewal takes many forms: breathtaking debuts, veterans pulling off new tricks, filmmakers of all stripes seeking new and surprising forms of expression and representation. We love the range and eclecticism of this group of films and are excited to share it with audiences.”
This year’s Main Slate showcases films produced in 18 different countries, featuring new titles from renowned auteurs, exceptional work from returning NYFF directors as...
“If there is one takeaway from this year’s Main Slate, it is cinema’s limitless capacity for renewal,” said Dennis Lim, artistic director, New York Film Festival. “Collectively, the films in the program suggest that this renewal takes many forms: breathtaking debuts, veterans pulling off new tricks, filmmakers of all stripes seeking new and surprising forms of expression and representation. We love the range and eclecticism of this group of films and are excited to share it with audiences.”
This year’s Main Slate showcases films produced in 18 different countries, featuring new titles from renowned auteurs, exceptional work from returning NYFF directors as...
- 8/9/2022
- by Ryan Lattanzio
- Indiewire
The 60th New York Film Festival on Tuesday unveiled its main slate of movies from established and upcoming directors including Cannes’ Palme d’Or winner Triangle of Sadness by Ruben Östlund, Claire Denis’ Stars at Noon (tied for Cannes Grand Prize), Park Chan-wook’s Decision to Leave (Cannes Best Director) and Charlotte Wells’ debut feature Aftersun (Cannes’ French Touch Jury Prize).
The list of 32 films from 18 countries also features Shaunak Sen’s All That Breathes, which took the Sundance Grand Jury Prize in World Cinema and the l’Oeil d’Or for best documentary at Cannes. Another selection, Carla Simón’s Alcarràs, was awarded the Golden Bear at the 72nd Berlin Film Festival.
Appearing in the NYFF main slate for the first time are Margaret Brown, Davy Chou (New Directors/New Films 2017), Laura Citarella (Nd/Nf 2015), Alice Diop (Nd/Nf 2021 and Art of the Real 2022), Mark Jenkin (Nd/Nf 2019), Marie Kreutzer,...
The list of 32 films from 18 countries also features Shaunak Sen’s All That Breathes, which took the Sundance Grand Jury Prize in World Cinema and the l’Oeil d’Or for best documentary at Cannes. Another selection, Carla Simón’s Alcarràs, was awarded the Golden Bear at the 72nd Berlin Film Festival.
Appearing in the NYFF main slate for the first time are Margaret Brown, Davy Chou (New Directors/New Films 2017), Laura Citarella (Nd/Nf 2015), Alice Diop (Nd/Nf 2021 and Art of the Real 2022), Mark Jenkin (Nd/Nf 2019), Marie Kreutzer,...
- 8/9/2022
- by Jill Goldsmith
- Deadline Film + TV
The 60th New York Film Festival’s Main Slate will consist of 32 titles from directors such as Claire Denis, Paul Schrader, Margaret Brown, Park Chan-wook, Kelly Reichardt and Mia Hansen-Løve, organizers said Tuesday.
As previously announced, the festival is set to kick off on Sept. 30 with Noah Baumbach’s “White Noise” and close with the Oct. 14 premiere of Elegance Bratton’s “The Inspection.” The Centerpiece selection is “All the Beauty and the Bloodshed,” Laura Poitras’ documentary about photographer Nan Goldin’s fight against the Sackler family and the opioid epidemic. James Gray will make his third NYFF showing with his film “Armageddon Time,” which will also screen at a special event celebrating the festival’s 60th anniversary.
Produced in 18 different countries, the Main Slate will showcase a mixture of new and auteur filmmakers. Among the featured prizewinners from Cannes earlier this year are Claire Denis’s “Stars at Noon,” Park Chan-wook’s “Decision to Leave,...
As previously announced, the festival is set to kick off on Sept. 30 with Noah Baumbach’s “White Noise” and close with the Oct. 14 premiere of Elegance Bratton’s “The Inspection.” The Centerpiece selection is “All the Beauty and the Bloodshed,” Laura Poitras’ documentary about photographer Nan Goldin’s fight against the Sackler family and the opioid epidemic. James Gray will make his third NYFF showing with his film “Armageddon Time,” which will also screen at a special event celebrating the festival’s 60th anniversary.
Produced in 18 different countries, the Main Slate will showcase a mixture of new and auteur filmmakers. Among the featured prizewinners from Cannes earlier this year are Claire Denis’s “Stars at Noon,” Park Chan-wook’s “Decision to Leave,...
- 8/9/2022
- by Harper Lambert
- The Wrap
Click here to read the full article.
Cinema Guild has acquired North American distribution rights to prolific Korean auteur Hong Sangsoo’s latest feature Walk Up. The film is set to world premiere at the Toronto International Film Festival in September and will also play in competition at the San Sebastián International Film Festival. Cinema Guild says it plans to release Walk Up in theaters in 2023 — following the company’s release of Hong’s other 2022 title, The Novelist’s Film, this fall.
Walk Up stars Kwon Haehyo — making his ninth appearance in a film by Hong — as a film director who goes with his daughter Jeongsu (Park Miso) to a building owned by an old friend (Lee Hyeyoung). After an involving tour of the structure, the director steps outside for a work call, only to return to the same place, albeit set in a different time.
With Walk Up, Hong returns to an interest in structure,...
Cinema Guild has acquired North American distribution rights to prolific Korean auteur Hong Sangsoo’s latest feature Walk Up. The film is set to world premiere at the Toronto International Film Festival in September and will also play in competition at the San Sebastián International Film Festival. Cinema Guild says it plans to release Walk Up in theaters in 2023 — following the company’s release of Hong’s other 2022 title, The Novelist’s Film, this fall.
Walk Up stars Kwon Haehyo — making his ninth appearance in a film by Hong — as a film director who goes with his daughter Jeongsu (Park Miso) to a building owned by an old friend (Lee Hyeyoung). After an involving tour of the structure, the director steps outside for a work call, only to return to the same place, albeit set in a different time.
With Walk Up, Hong returns to an interest in structure,...
- 8/9/2022
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Hong Sangsoo’s film Walk Up has been acquired by Cinema Guild, the distributor confirmed today. The movie will premiere at the Toronto International Film Festival next month and will also play in competition at the San Sebastián International Film Festival. Cinema Guild will open the film in theaters next year following its release of Hong’s other 2022 title, The Novelist’s Film.
“With each new film, Hong Sangsoo continues to find new ways to surprise and delight us,” said Cinema Guild President Peter Kelly. “We can’t wait to see audiences react to Walk Up, a film strikingly original and strikingly Hong.”
In Walk Up, Sangsoo’s ninth film, Kwon Haehyo plays Byungsoo, a film director who goes with his daughter Jeongsu (Park Miso), an aspiring interior designer, to a building owned by an old friend (Lee Hyeyoung) already established in the design field. She gives them a tour of the property,...
“With each new film, Hong Sangsoo continues to find new ways to surprise and delight us,” said Cinema Guild President Peter Kelly. “We can’t wait to see audiences react to Walk Up, a film strikingly original and strikingly Hong.”
In Walk Up, Sangsoo’s ninth film, Kwon Haehyo plays Byungsoo, a film director who goes with his daughter Jeongsu (Park Miso), an aspiring interior designer, to a building owned by an old friend (Lee Hyeyoung) already established in the design field. She gives them a tour of the property,...
- 8/9/2022
- by Armando Tinoco
- Deadline Film + TV
Theatrical release coming in 2023.
Cinema Guild has acquired North American rights from Finecut to Hong Sang-Soo’s Walk Up ahead of its world premiere net month at TIFF.
The prolific South Korean filmmaker’s latest stars Kwon Haehyo as a film director who goes with his daughter Jeongsu (Park Miso) to a building owned by an old friend (Lee Hyeyoung).
The director steps outside for a work call, only to return to the same place, albeit set in a different time.
Walk Up will also play in competition at San Sebastián. Cinema Guild will open the film theatrically next year...
Cinema Guild has acquired North American rights from Finecut to Hong Sang-Soo’s Walk Up ahead of its world premiere net month at TIFF.
The prolific South Korean filmmaker’s latest stars Kwon Haehyo as a film director who goes with his daughter Jeongsu (Park Miso) to a building owned by an old friend (Lee Hyeyoung).
The director steps outside for a work call, only to return to the same place, albeit set in a different time.
Walk Up will also play in competition at San Sebastián. Cinema Guild will open the film theatrically next year...
- 8/8/2022
- by Jeremy Kay
- ScreenDaily
Cinema Guild has acquired the North American distribution rights for Hong Sangsoo’s upcoming film “Walk Up.” The film will world premiere at the Toronto International Film Festival in September and will also play in competition at the San Sebastián International Film Festival. Cinema Guild will open the film in theaters in 2023 following its release of Hong’s other 2022 title, “The Novelist’s Film,” this fall.
Kwon Haehyo, in his ninth film for Hong, plays Byungsoo, a film director who goes with his daughter, an aspiring interior designer, to a building owned by an old friend who is already established in the design field. The film dives into Hong’s interest in structure — a defining characteristic of his work to date — this time exploring the literal structure of the building which serves as a central figure to the plot. Throughout the film, Byunsgoo works his way up the floors of the building,...
Kwon Haehyo, in his ninth film for Hong, plays Byungsoo, a film director who goes with his daughter, an aspiring interior designer, to a building owned by an old friend who is already established in the design field. The film dives into Hong’s interest in structure — a defining characteristic of his work to date — this time exploring the literal structure of the building which serves as a central figure to the plot. Throughout the film, Byunsgoo works his way up the floors of the building,...
- 8/8/2022
- by EJ Panaligan
- Variety Film + TV
Click here to read the full article.
The 70th San Sebastián Film Festival unveiled its competition line-up Tuesday, with new works from award-winning directors Sebastián Lelio, Hong Sang-soo and Ulrich Seidl in the running for the 2022 Golden Shell.
Chilean filmmaker Lelio, who won an Oscar for best international feature with A Fantastic Woman (2017), will premiere his latest, The Wonder, in San Sebastián. The period drama, based on the Emma Donoghue novel, is set in mid-19th century Ireland and stars Florence Pugh, Ciarán Hinds, Tom Burke and Toby Jones.
The prolific Hong Sang-Soo, who just won the Jury Prize in Berlin in February for The Novelist’s Film, brings his latest minimalist drama, Walk Up, to the Spanish festival. The plot involves a middle-aged film director and his estranged daughter who are being shown around a building owned by an interior designer.
Seidl, the Austrian director who has made a career...
The 70th San Sebastián Film Festival unveiled its competition line-up Tuesday, with new works from award-winning directors Sebastián Lelio, Hong Sang-soo and Ulrich Seidl in the running for the 2022 Golden Shell.
Chilean filmmaker Lelio, who won an Oscar for best international feature with A Fantastic Woman (2017), will premiere his latest, The Wonder, in San Sebastián. The period drama, based on the Emma Donoghue novel, is set in mid-19th century Ireland and stars Florence Pugh, Ciarán Hinds, Tom Burke and Toby Jones.
The prolific Hong Sang-Soo, who just won the Jury Prize in Berlin in February for The Novelist’s Film, brings his latest minimalist drama, Walk Up, to the Spanish festival. The plot involves a middle-aged film director and his estranged daughter who are being shown around a building owned by an interior designer.
Seidl, the Austrian director who has made a career...
- 8/2/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Three things in life are certain: death, taxes and a Hong Sang-soo film screening and, since the last years at least, winning at the Berlin International Film Festival. After taking it easy for a couple years, making only one feature in that timeframe which also screened and won at the Berlinale, Hong Sang-soo returned back to winning ways last year with two releases, “Introduction” and “In Front of Your Face”. The former won him a Silver Bear for Best Screenplay at Berlinale, whereas “In Front of Your Face”, showing a much more pensive side to the 61-year-old director, is generally considered his best work in recent years and one of the best in his oeuvre. This year, he returned to the German festival with “The Novelist’s Film”, winning himself his fourth Silver Bear Grand Jury Prize there.
It is by now a moot point to say that a new Hong...
It is by now a moot point to say that a new Hong...
- 6/3/2022
- by Rhythm Zaveri
- AsianMoviePulse
Further titles include ’Contorted’, ‘The Hill Of Secrets’, ’The Novelist’s Film’.
Korea’s Finecut has closed a string of deals led by Cheon Myeong-kwan’s action noir Hot Blooded and Hong Jun-pyo’s animation Chun Tae-il: A Flame That Lives On, both set to Cannes market premieres.
Best-selling author Cheon Myeong-kwan’s directorial debut, Hot Blooded has sold to Japan (New Select), North America (Epic Pictures Releasing), Singapore, Malaysia, Brunei, Indonesia (Cj Enm Hong Kong), Philippines (Viva Networks)
Starring Jung Woo (Best Friend), Kim Kap-soo (Steel Rain) and Choi Moo-sung (Last Child), the film previously sold to The Jokers Films...
Korea’s Finecut has closed a string of deals led by Cheon Myeong-kwan’s action noir Hot Blooded and Hong Jun-pyo’s animation Chun Tae-il: A Flame That Lives On, both set to Cannes market premieres.
Best-selling author Cheon Myeong-kwan’s directorial debut, Hot Blooded has sold to Japan (New Select), North America (Epic Pictures Releasing), Singapore, Malaysia, Brunei, Indonesia (Cj Enm Hong Kong), Philippines (Viva Networks)
Starring Jung Woo (Best Friend), Kim Kap-soo (Steel Rain) and Choi Moo-sung (Last Child), the film previously sold to The Jokers Films...
- 5/18/2022
- by Jean Noh
- ScreenDaily
Epic Pictures Releasing has licensed North American rights to Korean action film “Hot Blooded,” from leading Seoul-based film sales agency Finecut. The deal is one of several struck by the agency ahead of Cannes, where it is also launching sales on Critics’ Week title “Next Sohee.”
Starring Bae Doona and Kim Si-eun, “Next Sohee” is directed by Jung July, whose acclaimed “A Girl at My Door” played in Un Certain regard in 2014. It tells the tale of a detective probing the death of a call center worker.
“Hot Blooded,” the directing debut of screenwriter Cheon Myeong-kwan (“Whale”) was also licensed by Finecut to Japan (New Select), Singapore, Malaysia, Brunei, Indonesia (Cj Enm Hong Kong) and the Philippines (Viva Networks). These are in addition to previous deals for France (the Jokers Films), Thailand, Cambodia and Laos (M Pictures).
Finecut closed multiple deals on “Chun Tae-il: A Flame That Lives On,” an...
Starring Bae Doona and Kim Si-eun, “Next Sohee” is directed by Jung July, whose acclaimed “A Girl at My Door” played in Un Certain regard in 2014. It tells the tale of a detective probing the death of a call center worker.
“Hot Blooded,” the directing debut of screenwriter Cheon Myeong-kwan (“Whale”) was also licensed by Finecut to Japan (New Select), Singapore, Malaysia, Brunei, Indonesia (Cj Enm Hong Kong) and the Philippines (Viva Networks). These are in addition to previous deals for France (the Jokers Films), Thailand, Cambodia and Laos (M Pictures).
Finecut closed multiple deals on “Chun Tae-il: A Flame That Lives On,” an...
- 5/18/2022
- by Patrick Frater
- Variety Film + TV
A pair of renowned auteurs who often work in secrecy have finished shooting their next projects. First up, South Korean director Hong Sangsoo has actually shot not one, but two new films following up The Novelist’s Film, which premiered at Berlinale earlier this year.
As revealed during his retrospective at Film at Lincoln Center, featuring the director in person and which just concluded last night with a secret screening of The Novelist’s Film, Hong has not only completed his 28th film but has also shot his 29th feature, which still is in post-production. While no additional details were given, don’t be surprised if we see Hong turn up with his next feature on the festival circuit before the end of the year.
Meanwhile, Iranian director Jafar Panahi has completed production on his new film No Bears. Marking the director’s follow-up to 3 Faces, Screen Daily reports the film...
As revealed during his retrospective at Film at Lincoln Center, featuring the director in person and which just concluded last night with a secret screening of The Novelist’s Film, Hong has not only completed his 28th film but has also shot his 29th feature, which still is in post-production. While no additional details were given, don’t be surprised if we see Hong turn up with his next feature on the festival circuit before the end of the year.
Meanwhile, Iranian director Jafar Panahi has completed production on his new film No Bears. Marking the director’s follow-up to 3 Faces, Screen Daily reports the film...
- 5/11/2022
- by Jordan Raup
- The Film Stage
There is a small but growing belief among critics that just as Hong Sangsoo inches toward legendary status his bit might finally be going stale. Whichever side one lands on (you shall find no mutiny here), it will always be hard to resist the calm, casual charms of a work like The Novelist’s Film: a story about the creative process, shot in soft black-and-white, and a mid-range addition that won the Grand Jury Silver Bear at the Berlinale—his most prestigious award to date.
Writers, poets, directors, film students, wacky zooms, plenty of booze—all, of course, are present and accounted for here. Anyone wise to Hong’s work will know the cues all too well; what’s sometimes more interesting is finding the breaks from the norm. Like in Right Now, Wrong Then, a film that increasingly looks like his defining masterpiece, spotting the variations is half the game.
Writers, poets, directors, film students, wacky zooms, plenty of booze—all, of course, are present and accounted for here. Anyone wise to Hong’s work will know the cues all too well; what’s sometimes more interesting is finding the breaks from the norm. Like in Right Now, Wrong Then, a film that increasingly looks like his defining masterpiece, spotting the variations is half the game.
- 2/28/2022
- by Rory O'Connor
- The Film Stage
2020 got off to a fine start. In February I made my first visit to the Berlinale, where I interviewed a couple of filmmakers and indulged in the competition lineup, a King Vidor retrospective and the 50th anniversary of Forum. Like all of my festival trips, I considered it a working vacation—a chance to see friends, explore a city and escape for a few days from my suburban, white-collar life. At the last press screening I attended, another critic asked if I was Italian before taking a seat a few feet away. Even in the cloistered environment of the festival, […]
The post Berlinale 2022 Critic’s Notebook: The Novelist’s Film, Both Sides of the Blade, Robe of Gems first appeared on Filmmaker Magazine.
The post Berlinale 2022 Critic’s Notebook: The Novelist’s Film, Both Sides of the Blade, Robe of Gems first appeared on Filmmaker Magazine.
- 2/19/2022
- by Darren Hughes
- Filmmaker Magazine-Director Interviews
2020 got off to a fine start. In February I made my first visit to the Berlinale, where I interviewed a couple of filmmakers and indulged in the competition lineup, a King Vidor retrospective and the 50th anniversary of Forum. Like all of my festival trips, I considered it a working vacation—a chance to see friends, explore a city and escape for a few days from my suburban, white-collar life. At the last press screening I attended, another critic asked if I was Italian before taking a seat a few feet away. Even in the cloistered environment of the festival, […]
The post Berlinale 2022 Critic’s Notebook: The Novelist’s Film, Both Sides of the Blade, Robe of Gems first appeared on Filmmaker Magazine.
The post Berlinale 2022 Critic’s Notebook: The Novelist’s Film, Both Sides of the Blade, Robe of Gems first appeared on Filmmaker Magazine.
- 2/19/2022
- by Darren Hughes
- Filmmaker Magazine - Blog
Many of Hong Sang-soo’s films are structured around a woman’s solitary wanderings. The single ladies played by Kim Min-Hee in “On the Beach at Night Alone” or “The Woman Who Ran,” or Lee Hye-Young in “In Front of Your Face,” are free radicals, moving from encounter to encounter and disrupting the equilibrium of the people they meet, as meandering conversations reveal a friend’s dissatisfaction or a couple’s disagreement.
Continue reading ‘The Novelist’s Film’ Review: Hong Sang-Soo’s Latests Is Yet Another Charming, Focused Autofiction [Berlin] at The Playlist.
Continue reading ‘The Novelist’s Film’ Review: Hong Sang-Soo’s Latests Is Yet Another Charming, Focused Autofiction [Berlin] at The Playlist.
- 2/19/2022
- by Mark Asch
- The Playlist
Korean streamer aims for global expansion through original content and It investment
Leading Korean entertainment and media company Cj Enm announced its streaming platform Tving has attracted $209m to be invested in original content and It competitiveness.
The company behind international successes such as Oscar-winning film Parasite and drama series Crash Landing On You stated it is aiming to make TVing the “global no. 1 K-contents platform”, spurred on by the new investment.
It will accelerate plans to produce more than 100 works of original content, reach more than 8 million subscribers and launch direct services in territories including Japan, Taiwan and the...
Leading Korean entertainment and media company Cj Enm announced its streaming platform Tving has attracted $209m to be invested in original content and It competitiveness.
The company behind international successes such as Oscar-winning film Parasite and drama series Crash Landing On You stated it is aiming to make TVing the “global no. 1 K-contents platform”, spurred on by the new investment.
It will accelerate plans to produce more than 100 works of original content, reach more than 8 million subscribers and launch direct services in territories including Japan, Taiwan and the...
- 2/18/2022
- by Jean Noh
- ScreenDaily
Afternoon subscribers. Max Goldbart here with your weekly dose of International Insider news and analysis and it’s been as busy as ever over the past seven days. Scroll down for more.
Of Paramount Importance
Via-Who? ViacomCBS is no more. Paramount (or Paramount Global to be precise) is here and streaming is the name of the game. This week’s investor day set out a new path for the recently-merged outfit, with SVoD Paramount+ being positioned as almost entirely responsible for the planned growth. And there was plenty for the international world to pay attention to following Deadline U.S.’s expert coverage.
Canal+ ties: Paramount+ has been rolling out to dozens of global territories over the past year and more are incoming. Amongst a barrage of investor day announcements, CEO Bob Bakish unveiled a tie-up with France’s Canal+, which will see Paramount+ enter France as an offering to all Canal+ Ciné Séries subscribers.
Of Paramount Importance
Via-Who? ViacomCBS is no more. Paramount (or Paramount Global to be precise) is here and streaming is the name of the game. This week’s investor day set out a new path for the recently-merged outfit, with SVoD Paramount+ being positioned as almost entirely responsible for the planned growth. And there was plenty for the international world to pay attention to following Deadline U.S.’s expert coverage.
Canal+ ties: Paramount+ has been rolling out to dozens of global territories over the past year and more are incoming. Amongst a barrage of investor day announcements, CEO Bob Bakish unveiled a tie-up with France’s Canal+, which will see Paramount+ enter France as an offering to all Canal+ Ciné Séries subscribers.
- 2/18/2022
- by Max Goldbart
- Deadline Film + TV
Li Ruijun’s drama “Return to Dust” was one of the four Asian films that screened in the main competition of the Berlinale, alongside Hong Sang-soo’s “The Novelist’s Film”, Kamila Andini’s period tear-jerker “Nana” and Rithy Panh’s animated documentary “Everything Will Be Ok”. The native of Gaotai turns his gaze yet again to his beloved rural region to depict the lives of two people who find love and hope in an arranged marriage through their families, as two outcasts no one wanted to have on their backs anymore. The film shows them starting from anew a couple of times due to ruthless games of the official landowners and developers with the peasants, but instead of bowing their heads low, they manage to find comfort in each other’s company and in their deep connection to the land they are working.
This is Li’s sixth live action movie,...
This is Li’s sixth live action movie,...
- 2/18/2022
- by Marina D. Richter
- AsianMoviePulse
The buyers’ mood, how many festival attendees really caught Covid-19 and Cannes were among the hot topics this year.
The 72nd edition of the Berlinale (February 10-20) was supposed to have marked the film industry’s physical return to a large-scale festival and market as the world emerged from the Coronavirus pandemic.
The surge in Covid-19 cases worldwide from late December to early January, linked to the more contagious Omicron variant, however, forced the festival to rethink its plans at the eleventh hour.
The management team determinedly pushed on with a physical event, reducing its core dates, scaling back its...
The 72nd edition of the Berlinale (February 10-20) was supposed to have marked the film industry’s physical return to a large-scale festival and market as the world emerged from the Coronavirus pandemic.
The surge in Covid-19 cases worldwide from late December to early January, linked to the more contagious Omicron variant, however, forced the festival to rethink its plans at the eleventh hour.
The management team determinedly pushed on with a physical event, reducing its core dates, scaling back its...
- 2/18/2022
- by Melanie Goodfellow¬Mona Tabbara
- ScreenDaily
Alcarràs won the Golden Bear Photo: Courtesy of Berlinale Spanish director Carla Simon’s Alcarràs won the Golden Bear at the Berlin Film Festival yesterday.
The film, which charts the tale of a family of peach farmers facing the squeeze in Eighties Catalonia was praised for its "extraordinary" child performances by the jury, headed by M Night Shyamalan.
The Grand Jury Prize Silver Bear went to Hong Sangsoo’s The Novelist’s Film, while Natalia Lopez Gallardo’s Robe Of Gems won the Jury Prize and Claire Denis' Fire took home the best eirector Silver Bear.
The acting awards are gender neutral, with the top prize going to Meltem Kaptan for Rabiye Kurnaz vs George W Bush - which also saw Laila Stieler take best screeenplay - and Laura Basuki taking the best supporting performance for Before, Now And Then.
Ruth Beckermann’s Mutzenbacher was named best film prize in the Encounters section,...
The film, which charts the tale of a family of peach farmers facing the squeeze in Eighties Catalonia was praised for its "extraordinary" child performances by the jury, headed by M Night Shyamalan.
The Grand Jury Prize Silver Bear went to Hong Sangsoo’s The Novelist’s Film, while Natalia Lopez Gallardo’s Robe Of Gems won the Jury Prize and Claire Denis' Fire took home the best eirector Silver Bear.
The acting awards are gender neutral, with the top prize going to Meltem Kaptan for Rabiye Kurnaz vs George W Bush - which also saw Laila Stieler take best screeenplay - and Laura Basuki taking the best supporting performance for Before, Now And Then.
Ruth Beckermann’s Mutzenbacher was named best film prize in the Encounters section,...
- 2/17/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
“The Novelist’s Film,” which Wednesday earned Korean director Hong Sang-soo the Grand Jury Prize in Berlin, has scored multiple rights deals.
With Seoul-based Finecut handling the rights sales, the film was licensed to Ama Films for Greece and Cyprus, Mimosa Films for Japan, Atalante Cinema for Spain, Arizona Films Distribution for France and to The Cinema Guild for the U.S.
Finecut also did European Film Market business with “Contorted,” an unorthodox horror about a family tragedy. It pre-sold the title to Thailand’s Sahamongkol Films and to Indonesia’s Pt. Prima Cinema Multimedia).
“Heaven: To The Land Of Happiness,” was licensed by Finecut to Little Monster Films for Australia and, New Zealand, to Twin for Japan, Viva Networks for The Philippines, and to Long Shong for Taiwan. The film is directed by Im Sang-soo and was part of the official selection for Cannes in 2020, when the festival did not take place,...
With Seoul-based Finecut handling the rights sales, the film was licensed to Ama Films for Greece and Cyprus, Mimosa Films for Japan, Atalante Cinema for Spain, Arizona Films Distribution for France and to The Cinema Guild for the U.S.
Finecut also did European Film Market business with “Contorted,” an unorthodox horror about a family tragedy. It pre-sold the title to Thailand’s Sahamongkol Films and to Indonesia’s Pt. Prima Cinema Multimedia).
“Heaven: To The Land Of Happiness,” was licensed by Finecut to Little Monster Films for Australia and, New Zealand, to Twin for Japan, Viva Networks for The Philippines, and to Long Shong for Taiwan. The film is directed by Im Sang-soo and was part of the official selection for Cannes in 2020, when the festival did not take place,...
- 2/17/2022
- by Patrick Frater
- Variety Film + TV
Sales also secured of upcoming horror ‘Contorted’ and Im Sang-soo’s ‘Heaven: To The Land Of Happiness’.
Korean sales agency Finecut has closed a raft of deals on three titles led by Hong Sangsoo’s The Novelist’s Film, which won the Berlinale’s Silver Bear grand jury prize yesterday.
The feature “racked up multiple deals as soon as it was announced as a Competition film at the 72nd Berlinale,” according to Finecut, selling to France (Arizona Films Distribution), Greece and Cyprus (Ama Films), Japan (Mimosa Films) and Spain (L’Atalante Cinema). A US deal with Cinema Guild was revealed last night.
Korean sales agency Finecut has closed a raft of deals on three titles led by Hong Sangsoo’s The Novelist’s Film, which won the Berlinale’s Silver Bear grand jury prize yesterday.
The feature “racked up multiple deals as soon as it was announced as a Competition film at the 72nd Berlinale,” according to Finecut, selling to France (Arizona Films Distribution), Greece and Cyprus (Ama Films), Japan (Mimosa Films) and Spain (L’Atalante Cinema). A US deal with Cinema Guild was revealed last night.
- 2/17/2022
- by Jean Noh
- ScreenDaily
Cinema Guild has acquired U.S. rights to The Novelist’s Film, the Silver Bear Grand Jury Prize winner from South Korean writer-director Hong Sangsoo, which recently made its world premiere at the 2022 Berlin Film Festival. The film is the third Silver Bear winner in as many years from Hong—who won Best Director for The Woman Who Ran in 2020 and Best Screenplay for Introduction in 2021—and will be the 11th of the director’s works released by Cinema Guild in the last seven years.
In The Novelist’s Film, Lee Hyeyoung (Hong’s In Front of Your Face) plays Junhee, a novelist who has grown disenchanted with her writing. On a trip to see an old friend, she runs into a film director who was set to adapt one of her novels before the project fell through. One chance encounter leads to another and soon she finds herself having lunch...
In The Novelist’s Film, Lee Hyeyoung (Hong’s In Front of Your Face) plays Junhee, a novelist who has grown disenchanted with her writing. On a trip to see an old friend, she runs into a film director who was set to adapt one of her novels before the project fell through. One chance encounter leads to another and soon she finds herself having lunch...
- 2/16/2022
- by Matt Grobar
- Deadline Film + TV
Top prizes for Hong Sangsoo’s ‘The Novelist’s Film’, Claire Denis’ ‘Fire’.
Carla Simon’s Alcarras won the Golden Bear at the 72nd Berlinale, in a ceremony held at the Berlinale Palast this evening (Wednesday 16).
“I feel like I should just move here, because every time I come here something amazing happens,” said Simon on accepting the award.
Alcarras: Berlin review
The award was presented by Competition jury president M. Night Shyamalan, who praised the film “for its extraordinary performances from the child actors to the actors in their 80s and for the ability to show the tenderness and comedy...
Carla Simon’s Alcarras won the Golden Bear at the 72nd Berlinale, in a ceremony held at the Berlinale Palast this evening (Wednesday 16).
“I feel like I should just move here, because every time I come here something amazing happens,” said Simon on accepting the award.
Alcarras: Berlin review
The award was presented by Competition jury president M. Night Shyamalan, who praised the film “for its extraordinary performances from the child actors to the actors in their 80s and for the ability to show the tenderness and comedy...
- 2/16/2022
- by Ben Dalton
- ScreenDaily
The winners for the 2022 Berlin Film Festival have been revealed. The in-person event took place this year February 10–20. The competition jury, led by president M. Night Shyamalan, included filmmaker Karim Aïnouz, producer Saïd Ben Saïd, filmmaker Anne Zohra Berrached, filmmaker Tsitsi Dangarembga, Oscar-nominated “Drive My Car” director Ryûsuke Hamaguchi, and actor Connie Nielsen.
The festival’s top prize, the Golden Bear for Best Film, was presented by Shyamalan. “For its extraordinary performances, from the child actors to the actors in their 80s, for the ability to show the tenderness and comedy and struggle,” he awarded Spanish drama “Alcarras,” from director Carla Simon.
The festival did away with gendered acting awards once again, instead offering Silver Bears for Best Supporting and Best Lead Performance. Beloved auteur Claire Denis won best director for her romantic psychodrama “Both Sides of the Blade” — or “Fire,” as it’s known in the United States. (IFC Films has stateside rights.
The festival’s top prize, the Golden Bear for Best Film, was presented by Shyamalan. “For its extraordinary performances, from the child actors to the actors in their 80s, for the ability to show the tenderness and comedy and struggle,” he awarded Spanish drama “Alcarras,” from director Carla Simon.
The festival did away with gendered acting awards once again, instead offering Silver Bears for Best Supporting and Best Lead Performance. Beloved auteur Claire Denis won best director for her romantic psychodrama “Both Sides of the Blade” — or “Fire,” as it’s known in the United States. (IFC Films has stateside rights.
- 2/16/2022
- by Ryan Lattanzio
- Indiewire
Winners have been announced at the 72nd Berlin Film Festival, with Carla Simon’s Alcarràs scooping the coveted Golden Bear prize as the best film of the festival’s International Competition. Scroll down for the full list of winners, which were revealed Wednesday night at the Berlinale Palast.
Alcarràs follows the life of a family of peach farmers in a small village in Catalonia, whose world changes when the owner of their large estate dies and his lifetime heir decides to sell the land, suddenly threatening their livelihood.
Simon previously picked up Berlin’s Best First Feature Award in 2017 for her debut Summer 1993.
Other winners in the International Competition included Hong Sang-soo’s The Novelist’s Film, which won the Silver Bear Grand Jury Prize (read Deadline’s review here); Natalia Lopez Gallardo, who picked up the Silver Bear Jury Prize for Robe of Gems (review here); and Claire Denis, who...
Alcarràs follows the life of a family of peach farmers in a small village in Catalonia, whose world changes when the owner of their large estate dies and his lifetime heir decides to sell the land, suddenly threatening their livelihood.
Simon previously picked up Berlin’s Best First Feature Award in 2017 for her debut Summer 1993.
Other winners in the International Competition included Hong Sang-soo’s The Novelist’s Film, which won the Silver Bear Grand Jury Prize (read Deadline’s review here); Natalia Lopez Gallardo, who picked up the Silver Bear Jury Prize for Robe of Gems (review here); and Claire Denis, who...
- 2/16/2022
- by Tom Grater
- Deadline Film + TV
Having long been mired in a writer’s block that she fears might be terminal, celebrated novelist Junhee decides the solution is to try another medium altogether, and sets out make a film. She has an actor, and a cinematographer, but no clear idea of what her film should be about — and that’s okay, she decides, since it will all emerge in time. “Isn’t it too offhand?” a poet friend challenges her. “Don’t you need something to pull people in?” Thus, and not for the first time, does South Korea’s one-man film factory Hong Sangsoo send up his own oeuvre in his 28th feature “The Novelist’s Film,” another gently circuitous, conversation-driven charmer sharing Junhee’s view that “the story is not that important” — but containing more incident and emotion than initially meet the eye.
All Hong films are tangrams to an extent, arriving at slightly different...
All Hong films are tangrams to an extent, arriving at slightly different...
- 2/16/2022
- by Guy Lodge
- Variety Film + TV
Distributor has released director’s last 10 features in seven years.
Cinema Guild has acquired US rights to longtime collaborator Hong Sangsoo’s The Novelist’s Film which won the Silver Bear grand jury prize at the 2022 Berlinale on Wednesday evening (16).
‘The Novelist’s Film’: Berlin Review
Hong has earned Silver Bears in three consecutive years at the festival after best director for The Woman Who Ran in 2020 and best screenplay for Introduction in 2021. Cinema Guild has released the director’s last 10 features in the last seven years.
The Novelist’s Film stars Lee Hyeyoung as an author who has grown disenchanted with...
Cinema Guild has acquired US rights to longtime collaborator Hong Sangsoo’s The Novelist’s Film which won the Silver Bear grand jury prize at the 2022 Berlinale on Wednesday evening (16).
‘The Novelist’s Film’: Berlin Review
Hong has earned Silver Bears in three consecutive years at the festival after best director for The Woman Who Ran in 2020 and best screenplay for Introduction in 2021. Cinema Guild has released the director’s last 10 features in the last seven years.
The Novelist’s Film stars Lee Hyeyoung as an author who has grown disenchanted with...
- 2/16/2022
- by Jeremy Kay
- ScreenDaily
Here’s another walking-and-talking film from festival favorite Hong Sang-soo, encapsulating a sliver of Korean life with his customary elusive delicacy. Shot largely in creamy black and white, Berlin competition entry The Novelist’s Film centers on the meeting between two artists who, for different reasons, have simply stopped working.
They walk through the bare trees of the wintry park, they go to eat ramen, they come up with a plan — despite the impasse each has reached on her own — to work together. By some almost imperceptible process of empathy and intellectual exchange, their creative fortunes have been reversed. At a time when so many people have been isolated, it is a hymn to the galvanizing spark of collaboration.
Director Hong is also his own writer, producer, editor and composer, but it is clear that he too finds an important collaborative connection with his actors. Lee Hye-young plays Junhee, a...
They walk through the bare trees of the wintry park, they go to eat ramen, they come up with a plan — despite the impasse each has reached on her own — to work together. By some almost imperceptible process of empathy and intellectual exchange, their creative fortunes have been reversed. At a time when so many people have been isolated, it is a hymn to the galvanizing spark of collaboration.
Director Hong is also his own writer, producer, editor and composer, but it is clear that he too finds an important collaborative connection with his actors. Lee Hye-young plays Junhee, a...
- 2/16/2022
- by Stephanie Bunbury
- Deadline Film + TV
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