"Nicolás Pereda’s recent work, particularly his last two features Greatest Hits (2012) and Los ausentes (2014), already represented a substantial reduction of means when compared to the relatively action-packed Perpetuum Mobile (2009) and Summer of Goliath (2010)," begins Michael Sicinski, writing for Cinema Scope. "But with his latest," Minotaur, "Pereda has achieved a genuine comedy of stasis." For Daniel Kasman, it's "a simple but enchanting film, its 55-some minutes are exactly what it needs to stretch a kind of three-page fable into cinematic languor." We're collecting reviews and we've got the trailer. » - David Hudson...
- 10/2/2015
- Keyframe
"Nicolás Pereda’s recent work, particularly his last two features Greatest Hits (2012) and Los ausentes (2014), already represented a substantial reduction of means when compared to the relatively action-packed Perpetuum Mobile (2009) and Summer of Goliath (2010)," begins Michael Sicinski, writing for Cinema Scope. "But with his latest," Minotaur, "Pereda has achieved a genuine comedy of stasis." For Daniel Kasman, it's "a simple but enchanting film, its 55-some minutes are exactly what it needs to stretch a kind of three-page fable into cinematic languor." We're collecting reviews and we've got the trailer. » - David Hudson...
- 10/2/2015
- Fandor: Keyframe
The 15th Jeonju International Film Festival (Jiff) has announced its line-up with Opening Film to be the world premiere of Mad Sad Bad, a 3D zombie omnibus directed by Ryoo Seung-wan, Han Ji-seung and Kim Tae-yong.
Part of the Korean Academy of Film Art’s “Kafa+” project, the film brings together three noted local directors creating 3D-version reflections of popular culture in, respectively, an urban setting, the future and in the mountains.
Jiff will run May 1-10 with its awards ceremony on May 7 and repeat screenings afterwards. The fest will screen 181 films from 46 countries (142 features, 39 shorts) with 40 world premieres (of which 28 are features) and 4 international premieres (all features).
This year, the festival has revamped its signature Jeonju Digital Project - originally a triptych of shorts produced by the fest each year with well-known directors from around the world - and brought in outside funding to start making a trio of feature films instead. The inaugural...
Part of the Korean Academy of Film Art’s “Kafa+” project, the film brings together three noted local directors creating 3D-version reflections of popular culture in, respectively, an urban setting, the future and in the mountains.
Jiff will run May 1-10 with its awards ceremony on May 7 and repeat screenings afterwards. The fest will screen 181 films from 46 countries (142 features, 39 shorts) with 40 world premieres (of which 28 are features) and 4 international premieres (all features).
This year, the festival has revamped its signature Jeonju Digital Project - originally a triptych of shorts produced by the fest each year with well-known directors from around the world - and brought in outside funding to start making a trio of feature films instead. The inaugural...
- 4/4/2014
- by hjnoh2007@gmail.com (Jean Noh)
- ScreenDaily
The 15th Jeonju International Film Festival (Jiff) has announced its line-up with Opening Film to be the world premiere of Mad Sad Bad, a 3D zombie omnibus directed by Ryoo Seung-wan, Han Ji-seung and Kim Tae-yong.
Part of the Korean Academy of Film Art’s “Kafa+” project, the film brings together three noted local directors creating 3D-version reflections of popular culture in, respectively, an urban setting, the future and in the mountains.
Jiff will run May 1-10 with its awards ceremony on May 7 and repeat screenings afterwards. The fest will screen 181 films from 46 countries (142 features, 39 shorts) with 40 world premieres (of which 28 are features) and 4 international premieres (all features).
This year, the festival has revamped its signature Jeonju Digital Project - originally a triptych of shorts produced by the fest each year with well-known directors from around the world - and brought in outside funding to start making a trio of feature films instead. The inaugural...
Part of the Korean Academy of Film Art’s “Kafa+” project, the film brings together three noted local directors creating 3D-version reflections of popular culture in, respectively, an urban setting, the future and in the mountains.
Jiff will run May 1-10 with its awards ceremony on May 7 and repeat screenings afterwards. The fest will screen 181 films from 46 countries (142 features, 39 shorts) with 40 world premieres (of which 28 are features) and 4 international premieres (all features).
This year, the festival has revamped its signature Jeonju Digital Project - originally a triptych of shorts produced by the fest each year with well-known directors from around the world - and brought in outside funding to start making a trio of feature films instead. The inaugural...
- 4/4/2014
- by hjnoh2007@gmail.com (Jean Noh)
- ScreenDaily
Mexico’s film industry broke records last year. Box office attendance reached an all-time high and due in part to increased public funding, local productions rose to more than 70 feature films. Yet, as is true in all of Latin America, Hollywood blockbusters edged out national films. Less than 10% of ticket sales were from Mexican movies. Still, there is much to be optimistic about. The amount of female filmmakers is on the rise along with increased budget allocations for state film financing. The vast majority of Mexican cinema is government funded (about 80%) and with more money comes greater opportunities for emerging artists to breakthrough. As part of this recent revival in Mexican cinematic production a new generation of directors have emerged, pushing boundaries, challenging stereotypes, and raising the international profile of Mexican films.
Carlos Reygadas
He didn’t start making films until he was in his thirties and remarkably his three feature films Japón, Batalla en el Cielo, and Luz Silenciosa (Silent Light) (Isa:Bac Films) all premiered at Cannes. His films deal with serious topics like love, spirituality, and death. And in the face of criticism, continues to defend his choice of depicting explicit sex scenes in Batalla en el Cielo and animal cruelty in Japón. His most recent feature is the much blogged about Post Tenebras Lux, an official selection at this year’s Cannes Film Festival.
Natalia Almada
She makes haunting, poetic, hypnotic and pensive documentaries. Her films have reached top-tier festivals like Sundance, Cannes, New Directors/New Films and have played at MoMA, The Guggenheim Museum and The Whitney Biennial. All Water Has a Perfect Memory, Al Otro Lado, El General, and her most recent film El Velador (The Night Watchman) are infused with her unique perspective. Coming from a bicultural family--she was born in Mexico to a Mexican father and American mother--she is able to highlight contradictions in both worlds using striking imagery and meditative silences.
Nicolás Pereda
Since 2007, he has proven to be a prolific artist, having directed five feature-length films: ¿Dónde están sus historias? (Where Are Their Stories?) (Isa:FIGa Films), Juntos (Together) (Isa:FIGa Films), Perpetuum Mobile (Isa:Ondamax Films), Todo en fin el silencio lo ocupaba (All Things Were Now Overtaken by Silence) (FIGa Films), and Verano de Goliat (Summer of Goliath) (Isa: FIGa FIlms). Pereda uses many of the same actors and characters in his films, including Gabino Rodriguez and Teresa Sanchez, who are not professional actors. He mixes fiction with documentary in fractured narratives that depict the absurdity that occurs in everyday life. Though only in his twenties he has had at least ten retrospectives of his films at cinemas and archives around the world. In 2010 his film Verano de Goliat (Summer of Goliath) was awarded the Orizzonti award for best film at the Venice Film Festival.
Jonás Cuarón
Son of the Academy Award nominated director Alfonso Cuarón, (Children of Men, Y tu mamá también) Jonás Cuarón stepped out of his father’s shadow and burst onto the scene with Año Uña (Year of the Nail).The film takes a year’s worth of photos Cuarón took of spontaneous everyday events, that he later assembled to create a fictional narrative. Using only still photos and the original subjects’ narration of events, the dialogue switches between English and Spanish, and the film between reality and fiction. The film’s opening explains that though the story is fictional, the people and the moments frozen in time by the photographs are very real.
Carlos Reygadas
He didn’t start making films until he was in his thirties and remarkably his three feature films Japón, Batalla en el Cielo, and Luz Silenciosa (Silent Light) (Isa:Bac Films) all premiered at Cannes. His films deal with serious topics like love, spirituality, and death. And in the face of criticism, continues to defend his choice of depicting explicit sex scenes in Batalla en el Cielo and animal cruelty in Japón. His most recent feature is the much blogged about Post Tenebras Lux, an official selection at this year’s Cannes Film Festival.
Natalia Almada
She makes haunting, poetic, hypnotic and pensive documentaries. Her films have reached top-tier festivals like Sundance, Cannes, New Directors/New Films and have played at MoMA, The Guggenheim Museum and The Whitney Biennial. All Water Has a Perfect Memory, Al Otro Lado, El General, and her most recent film El Velador (The Night Watchman) are infused with her unique perspective. Coming from a bicultural family--she was born in Mexico to a Mexican father and American mother--she is able to highlight contradictions in both worlds using striking imagery and meditative silences.
Nicolás Pereda
Since 2007, he has proven to be a prolific artist, having directed five feature-length films: ¿Dónde están sus historias? (Where Are Their Stories?) (Isa:FIGa Films), Juntos (Together) (Isa:FIGa Films), Perpetuum Mobile (Isa:Ondamax Films), Todo en fin el silencio lo ocupaba (All Things Were Now Overtaken by Silence) (FIGa Films), and Verano de Goliat (Summer of Goliath) (Isa: FIGa FIlms). Pereda uses many of the same actors and characters in his films, including Gabino Rodriguez and Teresa Sanchez, who are not professional actors. He mixes fiction with documentary in fractured narratives that depict the absurdity that occurs in everyday life. Though only in his twenties he has had at least ten retrospectives of his films at cinemas and archives around the world. In 2010 his film Verano de Goliat (Summer of Goliath) was awarded the Orizzonti award for best film at the Venice Film Festival.
Jonás Cuarón
Son of the Academy Award nominated director Alfonso Cuarón, (Children of Men, Y tu mamá también) Jonás Cuarón stepped out of his father’s shadow and burst onto the scene with Año Uña (Year of the Nail).The film takes a year’s worth of photos Cuarón took of spontaneous everyday events, that he later assembled to create a fictional narrative. Using only still photos and the original subjects’ narration of events, the dialogue switches between English and Spanish, and the film between reality and fiction. The film’s opening explains that though the story is fictional, the people and the moments frozen in time by the photographs are very real.
- 5/9/2012
- by Vanessa Erazo
- Sydney's Buzz
Have you picked up your tickets yet?
It’s that time of the year, when the early film festivals debut/premiere some of the films that we’ll be talking about later on in the year.
Sundance, Berlin, Pan African, Fespaco, and South By Southwest Film Festivals are done! And this week, the 40th installment of the New Directors/New Films Film Festival here in New York City, begins!
Press screenings for the festival end today, and I saw around 10 films. I’ve already reviewed 4 or so of them, with another 5 or 6 reviews coming, today and tomorrow. I’ll also include a brief write-up of what to expect at the festival, films you should see, those that you could skip, etc… so stay tuned for that.
The lineup of the New Directors/New Films Film Festival follows below, and those of you who live in New York, or who are...
It’s that time of the year, when the early film festivals debut/premiere some of the films that we’ll be talking about later on in the year.
Sundance, Berlin, Pan African, Fespaco, and South By Southwest Film Festivals are done! And this week, the 40th installment of the New Directors/New Films Film Festival here in New York City, begins!
Press screenings for the festival end today, and I saw around 10 films. I’ve already reviewed 4 or so of them, with another 5 or 6 reviews coming, today and tomorrow. I’ll also include a brief write-up of what to expect at the festival, films you should see, those that you could skip, etc… so stay tuned for that.
The lineup of the New Directors/New Films Film Festival follows below, and those of you who live in New York, or who are...
- 3/21/2011
- by Tambay
- ShadowAndAct
Celebrating its 40th year of spotlighting the world’s best up-and-coming feature filmmakers, the Museum of Modern Art and Film Society of Lincoln Center’s prestigious New Directors/New Films series has chosen Portland-based experimental filmmaker Matt McCormick‘s Some Days Are Better Than Others to screen.
McCormick is hardly a “new” director. He’s been making short films and music videos since 1999. However, Some Days Are Better Than Others is his first feature-length project. The movie follows the lives of several quirky Portland residents who all experience the good times of their lives slipping quickly into memory, while their more painful moments are so difficult to let go of.
Starring in the film is Carrie Brownstein, the former guitarist and singer for the band Sleater-Kinney and current star of the hit IFC cable TV series Portlandia. Brownstein previously appeared in Miranda July’s short film Getting Stronger Every Day...
McCormick is hardly a “new” director. He’s been making short films and music videos since 1999. However, Some Days Are Better Than Others is his first feature-length project. The movie follows the lives of several quirky Portland residents who all experience the good times of their lives slipping quickly into memory, while their more painful moments are so difficult to let go of.
Starring in the film is Carrie Brownstein, the former guitarist and singer for the band Sleater-Kinney and current star of the hit IFC cable TV series Portlandia. Brownstein previously appeared in Miranda July’s short film Getting Stronger Every Day...
- 2/17/2011
- by Mike Everleth
- Underground Film Journal
The Museum of Modern Art and the Film Society of Lincoln Center Announce Feature Film Lineup for the 40th Annual New Directors/New Films March 23 . April 3
J.C. Chandor.s .Margin Call. is the Opening Night presentation with Maryam Keshavarz.s Award-winning .Circumstance. the Closing Night selection
The Museum of Modern Art and the Film Society of Lincoln Center announced the full lineup today for the 40th edition of New Directors/New Films (March 23 . April 3). Dedicated to the discovery of new works by emerging and dynamic filmmaking talent, the film festival will screen 28 feature films (24 narrative, 4 documentary) representing 22 countries.
The opening night feature is J.C. Chandor.s Margin Call. Screening on Wednesday, March 23, at 7:00Pm at MoMA, Chandor’s feature film directing debut is a timely and terrifying dramatic expose that tackles twenty-four hours on an investment bank trading floor; a day that brings layer upon layer of human and...
J.C. Chandor.s .Margin Call. is the Opening Night presentation with Maryam Keshavarz.s Award-winning .Circumstance. the Closing Night selection
The Museum of Modern Art and the Film Society of Lincoln Center announced the full lineup today for the 40th edition of New Directors/New Films (March 23 . April 3). Dedicated to the discovery of new works by emerging and dynamic filmmaking talent, the film festival will screen 28 feature films (24 narrative, 4 documentary) representing 22 countries.
The opening night feature is J.C. Chandor.s Margin Call. Screening on Wednesday, March 23, at 7:00Pm at MoMA, Chandor’s feature film directing debut is a timely and terrifying dramatic expose that tackles twenty-four hours on an investment bank trading floor; a day that brings layer upon layer of human and...
- 2/17/2011
- by Melissa Howland
- WeAreMovieGeeks.com
NYC’s New Directors/New Films Festival Unveils Lineup (“Pariah,” “Black Power Mixtape”) Make The Cut
Ahhh yes, it’s that time of the year, when the early film festivals debut/premiere some of the films that we’ll be talking about later on in the year.
Sundance is done; the Berlin and Pan African Film Festivals are currently underway; the South By Southwest Film Festival takes over Austin, TX in less than a month! And a few days after it ends, the 40th installment of the New Directors/New Films Film Festival here in New York City, begins!
Can’t you just feel the excitement in the air? I can!
And I feel even better knowing that I was granted press credentials by the festival organizers, meaning I’ll be seeing as many of these films for Free, with reviews to follow on this site, afterward, as usual.
The lineup of the New Directors/New Films Film Festival was just unveiled, and those of you who live in New York,...
Sundance is done; the Berlin and Pan African Film Festivals are currently underway; the South By Southwest Film Festival takes over Austin, TX in less than a month! And a few days after it ends, the 40th installment of the New Directors/New Films Film Festival here in New York City, begins!
Can’t you just feel the excitement in the air? I can!
And I feel even better knowing that I was granted press credentials by the festival organizers, meaning I’ll be seeing as many of these films for Free, with reviews to follow on this site, afterward, as usual.
The lineup of the New Directors/New Films Film Festival was just unveiled, and those of you who live in New York,...
- 2/16/2011
- by Tambay
- ShadowAndAct
- 1/19/2011
- by Ryan Adams
- AwardsDaily.com
Sofia Coppola's "Somewhere" took home the Golden Lion prize at the 67th Venice International Film Festival Saturday. Alex de la Iglesia won the Silver Lion prize for Best Director for his Spanish civil war drama "Balada triste de trompeta" (A Sad Trumpet Ballad). Mila Kunis received the Mastroianni Prize for best young actress for her performance opposite Natalie Portman in Darren Aronofsky's "Black Swan."
The jury, chaired by Quentin Tarantino and comprised of Guillermo Arriaga, Ingeborga Dapkunaite, Arnaud Desplechin, Danny Elfman, Luca Guadagnino, Gabriele Salvatores, compiled the best of the fest after having viewed all twenty-four films in competition.
Here's the complete list of the winners at the 67th annual Venice International Film Festival:
Golden Lion for Best Film:
Somewhere by Sofia Coppola (USA)
Silver Lion for Best Director to:
Álex de la Iglesia for the film Balada Triste De Trompeta
(Spain, France)
Special Jury Prize to:
Essential KILLINGby Jerzy Skolimowski
(Poland,...
The jury, chaired by Quentin Tarantino and comprised of Guillermo Arriaga, Ingeborga Dapkunaite, Arnaud Desplechin, Danny Elfman, Luca Guadagnino, Gabriele Salvatores, compiled the best of the fest after having viewed all twenty-four films in competition.
Here's the complete list of the winners at the 67th annual Venice International Film Festival:
Golden Lion for Best Film:
Somewhere by Sofia Coppola (USA)
Silver Lion for Best Director to:
Álex de la Iglesia for the film Balada Triste De Trompeta
(Spain, France)
Special Jury Prize to:
Essential KILLINGby Jerzy Skolimowski
(Poland,...
- 9/13/2010
- by Manny
- Manny the Movie Guy
On September 11, the 67th Venice Film Festival came to a close. The awards ceremony began at 7:00 p.m. in the Palazzo del Cinema. The Golden Lion for best film went to Somewhere by Sofia Coppola. Silver Lion for best director to Alex de la Iglesia for Balada triste de trompeta. Special Jury Prize to Essential Killing by Jerzy Skolimowsi. Coppa Volpi for Best Actor to Vincent Gallo in the film Essential Killing by Jerzy Skolimowsi. Coppa Volpi for Best Actress to Ariane Labed in the film Attenberg by Athina Rachel Tsangari (Greece).
The Venezia 67 Jury, chaired by Quentin Tarantino and comprised of Guillermo Arriaga, Ingeborga Dapkunaite, Arnaud Desplechin, Danny Elfman, Luca Guadagnino, Gabriele Salvatores, having viewed all twenty-four films in competition, has decided as follows:
Golden Lion for Best Film:
Somewhere by Sofia Coppola (USA)
Silver Lion for Best Director to:
Álex de la Iglesia for the film Balada Triste De Trompeta (Spain,...
The Venezia 67 Jury, chaired by Quentin Tarantino and comprised of Guillermo Arriaga, Ingeborga Dapkunaite, Arnaud Desplechin, Danny Elfman, Luca Guadagnino, Gabriele Salvatores, having viewed all twenty-four films in competition, has decided as follows:
Golden Lion for Best Film:
Somewhere by Sofia Coppola (USA)
Silver Lion for Best Director to:
Álex de la Iglesia for the film Balada Triste De Trompeta (Spain,...
- 9/11/2010
- by Michelle McCue
- WeAreMovieGeeks.com
Festivals tend to have more than one jury so let's deal with the sidebar prizes first, before we get to the main competition jury, headed by Quentin Tarantino. But a little preview: Natalie Portman went home empty-handed for Black Swank but Mila Kunis didn't. Interesssssssting.
Various Sidebars
Europa Cinema Award: This honor comes from the Venice Days sidebar and the winning film was Bertrand Blier's Le Bruit des Glacons (The Clink of the Ice), a dark French comedy about an alcoholic dealing with cancer.
The Queer Lion: This prize focuses on the way films portray gay characters and themes. The winner was En el futuro (In the Future), a 62 minute black and white film directed by Mauro Andrizzi. None of the summaries seem to tell you what it's about. Hmmmm. It played in the Orizzonti sidebar of the festival. Guess they didn't like the disturbing sapphic tryst angle of Black Swan all that much.
Various Sidebars
Europa Cinema Award: This honor comes from the Venice Days sidebar and the winning film was Bertrand Blier's Le Bruit des Glacons (The Clink of the Ice), a dark French comedy about an alcoholic dealing with cancer.
The Queer Lion: This prize focuses on the way films portray gay characters and themes. The winner was En el futuro (In the Future), a 62 minute black and white film directed by Mauro Andrizzi. None of the summaries seem to tell you what it's about. Hmmmm. It played in the Orizzonti sidebar of the festival. Guess they didn't like the disturbing sapphic tryst angle of Black Swan all that much.
- 9/11/2010
- by NATHANIEL R
- FilmExperience
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