El fotógrafo más moderno del mundo decía Andy Warhol de Christopher Makos, uno de los más genuinos representantes del Pop americano, resistente del style-life ochentero y componente actual de The Hilton Brother, un comando fotográfico instalado en una forma de post-pop. Este documental recorre el itinerario de Makos, una máquina de crear y de provocar desde un estilo personal que suscita tanta admiración como menosprecio pero nunca indiferencia. It´s like Frankenstein, somepeople consider it´s a monters, other we consider like an art proyect. Makos dixit.
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The most modern photographer of the world was saying Andy Warhol of Christopher Makos, one of the most genuine representatives of the American Pop, resistant of the style-life eighties and The Hilton's current component Brother, a photographic command installed in a form of post-pop. This documentary crosses Makos's itinerary, a machine of creating and of provoking from a personal style that never provokes so many admiration as contempt but nonchalance.
It´s like Frankenstein, somepeople consider it´s a monters, other we consider like an art proyect. Makos dixit.