58
Metascore
17 reviews · Provided by Metacritic.com
- 83IndieWireEric KohnIndieWireEric KohnIn its wonderfully irreverent way, Wrong makes it clear that this reality is never to be trusted as anything more than a succession of strange moments that coalesce into an abstract representation of the subjectivity that traps us all. This is the essence of new film noir, which challenges our perceptions through a series of compellingly ambiguous moments.
- 80SalonAndrew O'HehirSalonAndrew O'HehirAs this wry, dry and glittering near-masterpiece proclaims, life is full of wrongness, but also full of mystery and wonder.
- 70The Hollywood ReporterJohn DeForeThe Hollywood ReporterJohn DeForeIf the premise isn't as attention-grabbing as Rubber's was, the execution should help build the filmmaker's following.
- 70Village VoiceAlan ScherstuhlVillage VoiceAlan ScherstuhlThe film's heady buzz is invigorating, and there are substantial pleasures—and laughs—to be found in all its real-life-just-gone-sour strangeness.
- 67The A.V. ClubTasha RobinsonThe A.V. ClubTasha RobinsonIt’s a Dada daydream of a movie, but no one who sits through it can complain that they weren’t warned up front.
- 63Chicago Sun-TimesChicago Sun-TimesThe movie is flimsy, glib, and occasionally pretty funny.
- 50VarietyDennis HarveyVarietyDennis HarveyA curious tale about a man searching for his missing dog in a suburban bubble where everything is a little askew, has some laughs, but it doesn’t take long for the absurdist humor to pall among a pileup of nonsensical ideas that would be funnier if grounded in a less hazy concept.
- 50Slant MagazineSlant MagazineIt doesn't seem to have any pretensions beyond the regimented unveiling of a parade of odd occurrences, plodding along under the banner of absurdity.
- 50Austin ChronicleAustin ChroniclePlotnick is an appealing actor. He has the same sweetly knit brow and watery blue eyes as Breaking Bad’s Aaron Paul, but his character here is as flat as a pancake. Moreover, if you’ve seen the trailer for Wrong, you’ve seen the movie.
- 40Time OutKeith UhlichTime OutKeith UhlichWeird for weirdness’s sake gets you only so far, however, and when Dupieux tries to connect all these strange goings-on to Dolph’s corporate-drone despondency, the movie takes a spurious turn toward rancid sentimentality. It seems that even a piece of dog excrement has feelings. Yuck.