Directed by
Helmut Dosantos |
Writing Credits
Helmut Dosantos | ... | (screenplay by) & |
Vincenzo Mistretta | ... | (screenplay by) |
Franz Kafka | ... | (inspired by the short story "The Judgment" by) |
Cast (in credits order)
Guy Balotine | ... | Edward Lund | |
Jessica Park | ... | Karla Welles | |
Jim Maloy | ... | Jason Apollo Lund | |
Norman Sham | ... | Gerry | |
Gerry Maher | ... | Mr. Bell | |
Jessica Wegrzyn | ... | Helen | |
Eric Bamberg | ... | Young Man | |
Caton Collins | ... | Young Edward |
Produced by
Bébars Baslan | ... | associate producer |
Ludovic Bonleux | ... | executive producer / line producer: Mexico unit |
Maxime de Tréglodé | ... | co-producer |
Helmut Dosantos | ... | producer |
Vincenzo Mistretta | ... | producer |
Monika Pavliková | ... | line producer: U.S. unit (as Monika Pavliková Byrne) |
Music by
Luigi Esposito | ... | (original music by) |
Cinematography by
Vincenzo Mistretta | ... | director of photography |
Fernando Munoz | ... | director of photography |
Fernando Muñoz | ... | director of photography |
Editing by
Nayeli Garci-Crespo | ||
Santi Minasi |
Production Design by
Helmut Dosantos |
Costume Design by
Adriana Ruíz |
Production Management
Ludovic Bonleux | ... | production manager |
Monika Pavliková | ... | production manager (as Monika Pavliková Byrne) |
Second Unit Director or Assistant Director
Carlos Bravo Alzamora | ... | assistant director: Mexico unit (as Carlos Alzamora) |
Gabylu Lara | ... | assistant director: Mexico unit |
Holly Nord-Podberesky | ... | assistant director: U.S. unit |
Jason Vanderbosch | ... | assistant director: U.S. unit |
Art Department
Arturo Galván | ... | set designer |
Dennis Maher | ... | set designer |
Sound Department
Enrico Ascoli | ... | sound |
José E. Caldararo | ... | foley artist (as José Caldararo) |
John Camino | ... | re-recording mixer |
Gabriel Coll Barberis | ... | sound designer / sound editor |
Bechen de Loredo | ... | foley mixer / foley recordist (as Alejandro de Loredo) |
Leandro de Loredo | ... | foley recordist |
Francisco Rizzi | ... | foley artist |
Sebastián Sonzogni | ... | foley artist |
Visual Effects by
Esteban Azuela | ... | digital effects |
Loring Charpentier | ... | digital effects |
Emanuele Di Bacco | ... | digital effects |
Ary Ehrenberg | ... | digital effects |
Maxi Gomez | ... | digital effects |
Dominic Graziani | ... | visual effects coordinator |
Jose Karam | ... | digital effects |
Guicho Núñez | ... | digital effects |
Moises Regla | ... | digital effects |
Armando Sosa | ... | digital effects |
Øyvind Stiauren | ... | digital effects |
Salvador Tovar | ... | digital effects |
Joakim Ziegler | ... | digital effects |
Camera and Electrical Department
Helmut Dosantos | ... | camera operator |
Vincenzo Mistretta | ... | camera operator |
Fernando Munoz | ... | camera operator |
Music Department
Enrico Ascoli | ... | composer: additional music |
Thanks
Robert Altman | ... | dedicatee |
Ingmar Bergman | ... | dedicatee |
Jean Cocteau | ... | dedicatee |
Maya Deren | ... | dedicatee |
Friedrich Dürrenmatt | ... | dedicatee (as Friedrich Durrenmatt) |
Alfred Hitchcock | ... | dedicatee |
Pier Paolo Pasolini | ... | dedicatee |
Béla Tarr | ... | dedicatee (as Bela Tarr) |
Orson Welles | ... | dedicatee |