Exaella (2011) User Reviews

of course I am not anime expert but

[Angel_Peter · 1/10 · 21 May 2020]

I did find this very long and at he same time very dull colors. I did not really get interested in any of the characters in the story and I may believe the long an extremely boring start without a hint what was happening did lower my general interest as well.

I am sure you can find more exciting anime out there to watch than this.Or skip the first 40 minuttes and I do not believe you will miss much. Without really cutting anything this could have been an hour shorter

A calibre past technological

[blackmamba99971 · 10/10 · 3 September 2013]

For a mini series like this, a strange yet satisfying approach appealed to me when I watched each part. A magnate plant, holding thousands of people on life support, as well as deep psyche stimulation begins to break down at the seams. A particular operator named Xonasu had awoken prematurely because of the faltering systems within the complex.

Meteors were the cause, so now Xonasu has to find a way to stop the degradation before the sleeping citizens of earth die horrible deaths. Partnered with Xonasu is Piku, a small child who also had awoken prematurely, and a soldier who doesn't make his presence known until the last few episodes.

Since the inception of the plant, all natural resources across the globe dwindled down to just bare scraps. Man had depleted nearly all of it since the industrial age. More so than not, scientists all over the world strive to make a better place to live in. But in the midst of space, something called the manta arrived.

Now all on earth lived in underground facilities like the one Xonasu slept in. But with growing concerns from government officials about the sudden break down, they sent in Mr. Ken. A glorious warrior who uses not only a machine gun, but a rather razor sharp katana in case his gun jams, or loses it.

All in all, I thought this was a grand series. Seeing the aspects of pure, raw, and cold technology take over people's lives in place of natural means. A bitter, and often cruel look at how it is possible that one of these generations, will most likely grab, and hold on to nothing more than a computer chip.

The creators also has shown us how to instill human affection in the face of death, or danger. With Xonasu, although her strength, and agility in her mind was over the top, she found the means to encourage caring in the midst of the black nightmare that was manta.

And since her resolve is to help others, her way of doing things were no less than obvious to those around her. A message people, fool with mother nature too long, she'll find a way to screw you over a thousand times.

This is recommended to those over 12. There is no gore, blood or exploding bodies. It is riddled with mystic anagrams, some violence, and robots. A very human story, for a less human time.

Exaella: A Rare Gem of Elegant Storytelling

[mootgnai13 · 10/10 · 3 August 2014]

Exaella should be finely considered more than just an anime; it should be considered instead a rare gem of a narrative filled with ambiance, subtlety, and beautiful, delicate storytelling.

There is something hauntingly beautiful with Andrew Oudot's creation. So rare is it to see narratives these days in which the storyteller is able to rely on pure subtleties that continuously whisper to viewers' minds. In this case of Exaella, what the anime gives us in terms of subtle whispers are suspense, question, and wonderment.

Exaella is slow-paced and magically crafted, set inside a world of dark, soulless machinery. Oudot-—who is the director, writer, as well as sound director and composer—-delivers us no cheap gimmicks, and allows instead for the darkness to speak for itself. Viewers are utterly immersed in the ambiance of the world, and everything from careful footsteps, to a drop of water, and even to an unanswered whisper, is absolutely magnificent. In fact, it is this sense of darkness that plays almost like a second character: the darkness is alive with subtleties and quietness, forlorn in nature, and filled with the utmost discontent. The darkness just seems to breathe in each of the beautifully crafted scenes, and one is always reminded of its enigmatic presence and unlimited power. Oudot has masterfully designed the layout of Xonasu so that viewers are trapped in an eternal labyrinth of cold monochrome machinery: the sides are cluttered with pipes and metal, the corridors empty, the doors threadbare and rusted, the elevators broken, the metal floorboards untrustworthy—-one is reminded of James Cameron's "Aliens" in a way, but with subtler tones and quieter events. At times, the darkness inside the Xonasu complex acts like a true character put on stage, going through mood swings of hate and rage before fully collapsing into moments of sorrow and remorse. This is seen when the Xonasu complex begins to reactive, restarting all of its defense drones and firing at random enemies, stilling itself to breathe after it has finished, as if out of breath. Once the darkness reemerges—-and the quiet resettles—-viewers are left in wonderment at the alien world that is Xonasu. All these formless shapes and shadows, these dead husks of machinery, and the hollow sounds of resonating metal, make it so that the darkness is a cold untrustworthy friend to characters Exaella, Piku, and Ken. Praise should be given to Mr. Oudot for being able to craft such an ambient environment and turn it into a superb character.

There is also something extremely poignant about Exaella: its unspoken quality of darkness and willed sense of hope resonates deep with the human heart. In a world so cold, mysterious, and filled with lifeless metal, it's the characters Exaella, Pikau, and even Ken, that viewers rely on to retain their sense of humanity. It's this quality of lifelessness that the creator does so well that brings about such joyous life between all three characters, even if the characters speak so very little. With such damp, dark, and decadent worlds around them, the characters become the last hope for the viewer, instilling a surprising sense of emotional attachment. The interaction between Exaella and Pikau are subtle but lovely, enduring throughout the anime as cherished moments worth remembering. Because human faces are so rare, and because emotions have been suppressed by the mechanical shape of behemoth machinery, seeing the cute round face of Piku, or noticing the concerned look in Exaella's eyes, is absolutely wonderful, akin to the lovingly embraces of a friend. The movements of the characters are subtle and calm, never like the exaggerated facial expressions (or loud, overly-obnoxious voices) of other anime characters. For this, the director should be praised, as it's so rare to see characters being able to express themselves with such quietness. Not one action is wasted in Exaella, and every character is as valuable as the last.

Praise should also be delivered to Oudot's skill as a musical composer, as the majority of the sounds in the anime was a product of Mr. Oudot's incredible skills. It's no wonder then that Oudot is also responsible for the impressive soundtrack for Exaella.

With the ending of Exaella, I felt a great sadness in my heart that yearned for more storytelling, more Pikau, more Exaella, and just more everything. There is still so much left unanswered, and still so much left to explain: what is Xonasu, truly, and how was it built? What is Ken's status at the end of the anime, and who are his comrades? What will happen to Piku? And, more importantly, what has happened to Exaella? While it's unfortunate that many have overlooked Exaella, I personally hope Mr. Oudot continues with this project, and hope that others will eventually recognize the wonderful and intriguing world of Exaella.