Directed by
| Steven J. Kung | ... | (as Steven Kung) |
Writing Credits (in alphabetical order)
| Steven J. Kung | ... | (as Steven Kung) |
Cast (in credits order)
Produced by
| Justin Bell | ... | producer |
| Matthew Helderman | ... | executive producer |
| Jon Michael Kondrath | ... | producer |
| Evan Mirzai | ... | executive producer |
| Peter Sands | ... | associate producer |
| Luke Taylor | ... | executive producer |
| Pat Tsao | ... | executive producer |
Music by
| Benjamin Wynn | ||
| Jeremy Zuckerman | ||
Cinematography by
| Bobby Lam | ... | (as Robert Lam) |
Editing by
| Chris Witt | ||
Casting By
| Sunday Boling | ||
| Meg Morman | ||
Production Design by
| Pam Chien | ||
Set Decoration by
| Elaine Carey Haswell | ... | (as Elaine Haswell) |
Costume Design by
| Sheridan Irwin | ||
Makeup Department
| Rachel Lund Olson | ... | makeup department head |
| Autumn Sanders | ... | key hair stylist |
Production Management
| Jon Michael Kondrath | ... | unit production manager |
Second Unit Director or Assistant Director
| Vicki Goldsmith | ... | second assistant director |
| Anitra Stevens | ... | second second assistant director |
| Kelly Stevens | ... | first assistant director |
Art Department
| Matthew Andrews | ... | property master |
| Eddie Beasley | ... | leadman |
| Tina Clark | ... | set dresser |
| Rick Craft | ... | set dresser |
| Rahma Farahat | ... | art swing |
| Elaine Carey Haswell | ... | buyer (as Elaine Haswell) |
| Frankie Madrigal | ... | set dresser |
| Marcy Silver | ... | art swing |
| Sarah True | ... | on-set dreser |
| Chase Wright | ... | props |
Sound Department
| Kelly Ambrow | ... | boom operator |
| George A. Lara | ... | foley mixer |
| Michele Perrone | ... | dialogue supervisor |
| Brenton Stumpf | ... | sound mixer |
| Daniel R. Williams | ... | boom operator |
Camera and Electrical Department
| Rick Antonette | ... | best boy grip |
| German Bravo | ... | swing |
| Erin Endow | ... | first assistant camera (as Erin Olesen) |
| Jason Goebel | ... | steadicam operator |
| George Hatfield | ... | swing |
| Ashley Layne | ... | best boy grip |
| Sal Lopez | ... | epk / still photographer |
| Anthony Roldan | ... | grip |
| Sarah Schulte | ... | key grip |
| Ian Thomas | ... | best boy electric |
| Igor Tochilnikov | ... | gaffer |
Casting Department
| Nicki Katz | ... | extras casting |
Costume and Wardrobe Department
| Christine S. Chang | ... | additional on-set costumer |
| Aidan Vitti | ... | assistant costume designer |
Editorial Department
| Jason Britton | ... | digital intermediate editor |
| Nicole Garcia | ... | colorist |
| David Lamb | ... | digital intermediate producer |
| Keith Roush | ... | senior colorist |
Location Management
| Lesley Lopez | ... | location manager |
Music Department
| Andrew Prahlow | ... | assistant to composer |
| Mark Robertson | ... | orchestra contractor |
| Jeremy Zuckerman | ... | conductor |
Script and Continuity Department
| Ann M. Doria | ... | script supervisor |
Additional Crew
| Chantillie Badagliacco-Cabrera | ... | production assistant |
| Leah Cronican | ... | production assistant |
| Adam Darragh | ... | production assistant |
| Michael Evans | ... | production assistant |
| Sylvia E. Gonzales | ... | assistant production coordinator |
| Katie Kawamoto | ... | production assistant |
| Clifford Lo | ... | legal services |
| Sal Lopez | ... | office production assistant |
| Barnabas Prontnicki | ... | production assistant |
| John Thomas Schrad | ... | production coordinator |
| Temur Topuria | ... | production assistant |
| Travis Demarus Brown | ... | production assistant (uncredited) |
Thanks
| Christopher Jun | ... | special thanks |
| Steven Robillard | ... | special thanks |
